Echoes of No Thing seeks to understand the space between thinking which Martin Heidegger and the 13th-century Zen patriarch Eihei Dōgen explore in their writing and teachings. Heidegger most clearly attempts this in Contributions to Philosophy (of the Event) and Dōgen in his Shōbōgenzō, a collection of fascicles which he compiled in his lifetime. Both thinkers draw us towards thinking, instead of merely defining systems of thought. Both Heidegger and Dōgen imagine possibilities not apparent in the world we currently inhabit, but notably, find possible, through a refashioning of thinking as a soteriological reimagining that clears space for the presencing of an authentic experience in the space which emerges between certainties. Jenkins elucidates this soteriological reimagining through a close reading of both authors' conceptions of time and space, and by developing a practice of listening that is attuned to the echoes that resonate between the two thinkers. While Heidegger often wrote about new beginnings (as well as about gathering oneself, preparing the site, clearings, and practicing) in preparation for the evental un-concealing of truth, nowhere is this as present as in the enigmatic, difficult, and in fact beautiful, Contributions. To call a text beautiful, especially a work of philosophy, risks committing an act of disingenuity, and yet Contributions, like Jacques Derrida's Glas or Walter Benjamin's unfinished Arcades Project, rises to this acclaim through its very resistance to a system, its refusal to be easily digested, or even understood. Contributions is unfinished, partial, even at times muttered; it is the beginning of a thinking which takes place on a path and as such cannot imagine--or refuse--its final destination. It invites us to take up towards, but not to insist on, its thinking; it is a "turn" away from the reason and logic of a technologized world and returns philosophy--as a thinking--to a place of wonder and awe. Dōgen's Shōbogenzō, from another culture and time entirely, is also a beautiful text, for similar reasons. The Shōbogenzō, gathered first as a series of talks given by Eihei Dōgen (and later composed as written texts) details the process of understanding which leads, for Dōgen, to a position of pure seeing, or satori, and yet these talks are not simply rules for monks, nor merely imprecations and demands for a laity; rather, they open a being's thinking to the possibility of something purely other and work as a transition across worlds that also opens us to an other world. What both thinkers illustrate, as do the other thinkers drawn on in this project--most notably, those philosophers associated with the Kyoto School, who were both intimately aware of Dōgen's work, and studied, or studied with, Heidegger--is that world is not a fixed, stable entity; rather it is a fugal composition of possibility, of as yet untraversed--and at times un-traversable--spaces. Echoes of No Thing seeks to examine, within the lacunal eddies of be-coming's arrival, that space between which both thinkers point towards as possible sites of new beginnings.

Decades of war started by a genocidal faction of aliens threatens the existence of any human or alien resisting their rule on Earth. Dani survives by scavenging enough supplies to live another day while avoiding the local military and human-hunting Wardens. But then she learns that she is part of the nearly immortal alien race of Echoes—not the human she’s always thought herself to be—and suddenly nothing in her life seems certain. Following her discovery of her alien roots, Dani risks her well-being to save a boy from becoming a slave—a move that only serves to make her already-tenuous existence on the fringes of society in Maine even more unstable, and which forces her to revisit events and people from past lives she can’t remember. Dani believes the only way to defeat the Wardens and end their dominance is to unite the Commonwealth’s military and civilians, and she becomes resolved to play her part in this battle. Her attempts to change the bleak future facing the humans and Echoes living on Earth suffering under the Wardens will lead her to clash with a tyrant determined to kill her and all humankind—a confrontation that even her near-immortal heritage may not be able to help her survive.

When Ben Underwood became blind at the age of two, anyone would have thought he faced a life full of hardship and uphill challenges--a world full of things he'd never be able to see and activities he'd never be able to enjoy. But as far as his mom, Aquanetta Gordon, was concerned, nothing was impossible for Ben . . . and so he accomplished the incredible. Known as "the boy who could see with sound," Ben mastered human echolocation--the ability to detect the size, shape and location of objects through the reflection of sound waves. By clicking his tongue and "seeing" the waves, Ben could ride his bike, shoot baskets, identify objects, and even play video games. Some called it a miracle, but to Ben and Aqua, the real miracles were the otherworldly experiences God gave Ben--physical and spiritual--that others couldn't explain. Echoes of an Angel is the remarkable true story of how a child who seemed destined for darkness brought light to the world. It's the story of a single mom who encouraged her son to push beyond his limits, even as her heart clenched with protective love and fear. And it's the story of a family's unshakable faith . . . in God and each other.

The highly-anticipated fantasy debut from Aurealis and Ditmar Award-winning author Thoraiya Dyer, set in a giant mythical rainforest controlled by living gods. Now in trade paperback. Unar dreams of greatness. Determined but destitute, she escapes her parents’ plot to sell her into slavery. Now she serves in the Garden of the goddess Audblayin, ruler of growth and fertility. But when Audblayin dies, Unar sees her opportunity for glory – at the risk of descending into the unknown dangers of Understorey to look for a reincarnated newborn god. In its depths, she discovers new forms of magic, lost family connections, and murmurs of a revolution that could cost Unar her chance...or grant it by destroying the home she loves. “I am majorly impressed with Thoraiya Dyer's Crossroads of Canopy. A unique, gorgeous, and dangerous world, a stubborn female hero, and a writer to watch!”—Tamora Pierce At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Examining one's life is arguably the central distinguishing characteristic of being human, and this wise and wonderful book is the perfect answer to Socrates's warning that the unexamined life is not worth living. Readers who merely read through the book's fascinating anecdotes will be entertained, but they will be seriously shortchanging themselves, for it is the guiding questions that provoke and inspire serious self-examination. As the calendar-like format of the book implies, these questions should be savored and pondered no faster than one page of questions per day. Levy and Parco continue to challenge our thinking as they did in their previous two Thinking Deeply About books. Echoes of Mind presents common topics in an uncommon way that encourages both reflection and introspection. Spending time with this book will be reassuring and yet challenging, even at times uncomfortable-but in all cases, rewarding. Daryl J. Bem, Ph.D. Professor Emeritus of Psychology Cornell University

