What this book represents is, quite literally, a “slice” of (white) Australian life. By noting the patterns and parallels that emerge in a random sampling of social phenomena of widely varying types, from soap operas to political behaviour, Gaile McGregor has constructed a model that, in its challenge to uniformitarianism, is a test case in ethnographic theory. Using methods ranging from the hermeneutic through the structuralist to the psychoanalytic, McGregor deploys the self-evidence of communal life and language to establish not only that all cultural phenomena are “patterned,” but that this patterning is unique to and consistent across the entire system. Further, it not only influences but constrains the way the Australian conceptualizes, codifies and expresses his/her existential position. Hence the Australian predilection for icons of intermediacy: the verandah in architecture, the bush in literature, the beach in folk culture, the middle ground in landscape painting, the pub in everyday life. This identification with buffer zones between inside and outside not only mimics the Australian’s real bracketing between desert and ocean, but embodies his/her sense of disablement vis-à-vis both culture and nature, art and techne, super-ego and id, all of which are coded as feminine.

Luo Ping is one of the most distinguished artists of later Chinese painting. The exhibition is the first comprehensive show devoted to this artist. It explores not only the art, but also the life of Luo Ping and how his teacher, his family and the cities of Yangzhou and Bejing shaped his life and career.

This stimulating collection of essays, mostly concerned with subjects taken from Slavic literatures, is at once scholarly and reflective. The volume opens with a true story, "Brognart," which is a confession of the author's remorse based on conflict with French intellectuals. "Science Fiction and the Coming of the Antichrist" concerns Vladimir Solovyov. "Krasinski's Retreat" is another return to the author's student readings, which attempts to determine how a Polish romantic poet could write in 1833 a drama on the approaching world revolution. "Joseph Conrad's Father" sketches the biography of a poet and revolutionary and also throws some light upon the fate of the hero of the last chapter.

An old woman enters into a fantastical world of dreams and nightmares in this surrealist classic admired by Björk and Luis Buñuel. Leonora Carrington, painter, playwright, and novelist, was a surrealist trickster par excellence, and The Hearing Trumpet is the witty, celebratory key to her anarchic and allusive body of work. The novel begins in the bourgeois comfort of a residential corner of a Mexican city and ends with a man-made apocalypse that promises to usher in the earth’s rebirth. In between we are swept off to a most curious old-age home run by a self-improvement cult and drawn several centuries back in time with a cross-dressing Abbess who is on a quest to restore the Holy Grail to its rightful owner, the Goddess Venus. Guiding us is one of the most unexpected heroines in twentieth-century literature, a nonagenarian vegetarian named Marian Leatherby, who, as Olga Tokarczuk writes in her afterword, is “hard of hearing” but “full of life.”

ECPA 2014 Christian Book Award Winner (Non-Fiction)! Fifty years after his death, C. S. Lewis continues to inspire and fascinate millions. His legacy remains varied and vast. He was a towering intellectual figure, a popular fiction author who inspired a global movie franchise around the world of Narnia, and an atheist-turned-Christian thinker. In C.S. Lewis—A Life, Alister McGrath, prolific author and respected professor at King’s College of London, paints a definitive portrait of the life of C. S. Lewis. After thoroughly examining recently published Lewis correspondence, Alister challenges some of the previously held beliefs about the exact timing of Lewis’s shift from atheism to theism and then to Christianity. He paints a portrait of an eccentric thinker who became an inspiring, though reluctant, prophet for our times. You won’t want to miss this fascinating portrait of a creative genius who inspired generations.

In Data Sketches, Nadieh Bremer and Shirley Wu document the deeply creative process behind 24 unique data visualization projects, and they combine this with powerful technical insights which reveal the mindset behind coding creatively. Exploring 12 different themes – from the Olympics to Presidents & Royals and from Movies to Myths & Legends – each pair of visualizations explores different technologies and forms, blurring the boundary between visualization as an exploratory tool and an artform in its own right. This beautiful book provides an intimate, behind-the-scenes account of all 24 projects and shares the authors’ personal notes and drafts every step of the way. The book features: Detailed information on data gathering, sketching, and coding data visualizations for the web, with screenshots of works-in-progress and reproductions from the authors’ notebooks Never-before-published technical write-ups, with beginner-friendly explanations of core data visualization concepts Practical lessons based on the data and design challenges overcome during each project Full-color pages, showcasing all 24 final data visualizations This book is perfect for anyone interested or working in data visualization and information design, and especially those who want to take their work to the next level and are inspired by unique and compelling data-driven storytelling.

