Describes the techniques and the reasons for the use of mummification in ancient Egypt.

Provides things to make that include a pharaoh's headdress, an Egyptian god puppet with moveable arms and a mummy in a sarcophagus. This title contains information boxes on each page with facts about the Egyptians.

An incisive exploration of women and work, showing how globalization’s promise of liberation instead set the stage for repression—from the acclaimed author of Factory Girls “Exhaustively reported and researched, Egyptian Made takes us halfway across the world and inside the intimate lives of women caught between tradition and independence.”—Monica Potts, New York Times bestselling author of The Forgotten Girls What happens to the women who choose to work in a country struggling to reconcile a traditional culture with the demands of globalization? In this sharply drawn portrait of Egyptian society—deepened by two years of immersive reporting—Leslie T. Chang follows three women as they persevere in a country that throws up obstacles to their progress at every step, from dramatic swings in economic policy to conservative marriage expectations and a failing education system. Working in Egypt’s centuries-old textile industry, Riham is a shrewd businesswoman who nevertheless struggles to attract workers to her garment factory and to compete in the global marketplace. Rania, who works on a factory assembly line, attempts to climb to a management rank but is held back by conflicts with co-workers and the humiliation of an unhappy marriage. Her colleague Doaa, meanwhile, pursues an education and independence but sacrifices access to her own children in order to get a divorce. Alongside these stories, Chang shares her own experiences living and working in Egypt for five years, seeing through her own eyes the risks and prejudices that working women continue to face. She also weaves in the history of Egypt’s vaunted textile industry, its colonization and independence, a century of political upheaval, and the history of Islam in Egypt, all of which shaped the country as it is today and the choices available to Riham, Rania, and Doaa. Following each woman’s story from home and work, Chang powerfully observes the near-impossible balancing act that Egyptian women strike every day.

"This catalogue is published in conjunction with the exhibition 'The Dawn of Egyptian Art' on view at the Metropolitan Museum of Art, New York from April 10 to August 5, 2012"--T.p. verso.

The first time Melanie Ross meets April Hall, she’s not sure they have anything in common. But she soon discovers that they both love anything to do with ancient Egypt. When they stumble upon a deserted storage yard, Melanie and April decide it’s the perfect spot for the Egypt Game. Before long there are six Egyptians, and they all meet to wear costumes, hold ceremonies, and work on their secret code. Everyone thinks it’s just a game until strange things start happening. Has the Egypt Game gone too far?

"The aim of this book is twofold: first, to provide beginning students with step-by-step guidance in drawing hieroglyphs; and secondly, to supplement the observations of Gardiner in the Sign List at the back of his Egyptian Grammar. The examples include all 24 of the common forms of "alphabetic" (monoconsonantal) signs, and a selection of other signs that are either difficult to draw or that call for additional comment - a total of about 200 in all. Comparative material, emphasizing Old Kingdom models, is presented in 175 line drawings. By familiarizing themselves with this material, along with the points made in the Introduction, students will, at the same time, learn a good deal about hieroglyphic palaeography"--Publisher's description.

This book provides an innovative analysis of the conditions of ancient Egyptian craftsmanship in the light of the archaeology of production, linguistic analysis, visual representation and ethnographic research. During the past decades, the "imaginative" figure of ancient Egyptian material producers has moved from "workers" to "artisans" and, most recently, to "artists". In a search for a fuller understanding of the pragmatics of material production in past societies, and moving away from a series of modern preconceptions, this volume aims to analyse the mechanisms of material production in Egypt during the Middle Bronze Age (2000-1550 BC), to approach the profile of ancient Egyptian craftsmen through their own words, images and artefacts, and to trace possible modes of circulation of ideas among craftsmen in material production. The studies in the volume address the mechanisms of ancient production in Middle Bronze Age Egypt, the circulation of ideas among craftsmen, and the profiles of the people involved, based on the material traces, including depictions and writings, the ancient craftsmen themselves left and produced.

The book describes current research into all aspects of craftwork in ancient Egypt.

Instructions for drawing Egyptian images and symbols.

For many Egyptians in the early twentieth century, the biggest national problem was not British domination or the Great Depression but a "marriage crisis" heralded in the press as a devastating rise in the number of middle-class men refraining from marriage. Voicing anxieties over a presumed increase in bachelorhood, Egyptians also used the failings of Egyptian marriage to criticize British rule, unemployment, the disintegration of female seclusion, the influx of women into schools, middle-class materialism, and Islamic laws they deemed incompatible with modernity. For Better, For Worse explores how marriage became the lens through which Egyptians critiqued larger socioeconomic and political concerns. Delving into the vastly different portrayals and practices of marriage in both the press and the Islamic court records, this innovative look at how Egyptians understood marital and civil rights and duties during the early twentieth century offers fresh insights into ongoing debates about nationalism, colonialism, gender, and the family.