AUTHOR'S NOTE: This book has been replaced by a fuller account of Edward Gorey's theatrical work, Edward Gorey On Stage: Playwright, Director, Designer, Performer: a Multimedia Memoir, available in both print and e-book formats. How to classify the extraordinary Edward Gorey? Artist? Writer? Dark humorist? What about Dramatist? It was in theatre that Gorey's public career started and finished. As a postwar Harvard University student, he and his friends Frank O'Hara, Alison Lurie, John Ashbery, and others created the legendary Poets' Theatre. After winning a Tony Award on Broadway for Frank Langella's Dracula, Gorey left New York for Cape Cod. From Woods Hole to Provincetown, he wrote, designed, and directed a scintillating set of "entertainments" starring local actors and his own troupe of handmade puppets. Chief producer of Gorey's plays was his friend and neighbor Carol Verburg. Now she tells how he did it. From "The Helpless Doorknob" and "The Gilded Bat" to "Horror at Hamstrung Hall" and "Porptiga," she chronicles Gorey's adventures in drama, puppetry, opera, and even (briefly) acting.

The definitive biography of Edward Gorey, the eccentric master of macabre nonsense. From The Gashlycrumb Tinies to The Doubtful Guest, Edward Gorey's wickedly funny and deliciously sinister little books have influenced our culture in innumerable ways, from the works of Tim Burton and Neil Gaiman to Lemony Snicket. Some even call him the Grandfather of Goth. But who was this man, who lived with over twenty thousand books and six cats, who roomed with Frank O'Hara at Harvard, and was known -- in the late 1940s, no less -- to traipse around in full-length fur coats, clanking bracelets, and an Edwardian beard? An eccentric, a gregarious recluse, an enigmatic auteur of whimsically morbid masterpieces, yes -- but who was the real Edward Gorey behind the Oscar Wildean pose? He published over a hundred books and illustrated works by Samuel Beckett, T.S. Eliot, Edward Lear, John Updike, Charles Dickens, Hilaire Belloc, Muriel Spark, Bram Stoker, Gilbert & Sullivan, and others. At the same time, he was a deeply complicated and conflicted individual, a man whose art reflected his obsessions with the disquieting and the darkly hilarious. Based on newly uncovered correspondence and interviews with personalities as diverse as John Ashbery, Donald Hall, Lemony Snicket, Neil Gaiman, and Anna Sui, Born to Be Posthumous draws back the curtain on the eccentric genius and mysterious life of Edward Gorey.

Originally published in 1963, The West Wing is one of Edward Gorey's classic books. This wordless tale unfolds through thirty-one mysterious drawings that carry the viewer from room to room via long corridors. Peeling wallpaper hangs to the floor, a candle held by invisible hands casts light into the dark, and odd characters appear unbidden. The viewer wonders: What's haunting this building? And who left that boulder on the table?First released as part of The Vinegar Works: Three Volumes of Moral Instruction (whichincluded The Gashlycrumb Tinies and The Insect God) this book is undoubtedly a cautionarytale. Stop. Do not enter. Unless you dare to find out what's happening in The West Wing.

In his Preface to "A Christmas Carol", Charles Dickens wrote that he tried "to raise the Ghost of an Idea" with readers and trusted that it would "haunt their house pleasantly". In December 1997, 154 Christmases later, the "New York Times Magazine" asked its own Edward Gorey to refurbish this enduring morality tale. The result is this "dispirited and distasteful diversion for Christmas". Illustrations.

Elephant House may be the most intimate portrait of Edward Gorey ever published. McDermott's reminiscences and descriptions of the house accompany his engaging photographs, and more than a dozen of Gorey's etchings and drawings of elephants-never before published-are paired with quotes from the artist. Through this portrait, Edward Gorey becomes even more the man we all wish we had had the chance to meet, an artist whose brilliant and hilarious art and words will continue to charm and delight us for generations to come.

