This study examines the production and consumption of knowledge in early modern/modern Korea through an analysis of textbooks, newspapers and media, government policies, official documents, and autobiographies to mine the sites of contestation and struggle in education and intellectual history.

Sheldon Pollock’s work on the history of literary cultures in the ‘Sanskrit Cosmopolis’ broke new ground in the theorization of historical processes of vernacularization and served as a wake-up call for comparative approaches to such processes in other translocal cultural formations. But are his characterizations of vernacularization in the Sinographic Sphere accurate, and do his ideas and framework allow us to speak of a ‘Sinographic Cosmopolis’? How do the special typology of sinographic writing and associated technologies of vernacular reading complicate comparisons between the Sankrit and Latinate cosmopoleis? Such are the questions tackled in this volume. Contributors are Daehoe Ahn, Yufen Chang, Wiebke Denecke, Torquil Duthie, Marion Eggert, Greg Evon, Hoduk Hwang, John Jorgensen, Ross King, David Lurie, Alexey Lushchenko, Si Nae Park, John Phan, Mareshi Saito, and S. William Wells.

Yi Hwang (1501-1570), better known by his pen name T'oegye, is generally considered Korea's preeminent Neo-Confucian scholar. The Ten Diagrams on Sage Learning is his final masterpiece, a distillation of the learning and practice of a lifetime, and one of the most important works of Korean Neo-Confucianism. In it he crystallized the essence of Neo-Confucian philosophy and spiritual practice in ten brief chapters that begin with the grand vision of the universe and conclude with a description of a well-lived day. In To Become a Sage, Michael Kalton supplements a superb translation of this pivotal text with useful commentary that will greatly enhance its value and interest to the lay reader. The Ten Diagrams is the first complete primary text of Korean Neo-Confucianism to be translated into English. Korea's Yi Dynasty (1392-1910), the only East Asian regime founded exclusively under Neo-Confucian auspices, was unique in its allegiance to the orthodox Ch'eng Chu school, predominant in China, Korea, and Japan. Although the Ten Diagrams is a relatively short work, it fully presents the entire vision of Neo-Confucianism as framed in that school. Kalton provides a brief history of Neo-Confucianism in China and Korea as well as commentary that includes extensive passages from T'oegye's voluminous personal correspondence. These annotations expand the meaning distilled in each chapter. They help the uninitiated reader understand the basic elements of the complex Ch'eng Chu school of Neo-Confucianism, while enabling the scholar to distinguish characteristic aspects of Korean Neo-Confucianism as presented in the thought of the nation's leading philosopher of the time.

A collection of articles dealing with the introduction of Buddhism in Korea and its subsequent spread from there to Japan. The studies contained in this volume cover the Three Kingdom period.

A classic piece of war reportage. Challenging, and full of unsavory revelation.

New York Times Book Review: Editor’s Choice Philadelphia Inquirer: Best Book of the Month World Literature Today: Notable Translation of the Year CrimeReads: Best International Crime Novel of the Year Ms. Magazine: Most Anticipated Book of the Year Washington Independent Review of Books: Favorite Book of the Year Parasite meets The Good Son in this piercing psychological portrait of three women haunted by a brutal, unsolved crime. In the summer of 2002, when Korea is abuzz over hosting the FIFA World Cup, eighteen-year-old Kim Hae-on is killed in what becomes known as the High School Beauty Murder. Two suspects quickly emerge: rich kid Shin Jeongjun, whose car Hae-on was last seen in, and delivery boy Han Manu, who witnessed her there just a few hours before her death. But when Jeongjun’s alibi checks out, and no evidence can be pinned on Manu, the case goes cold. Seventeen years pass without any resolution for those close to Hae-on, and the grief and uncertainty take a cruel toll on her younger sister, Da-on, in particular. Unable to move on with her life, Da-on tries in her own twisted way to recover some of what she’s lost, ultimately setting out to find the truth of what happened. Shifting between the perspectives of Da-on and two of Hae-on’s classmates struck in different ways by her otherworldly beauty, Lemon ostensibly takes the shape of a crime novel. But identifying the perpetrator is not the main objective here: Kwon Yeo-sun uses this well-worn form to craft a searing, timely exploration of privilege, jealousy, trauma, and how we live with the wrongs we have endured and inflicted in turn.

