Eco-Visionaries surveys contemporary positions in art and architecture addressing environmental problems beyond mainstream notions of sustainability. This comprehensive volume is a companion to the collaborative 2018 exhibition staged by four participating European museums. Each show maintains a different focus and curatorial approach, and for each, artists investigate more sustainable approaches toward humankind's place on earth, through video and sound works, paintings and installations. While the series of exhibitions presents the works of artists and architects who offer critical reflections on pressing contemporary issues, the book unites research, essays and the artworks. Besides the historical antecedents of current ecological thinking in art and design, this catalog also promotes alternative visions for future uses of energy, resources and the environment.

A series of conversation with architects, artists and designers whose practices confront the current ecological emergency and propose alternative futures for our planet.

The idea for Eco-Pioneers came to Steve Lerner while he was attending the 1992 Earth Summit in Rio de Janeiro. Although he was moved by the vision of sustainable development evoked by citizens and officials at the summit, as a reporter he felt a need to put a human face on the rhetoric and find out what sustainable development actually looks like in the United States. He spent the next four years searching out what he came to call "eco-pioneers"—the modern pathfinders who are working in the American pragmatic tradition to reduce the pace of environmental degradation. These practical visionaries are people who are willing to push the limits of whatever tools they can find for dealing with ecological problems. Lerner provides case studies of eco-pioneers who are exploring sustainable ways to log forests, grow food, save plant species, run cattle, build houses, clean up cities, redesign rural communities, generate power, conserve water, protect rivers and wildlife, treat hazardous waste, reuse materials, and reduce both waste and consumption. Some of those profiled run businesses, some address environmental practices within their immediate community, and some combine their environmental concerns with social goals such as the creation of inner-city jobs. Together they are creating ways of living and working that many analysts believe to be essential to an ecologically sustainable future.

What if it were possible to combine energy and water in a way that would contribute to the reversal of global warming and the restoration of the planet? What if it were possible to have a better quality of life, without having to give anything up? What if that plan made such economic sense that governments and large corporations would buy into it? As it turns out, it is possible to create an energy source by using key technologies that are already available. Most cities have enough rain and sun to meet their water and energy needs, by using simple technology. Building on current mainstream trends in solar energy and wind power, Electric Water offers a clear vision of how the world's energy and water infrastructure could be transformed. The book provides: an outline of the major issues that need addressing, including global warming a fascinating explanation of key technologies in plain water a vision of business and job opportunities in restoration real-life examples, including the post-Katrina Louisiana Coastal Restoration program websites for further information. Unlike many other books on this subject, Electric Water uses accessible language to propose a workable plan for a revolutionary integration of technology and quality of life that will be of special interest to planners, engineers and architects.

Curating in a Time of Ecological Crisis reaffirms the relevance and impactful role of art, revealing how contemporary art exhibitions can capture the zeitgeist and advance new and collaborative approaches to a more sustainable inhabitation of Earth. The book is largely focused on biennales, which it argues are the contemporary exhibition models with the greatest capacity to offer new perspectives and propose alternative ways of connecting with our social and natural environments. Felicity Fenner demonstrates this by showing how curators of these high-profile exhibitions are responding in creative and engaging ways to the issues that preoccupy artists and society more broadly, of which the ecological crisis is paramount. Drawing on case studies from different parts of the world, the author reveals how biennales can make a constructive contribution to debates and attitudes around climate change, and how the role of the curator has evolved to re-embrace a duty of care not just to art but to the natural world as well. Curating in a Time of Ecological Crisis investigates how large-scale exhibitions of contemporary international art can become agents of change. As such, the book will be essential reading for scholars, students, and practitioners with an interest in exhibitions, curating, contemporary art, and environmental sustainability.

This book challenges conventional notions of the Anthropocene and champions the Hydrocene: the Age of Water. It presents the Hydrocene as a disruptive, conceptual epoch and curatorial theory, emphasising water's pivotal role in the climate crisis and contemporary art. The Hydrocene is a wet ontological shift in eco-aesthetics which redefines our approach to water, transcending anthropocentric, neo-colonial and environmentally destructive ways of relating to water. As the most fundamental of elements, water has become increasingly politicised, threatened and challenged by the climate crisis. In response, The Hydrocene articulates and embodies the distinctive ways contemporary artists relate and engage with water, offering valuable lessons towards climate action. Through five compelling case studies across swamp, river, ocean, fog and ice, this book binds feminist environmental humanities theories with the practices of eco-visionary artists. Focusing on Nordic and Oceanic water-based artworks, it demonstrates how art can disrupt established human–water dynamics. By engaging hydrofeminist, care-based and planetary thinking, The Hydrocene learns from the knowledge and agency of water itself within the tide of art going into the blue. The Hydrocene urgently highlights the transformative power of eco-visionary artists in reshaping human–water relations. At the confluence of contemporary art, curatorial theory, climate concerns and environmental humanities, this book is essential reading for researchers, curators, artists, students and those seeking to reconsider their connection with water and advocate for climate justice amid the ongoing natural-cultural water crisis.