“Good corporate drama . . . an enlightening narrative of how new communications infrastructures often come about.” —The Economist, “A Book of the Year 2016” In the early 1990s, Motorola developed a revolutionary satellite system called Iridium that promised to be its crowning achievement. Its constellation of 66 satellites in polar orbit was a mind-boggling technical accomplishment, surely the future of communication. The only problem was that Iridium the company was a commercial disaster. Only months after launching service, it was $11 billion in debt, burning through $100 million a month and crippled by baroque rate plans and agreements that forced calls through Moscow, Beijing, Fucino, Italy, and elsewhere. Bankruptcy was inevitable—the largest to that point in American history. And when no real buyers seemed to materialize, it looked like Iridium would go down as just a “science experiment.” That is, until Dan Colussy got a wild idea. Colussy, a former head of Pan-Am now retired and working on his golf game in Palm Beach, heard about Motorola’s plans to “de-orbit” the system and decided he would buy Iridium and somehow turn around one of the biggest blunders in the history of business. Impeccably researched and wonderfully told, Eccentric Orbits is a rollicking, unforgettable tale of technological achievement, business failure, the military-industrial complex, and one of the greatest deals of all time. “Deep reporting put forward with epic intentions . . . a story that soars and jumps and dives and digresses . . . [A] big, gutsy, exciting book.” —The Wall Street Journal, “A Top 10 Nonfiction Book of 2016” “Spellbinding . . . A tireless researcher, Bloom delivers a superlative history . . . A tour de force.” —Kirkus Reviews (starred review)

The end of the eighteenth century saw the start of a new craze in Europe: tiny portraits of single eyes that were exchanged by lovers or family members. Worn as brooches or pendants, these minuscule eyes served the same emotional need as more conventional mementoes, such as lockets containing a coil of a loved one’s hair. The fashion lasted only a few decades, and by the early 1800s eye miniatures had faded into oblivion. Unearthing these portraits in Treasuring the Gaze, Hanneke Grootenboer proposes that the rage for eye miniatures—and their abrupt disappearance—reveals a knot in the unfolding of the history of vision. Drawing on Alois Riegl, Jean-Luc Nancy, Marcia Pointon, Melanie Klein, and others, Grootenboer unravels this knot, discovering previously unseen patterns of looking and strategies for showing. She shows that eye miniatures portray the subject’s gaze rather than his or her eye, making the recipient of the keepsake an exclusive beholder who is perpetually watched. These treasured portraits always return the looks they receive and, as such, they create a reciprocal mode of viewing that Grootenboer calls intimate vision. Recounting stories about eye miniatures—including the role one played in the scandalous affair of Mrs. Fitzherbert and the Prince of Wales, a portrait of the mesmerizing eye of Lord Byron, and the loss and longing incorporated in crying eye miniatures—Grootenboer shows that intimate vision brings the gaze of another deep into the heart of private experience. With a host of fascinating imagery from this eccentric and mostly forgotten yet deeply private keepsake, Treasuring the Gaze provides new insights into the art of miniature painting and the genre of portraiture.

The seventeen stories Schwartz tells here remond us of an often-overlooked reality: that the face of humanity of the past is the same as our own. Although the world of these colorful characters inhabit is in so many ways different from ours, their spirit rings true to our modern sensibilities, Eccentrics, Heroes, and Cuttthroats of Old Berkeley shows how deeply we share the emotions and motivations of our ancestors...whetehr she's a Native American girl trapped as a Berkeley domestic, a Civil War veteran gossiping and reminiscing his way down Shattuck Avenue in a horse-drawn wagon, or an African American dairyman whose keen observations and inventive skill bring him riches in a community that embraced him as a town founder. Schwartz brings forth these long-forgotten people from their resting place, and does so with such skill as a storyteller that we can, for a time, straddle two worlds and sense their profound continuity.