"This fast-paced, harrowing tale, told plainly and simply by Jenkins (with journalist Jim Frederick), takes the reader behind the North Korean curtain and, episode by episode, reveals the inner workings of its isolated society. Jenkins mounted numerous failed escape attempts, was indoctrinated against his will into North Korea's communist cadre system, and endured hunger, cold, and isolation. His loneliness was relieved in 1980 by his marriage to Hitomi Soga. a young Japanese woman whom the North Koreans had abducted as part of a wider campaign to teach Japanese to future spies. Jenkins's account of their life together and as parents of two daughters, as welt as their improbable journey to freedom, which began in 2002, brings this story to a close. Four decades in the world's least known, least visited, and least understood land profoundly changed him; his memoir now offers the reader a powerful testament to the human spirit."--BOOK JACKET.

This is the remarkable and wrenching memoir of a South Korean dissident who was unjustly accused of spying for the North Koreans and jailed for nineteen years as a political prisoner. The updated English-language edition traces Suh Sung's experiences as a Korean citizen of Japan before his incarceration, his time in prison, and his subsequent release. Readers will be moved and awed by Suh's courage under torture and solitary confinement. This memoir is an invaluable document for all concerned about human rights and a moving testimony to one man's incredible determination.

Patriots, Traitors and Empires is an account of modern Korean history, written from the point of view of those who fought to free their country from the domination of foreign empires. It traces the history of Korea's struggle for freedom from opposition to Japanese colonialism starting in 1905 to North Korea's current efforts to deter the threat of invasion by the United States or anybody else by having nuclear weapons. Koreans have been fighting a civil war since 1932, when Kim Il Sung, founder of the Democratic People's Republic of Korea, along with other Korean patriots, launched a guerrilla war against Japanese colonial domination. Other Koreans, traitors to the cause of Korea's freedom, including a future South Korean president, joined the side of Japan's Empire, becoming officers in the Japanese army or enlisting in the hated colonial police force. From early in the 20th century when Japan incorporated Korea into its burgeoning empire, Koreans have struggled against foreign domination, first by Japan then by the United States. Patriots, Traitors and Empires, The Story of Korea's Struggle for Freedom is a much-needed antidote to the jingoist clamor spewing from all quarters whenever Korea is discussed.

The spellbinding memoir of a violin virtuoso who loses the instrument that had defined her both on stage and off -- and who discovers, beyond the violin, the music of her own voice Her first violin was tiny, harsh, factory-made; her first piece was “Twinkle Twinkle, Little Star.” But from the very beginning, Min Kym knew that music was the element in which she could swim and dive and soar. At seven years old, she was a prodigy, the youngest ever student at the famed Purcell School. At eleven, she won her first international prize; at eighteen, violinist great Ruggiero Ricci called her “the most talented violinist I’ve ever taught.” And at twenty-one, she found “the one,” the violin she would play as a soloist: a rare 1696 Stradivarius. Her career took off. She recorded the Brahms concerto and a world tour was planned. Then, in a London café, her violin was stolen. She felt as though she had lost her soulmate, and with it her sense of who she was. Overnight she became unable to play or function, stunned into silence. In this lucid and transfixing memoir, Kym reckons with the space left by her violin’s absence. She sees with new eyes her past as a child prodigy, with its isolation and crushing expectations; her combustible relationships with teachers and with a domineering boyfriend; and her navigation of two very different worlds, her traditional Korean family and her music. And in the stark yet clarifying light of her loss, she rediscovers her voice and herself.