A DEMON ENSLAVED Lore is a Seminus half-breed demon who has been forced to act as his dark master's assassin. Now to earn his freedom and save his sister's life, he must complete one last kill. Powerful and ruthless, he'll stop at nothing to carry out this deadly mission. AN ANGEL TEMPTED Idess is an earthbound angel with a wild side, sworn to protect the human Lore is targeting. She's determined to thwart her wickedly handsome adversary by any means necessary-even if that means risking her vow of eternal chastity. But what begins as a simple seduction soon turns into a passion that leaves both angel and demon craving complete surrender. Torn between duty and desire, Lore and Idess must join forces as they battle their attraction for each other. Because an enemy from the past is rising again-one hellbent on vengeance and unthinkable destruction.

In this dark and intriguing paranormal romance from New York Times bestselling author Larissa Ione, a forbidden romance turns deadly when a slayer is tasked with killing the demon who saved her life. In a place where ecstasy can cost you your life . . . She's a demon-slayer who hungers for sensual pleasure-but fears it will always be denied her. Until Tayla Mancuso lands in a hospital run by demons in disguise, and the head doctor, Eidolon, makes her body burn with unslakable desire. But to prove her ultimate loyalty to her peers, she must betray the surgeon who saved her life. Two lovers will dare to risk all. Eidolon cannot resist this fiery, dangerous woman who fills him with both rage and passion. Not only is she his avowed enemy, but she could very well be the hunter who has been preying upon his people. Torn between his need for the truth and his quest to find his perfect mate before a horrific transformation claims him forever, Eidolon will dare the unthinkable-and let Tayla possess him, body and soul...

The author of the Exorcism of Anneliese Michel “is to be commended for a stimulating and wide-reaching treatment of a compelling and much-debated subject” (Journal of Folklore Research). As part of a series that strives to introduce new or previously unrecognized folkloric phenomena—as well as new approaches and theories that result from discovery and investigation—How About Demons? provides an overview of a topic that has for many years captured the imagination of people from all walks of life. Rich in detail derived from the author’s fieldwork and anthropological literature, this work contemplates possession and exorcism in a holistic manner—discussing their effects on both the body and soul. How About Demons? paints a picture of possession as a usually positive experience occurring in a wide variety of cultures and religions around the globe. It also details the ritual of exorcism which is applied when things go wrong. “Quite an interesting book.”—Religious Studies Review “It is by far superior to anything else on demons we have seen in the past few years.”—The American Rationalist

Two traditionally divided strains of American dance, Modern Dance and Negro Dance, are linked through photographs, reviews, film, and oral history, resulting in a unique view of the history of American dance.

A world unknown, a destiny discovered, and a blood oath that will change her life forever. Sadie McKenzie has no experience with love, giving or receiving. She’s never had a family of her own and lives her days alone with a dream to become a published author. The day of her first ever book signing, she takes a short cut down a dark alley that leads her on an unexpected path, altering her life forever. Sadie is about to discover her life up until now has been a lie, nothing is as it seems, and her new world has creatures she’s only ever read and fantasized about. In her new life, she’ll never want or need for anything. What does she have to lose?

Dancing Women: Female Bodies Onstage is a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity. Broad in its scope and compelling in its argument Dancing Women: * provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance * investigates the gaps between plot and performance that create sexual and gendered meanings * examines how women's agency is created in dance through aspects of choreographic structure and style * analyzes a range of women's images - including brides, mistresses, mothers, sisters, witches, wraiths, enchanted princesses, peasants, revolutionaries, cowgirls, scientists, and athletes - as well as the creation of various women's communities on the dance stage * suggests approaches to issues of gender in postmodern dance Using an interpretive strategy different from that of other feminist dance historians, who have stressed either victimization or celebration of women, Banes finds a much more complex range of cultural representations of gender identities.

Fledging guardian angel and yoga teacher Serena St. Clair dares to enter Devil's Paradise nightclub on a mission—to retrieve the wayward Hollywood "It Boy" she's assigned to protect. But she's ambushed by the club's owner, arch demon Julian Ascher. The most powerful demonic entity in Los Angeles, Julian is handsome as sin, a master of temptation who loves nothing more than corrupting pleasure-seeking humans. He won't release the lost soul Serena is supposed to guard. Unless she accepts his dangerous wager… After the disastrous way his human life ended, Julian vowed that no woman would get the better of him again. Yet this sexy-sweet angel, smelling of fresh ocean air and happiness, triggers centuries-old feelings. Now, their high-stakes game of seduction, where angels fall from grace and where demons fear to tread, will lead them either to an eternity in hell…or a deliciously hot heaven.

"In this bold, speculative, and immensely learned study . . . Tiffany[‘s concept of] lyric substance--the ‘sense’ of materiality supplied to us by poets like Wallace Stevens and Marianne Moore--constitutes a world whose inaccessibility is legitimized by the principles of scientific materialism. Thus lyric, too long on the periphery of materialist discourse, emerges as being squarely in its center."—Marjorie Perloff, Stanford University, author of The Futurist Moment and Wittgenstein’s Ladder "A lyrical inquiry into the circle of ideas: materialism, science, poetics. Winding through the whole is a fascinating exploration of toys--children’s toys, physicists’ toy models, philosophers’ robots, nuclear weaponeers’ toy towns. . . . My hope is that this book will contribute to a growing interest not in cleaving science from the arts but rather in exploring, poetically, the language, images and things that illuminate both." —Peter Galison, Mallinckrodt Professor of the History of Science and Physics, Harvard University "A brilliant achievement, synthesizing the history of science and poetics, technology and the arts, in an iconology of materialism. . . All that is solid melts into air in this book, but just as quickly the airy poems of our climate condense into material, objective forms, weird gadgets, and objects of scientific research. . . A wonderful feast of learning and wit." —W. J. T. Mitchell, University of Chicago, author of Picture Theory and Iconology "In clear-eyed and gorgeous prose, Toy Medium moves the question of Art's encounter with Science to an utterly original point of conflagration: where matter is mostly not matter. . . . Going to the bottom of the Imagination, where it still truly involves images, Tiffany explores how we have learned to see the inscrutable via our imagistic grasp of materiality. . . . This book is daring, brilliant, and deeply clever."—Jorie Graham, Boylston Professor of English, Harvard University, author of Materialism and winner of the Pulitzer Prize

The murder of a world-famous physicist raises fears that the Illuminati are operating again after centuries of silence, and religion professor Robert Langdon is called in to assist with the case.

One thinks of the arts in Nazi Germany as struggling in an oppressive system, yet evidence has repeatedly shown that conditions were far more favourable than we assume. Potter conducts a historiography of Nazi arts, examining writings from the last seven decades to demonstrate how historical, moral, and intellectual conditions have sustained a distorted characterization of cultural life in the Third Reich. Showing how past research has revealed the decentralized nature of Nazi arts policies, Potter argues that the insulation of academic disciplines allowed outdated presumptions about Nazi micromanagement of the arts to persist.