A bibliographic reference to American artist Edward Gorey's (b. 1925) books, contributions to periodicals, book covers, original art, ephemera and collectibles, periodicals inspired by him, catalogs of his work, and other items of interest to collectors and dealers. Includes information on identifying first editions and suggested retail price. Comprehensive to the end of 1995. Paper edition (unseen), $24.95. Available from Word Play Publications, 1 Sutter Street, Suite 205, San Francisco 94104. Annotation copyrighted by Book News, Inc., Portland, OR

The definitive, deluxe art book about Edward Gorey's theater work—from the Tony Award-winning Broadway production of Dracula to the wildly creative productions to which he devoted the last decade of his life. Edward Gorey (1925-2000) was a prodigious and original artist who published more than one hundred beloved works, including The Gashlycrumb Tinies, The Doubtful Guest, and Amphigorey, and illustrations that appeared regularly in such publications as The New Yorker and The New York Times and books by authors ranging from Charles Dickens and T.S. Eliot to John Updike and Virginia Woolf, among many others. His animated credits for the PBS Mystery! series introduced him to millions of television viewers. In addition to his intricate pen-and-ink drawings and darkly humorous storybooks, Gorey also nurtured a lifelong passion for the performing arts. This volume is the first to showcase his extensive theatrical work, including his transition from designing major productions to crafting original community theater pieces on Cape Cod. Written by his friend and collaborator Carol Verburg, this handsome hardcover edition is filled with annotated scripts, behind-the-scenes anecdotes, and over two hundred images, including archival photos and previously unpublished artwork. It unveils Gorey at work and play, drawing back the curtain on his enigmatic genius, which continues to inspire artists and collectors today. BELOVED ARTIST: Edward Gorey's art is instantly recognizable. Storytellers such as Tim Burton and Daniel Handler cite him as an inspiration, and his influence is visible in the works of illustrators ranging from Tom Gauld to Stephanie von Reiswitz. With an oeuvre that ranges widely from storybooks to the stage, Gorey is a major artist of the 20th century. RARE AND UNPUBLISHED CONTENT: This is the first book focused on Gorey's theater work and includes previously unpublished and rarely seen archival photos, illustrations, and scripts—some annotated in Gorey's own hand. It is an essential read for collectors and fans. THE INSIDE STORY: Carol Verburg was Gorey's close friend and creative comrade-in-arms all through the last decade of his life, and she writes with insight and a personal touch. She intersperses her own reminiscences with quotes from actors and other collaborators to weave a vivid narrative. EXQUISITE GIFT: With rich visuals, engaging writing, and a luxurious hardcover package featuring a red velvet spine, this is a beautiful volume to display on a coffee table and the perfect gift for Gorey fans and theater buffs. Perfect for: Fans and collectors of Edward Gorey's books and illustrations Lovers of theater, theater history, and theatrical design and production Art students and collectors Readers of memoirs and biographies

Item is derived from the artist's sets and Tony Award winning costumes for the 1977 Broadway revival production of Hamilton Deane's 1927 dramatization as a play of Bram Stoker's "Dracula."

Most fans of the artist Edward Gorey know him as the author of lavishly drawn, sparely plotted little books in which hapless characters come to unpleasant ends. But if you happened to be in the right place at the right time, you might know him as a dramatist. From Boston's Poets' Theatre to New York's Broadway, and from Bourne to Provincetown on Cape Cod, Edward Gorey applied his distinctive wit to writing and directing plays for actors and puppets--occasionally including himself. This short memoir is an affectionate chronicle of Gorey's theatrical experiments by the friend, neighbor, and artistic collaborator who produced most of them. Illustrated with rare drawings, photographs, script excerpts, film clips, and even music created for Gorey's twenty-odd "entertainments."

"This varied assortment of weird characters and humorous, horrid happenings is drawn from the best of Edward Gorey's illustrated works."--Publisher.