From the New York Times bestselling author of the Falling Kingdoms series comes the first book in a brand-new duology about forbidden magic and dangerous secrets, for readers of Victoria Aveyard and Margaret Rogerson. Josslyn Drake knows only three things about magic: it’s rare, illegal, and always deadly. So when she’s caught up in a robbery gone wrong at the Queen’s Gala and infected by a dangerous piece of magic—one that allows her to step into the memories of an infamously evil warlock—she finds herself living her worst nightmare. Joss needs the magic removed before it corrupts her soul and kills her. But in Ironport, the cost of doing magic is death, and seeking help might mean scheduling her own execution. There’s nobody she can trust. Nobody, that is, except wanted criminal Jericho Nox, who offers her a deal: his help extracting the magic in exchange for the magic itself. And though she’s not thrilled to be working with a thief, especially one as infuriating (and infuriatingly handsome) as Jericho, Joss is desperate enough to accept. But Jericho is nothing like Joss expects. The closer she grows to Jericho and the more she sees of the world outside her pampered life in the city, the more Joss begins to question the beliefs she’s always taken for granted—beliefs about right and wrong, about power and magic, and even about herself. In an empire built on lies, the truth may be her greatest weapon.

Robert Flynn's new novel, Echoes of Glory centers on a fictitious Texas county that embraces its legends, but not its actual history. Set in the Reagan era, the novel exposes shared myths as lies and the truth, lacking all comfort. In his inimitable style Flynn paints a portrait of the denizens of the county who tacitly embrace the legend as all too human and all too frail. Overshadowed by the accomplishments of adjacent Doss County, Mills County clings to its legends—the legendary Mills brothers. One brother had died at the Alamo, one at Goliad, three had fought at San Jacinto. The three survivors marched into the center of Texas bringing with them stories of heroism and acorns from the San Jacinto battlefield. According to tradition, they planted an oak tree for each hero who had died at the Alamo. Then there was Timpson Smith, sole survivor of Second Platoon of Marine reserves, who had prevented the North Korean army from driving U.S. and U.N. forces into the sea. To honor their memory the county erected a monument, "Second to None," topped with the heroic figure of Timpson Smith. But there is a less heroic side of Mills County. When Deputy Sheriff Larry Maddin decides to run against Sheriff and Local Hero Timpson Smith, and a drama professor at the university announces that he will write a play depicting the true story of Second Platoon, many fear the dark underside of Mills County will be exposed.

Desperately seeking supplies on an abandoned planet, the crew of Voyager must solve the mystery behind the strange phenomenon that caused an entire civilization to disappear--before they become the next victims--Novelist.

The second book in the bestselling Chronicles of St Mary's series which follows a group of tea-soaked disaster magnets as they hurtle their way around History. If you love Jasper Fforde or Ben Aaronovitch, you won't be able to resist Jodi Taylor. Wherever the historians go, chaos is sure to follow... Dispatched to Victorian London to seek out Jack the Ripper, things go badly wrong when he finds the St Mary's historians first. Stalked through the fog-shrouded streets of Whitechapel, Max is soon running for her life. Again. And that's just the start. Max finds herself in a race against time when an old enemy is intent on destroying St Mary's. An enemy willing, if necessary, to destroy History itself. From the Hanging Gardens of Nineveh to the murder of Thomas a Becket, via an unscheduled dodo rescue mission, join the historians of St Mary's as they hurtle around History on more hilarious, hair-raising escapades Readers love Jodi Taylor: 'Once in a while, I discover an author who changes everything... Jodi Taylor and her protagonista Madeleine "Max" Maxwell have seduced me' 'A great mix of British proper-ness and humour with a large dollop of historical fun' 'Addictive. I wish St Mary's was real and I was a part of it' 'Jodi Taylor has an imagination that gets me completely hooked' 'A tour de force'

** A New York Times Bestseller ** NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: Time • The New Yorker • NPR • GQ • Elle • Vulture • Fortune • Boing Boing • The Irish Times • The New York Public Library • The Brooklyn Public Library "A complex, smart and ambitious book that at first reads like a self-help manual, then blossoms into a wide-ranging political manifesto."—Jonah Engel Bromwich, The New York Times Book Review One of President Barack Obama's "Favorite Books of 2019" Porchlight's Personal Development & Human Behavior Book of the Year In a world where addictive technology is designed to buy and sell our attention, and our value is determined by our 24/7 data productivity, it can seem impossible to escape. But in this inspiring field guide to dropping out of the attention economy, artist and critic Jenny Odell shows us how we can still win back our lives. Odell sees our attention as the most precious—and overdrawn—resource we have. And we must actively and continuously choose how we use it. We might not spend it on things that capitalism has deemed important … but once we can start paying a new kind of attention, she writes, we can undertake bolder forms of political action, reimagine humankind’s role in the environment, and arrive at more meaningful understandings of happiness and progress. Far from the simple anti-technology screed, or the back-to-nature meditation we read so often, How to do Nothing is an action plan for thinking outside of capitalist narratives of efficiency and techno-determinism. Provocative, timely, and utterly persuasive, this book will change how you see your place in our world.