Chronicling sixteenth-century Spain to the present day, Beyond Human aims to decentre the human and acknowledge the material historicity of more-than-human nature. The book explores key questions relating to ecological equity, justice, and responsibility within and beyond Spain in the Anthropocene. Examining relations between Iberian cultural practices, historical developments, and ecological processes, Maryanne L. Leone, Shanna Lino, and the contributors to this volume reveal the structures that uphold and dismantle the non-human–human dichotomy and nature-culture divide. The book critiques works from the Golden Age to the twenty-first century in a wide range of genres, including comedia, royal treatises, agricultural reports, paintings, satirical essays, horror fiction and film, young adult and speculative literature, poetry, graphic novels, and television series. The authors contend that Spanish cultural studies must expose the material historicity that entangles today’s ecological crises and ecosocial injustices with previous, future, and contemporary entities. The book argues that this will require the simultaneous decentring of the human and of the Anthropocene as an ecocritical framework. By standardizing ecosocial analysis and widening avenues for ecopedagogical approaches, Beyond Human participates in the ecocentric transformation of Hispanic cultural studies.

Soul initiation is an essential spiritual adventure that most of the world has forgotten — or not yet discovered. Here, visionary ecopsychologist Bill Plotkin maps this journey, one that has not been previously illuminated in the contemporary Western world and yet is vital for the future of our species and our planet. Based on the experiences of thousands of people, this book provides phase-by-phase guidance for the descent to soul — the dissolution of current identity; the encounter with the mythopoetic mysteries of soul; and the metamorphosis of the ego into a cocreator of life-enhancing culture. Plotkin illustrates each phase of this riveting and sometimes hazardous odyssey with fascinating stories from many people, including those he has guided. Throughout he weaves an in-depth exploration of Carl Jung's Red Book — and an innovative framework for understanding it.

Jay Walljasper, Jon Spayde andThe Editors of Utne ReaderTable of Contents Acknowledgments Foreword by Eric Utne Introduction The Spirit Moving Us Introduction Thomas Berry Satish Kumar Stephen & Ondrea Levine Thich Nhat Hahn Zalman Schachter-Shalomi Starhawk The Sense of Community Introduction Ernesto Cortes Jr. Roberta Brandes Gratz Jane Jacobs Frances Moore Lappé Michael Lind David Morris Helena Norberg-Hodge John Papworth Andres Duany & Elizabeth Plater-Zyberk Virginia Valentine Social Action Introduction Noam Chomsky Gary Delgado Riane Eisler Colin Greer Ted Halstead Jim Hightower bell hooks Andrew Kimbrel lWinona LaDuke Geoff Mulgan Muhammed Yunus Seeing Green Introduction Kenny Ausubel & Nina Simons Fritjof Capra Theo Colborn Edward Goldsmith Paul Hawken Hazel Henderson Jerry Mander William McDonough Bill McKibben Donella Meadows Theodore Roszak Charlene Spretnak Creativity & Culture Introduction Gloria Anzaldua Octavia Butler Eduardo Galeano George Gerbner Barbara Marx Hubbard Kalle Lasn Bobby McFerrin Bill Moyers Neil Postman Rachel Rosenthal John Ralston Saul William Strickland Body, Psyche & Senses Introduction Larry Dossey Chellis Glendenning Susan Griffin James Hillman Tom Hodgkinson Henry & Karen Kimsey-House Jane Maxwell Vicki Robin Gabrielle Roth Alice Waters

Climax Change! represents the much-needed overview of how climate change and the current environmental emergency will affect the practice of architecture, both in terms of its design philosophy and rising opportunities to innovate and radically transform the current tenet of architecture’s aesthetic, ethical and professional drives. Climax Change! offers an overview of how the current environmental emergency will impact the practice of architecture. At a crossroads in which the construction sector and built environment produce nearly 40% of greenhouse gases accountable for global warming, architects are just starting to acknowledge their complicity in an impending disaster. In need of a paradigm shift similar to that of the Modern Movement, architecture desperately requires clear guidelines and targets so as to operate its inevitable transformation towards an ecologically-friendly design logic. From historical analyses of ecocide or the environmental avant-gardes, to topics such as decarbonization, degrowth, the Great Transition and the aspirations of Green New Deals, this book features ten essays around today's climate change debates, bringing them home to architectural thinking.