Foreword by Dennis F. Mahoney The German Library is a new series of the major works of German literature and thought from medieval times to the present. The volumes have forwards by internationally known writers and introductions by prominent scholars. Excerpts six texts (by La Roche, Forster, Wieland, Moritz, Heinse, and Braker) that show a cross-section of forms and themes that are representative as well as special examples of 18th-century German prose.

This collection of High Modernism among Austrian and German writers includes:--Pogrom and a selection from The Case of Sergeant Grischa by Arnold Zweig--"The Murder of a Buttercup" and a selection from Berlin Alexanderplatz (recently cited as one of the 100 Most Meaningful Books of All Time in a survey that was reported in The Guardian, and made into a landmark multipart television series by Rainer Werner Fassbinder) by Alfred D÷blin--Selections from Jew Snss and The Oppermans by Lion Feuchtwanger--A selection from The Seventh Cross and "Excursion of the Dead Girls" by Anna Seghers>

This collection features a cogent introduction and includes representative poems by some 60 modern poets, including Ingeborg Bachmann, Gottfried Benn, Berthold Brecht, Paul Celan, Gnnter Eich, Gnnter Grass, Georg Heym, Hugo von Hofmannsthal, Franz Kafka, Gnnter Kunert, Gertrud Kolmar, Friederike Mayr÷cker, Rainer Maria Rilke, Nelly Sachs, and many others.

Includes: Gunther Anders, "Victims of Aggression"; Hannah Arendt, "From the Life of the Mind"; Ernst Bloch, "On Fine Arts in the Machine Age, From "The Principle of Hope"; Karl Jaspers, "Existential Philosophy"; Albert Schweitzer, "Philosophy of Civilization"; Karl R. Popper, "An Optimistic View of Our Age"; Ludwig Wittgenstein, From "Philosophical Investigations"; and more.

Expertly introduced and edited by A. Leslie Willson, the present volume is a collection to read and cherish, and to reread: to pass along and talk about. Its broad themes of tragedy, satire, and carefully observed daily living make it a cross section of German life and liveliness over the second half of the 20th century.

This essential collection of Franz Kafka's writings includes classic as well as new translations: "The Metamorphosis" "The Judgment" "A Country Doctor "In the Penal Colony" From A Hunger Artist ("First Sorrow," "A Little Woman," "A Hunger Artist," "Josephine, the Singer; or, The Mouse People") "The Hunter Gracchus" "The Great Wall of China" "Letter to His Father">

"Written during the last years of the Weimar Republic, the two novels collected here address the urgent problems of that age. Both Erich Maria Remarque (1898-1970) and Joseph Roth (1894-1939) served in World War I, Remarque with the German army and Roth with the Austrian. Their experiences would help define what Gertrude Stein referred to as the "Lost Generation." All Quiet on the Western Front is the testimony of a soldier who had become aware of how much he, and those of his generation who had survived, had been affected by the trauma of the Great War. For Joseph Roth, World War I had cost him his homeland and turned him into a nomad. Job, in abridged form for The German Library, addresses the theme of Jewish identity in a newly mobilized society."--Jacket.

Long in preparation and in considerable demand, here are the essential poems and prose of one of the giants of 20th century world literature. Following an authoritative introduction by Reinhold Grimm, the volume includes German and English poems on facing pages.

The Emergence of Neuroscience and the German Novel: Poetics of the Brain revises the dominant narrative about the distinctive psychological inwardness and introspective depth of the German novel by reinterpreting the novel’s development from the perspective of the nascent discipline of neuroscience, the emergence of which is coterminous with the rise of the novel form. In particular, it asks how the novel’s formal properties—stylistic, narrative, rhetorical, and figurative—correlate with the formation of a neuroscientific discourse, and how the former may have assisted, disrupted, and/or intensified the medical articulation of neurological concepts. This study poses the question: how does this rapidly evolving field emerge in the context of nineteenth century cultural practices and what were the conditions for its emergence in the German-speaking world specifically? Where did neuroscience begin and how did it broaden in scope? And most crucially, to what degree does it owe its existence to literature?

This volume brings together the two most important women writers of postwar German literature: Ingeborg Bachmann (1926-73) and Christa Wolf (b. 1929). Both grew up during the National Socialist era, and in their adult lives have remained critical of their respective societies' failure to confront the history of this era.