Earth Republic: Chatter from the Capital’s Cauldron (and Beyond) is a collection of ten free-wheeling articles written in conversational style, verging on the informally careless. The potpourri of commentaries on theatre, sport, food, agriculture, world politics, Bruce Springsteen, Imran Khan, women’s rights, world peace, people’s belief systems, the right to privacy judgement… all with the flavour of New Delhi, right up to the present-day NCR, with tribal India and outer space forming a billowing backdrop for the grand production that is the Republic of Earth. Earth Republic brings to the recliner, as well as to the office-desk-trying-to-look-busy, thoughts from time and space, and last night’s rally at the mantle-piece. It is an invitation to forge reality and rattle the galaxy, all in one pranayama-yoga clarion call.

"Republic Earth is an educational, social, political, economic and technological ideology that aims at the establishment of a full global democracy that values all aspects of humanity around the world. Republic Earth primarily aims to build a global online democracy using the technology of the digital revolution, as soon everyone on Earth will be connected if they wish to be. Republic Earth also aims to increase the interconnection of peoples around the world in such a way that fosters a meaningful retention of all human cultures and languages throughout the globe." -- Republic Earth website.

In response to unprecedented environmental degradation, activists and popular movements have risen up to fight the crisis of climate change and the ongoing devastation of the earth. The environmental movement has undeniably influenced even its adversaries, as the language of sustainability can be found in corporate mission statements, government policy, and national security agendas. However, the price of success has been compromise, prompting soul-searching and questioning of the politics of environmentalism. Is it a revolutionary movement that opposes the current system? Or is it reformist, changing the system by working within it? In Birth of a New Earth, Adrian Parr argues that this is a false choice, calling for a shift from an opposition between revolution and incremental change to a renewed collective imagination. Parr insists that environmental destruction is at its core a problem of democratization and decolonization. It requires reckoning with militarism, market fundamentalism, and global inequality and mobilizing an alternative political vision capable of freeing the collective imagination in order to replace an apocalyptic mindset frozen by the spectacle of violence. Birth of a New Earth locates the emancipatory work of environmental politics in solidarities that can bring together different constituencies, fusing opposing political strategies and paradigms by working both inside and outside the prevailing system. She discusses experiments in food sovereignty, collaborative natural-resource management, and public-interest design initiatives that test new models of economic democratization. Ultimately, Parr proclaims, environmental politics is the refusal to surrender life to the violence of global capitalism, corporate governance, and militarism. This defiance can serve as the source for the birth of a new earth.

We are squandering our planet’s natural capital—its biodiversity, water and soil, and climate stability—at a blistering pace. Major changes must be made to steer our planet and people away from our current, doomed course. Though technology has been one of the drivers of the current trend of unsustainable development, it is also one of the essential tools for remedying it. Earth at Risk maps out the necessary transition to sustainability, detailing the innovations in science and technology, along with law, institutional design, and economics, that can and must be put to use to avert environmental catastrophe. Claude Henry and Laurence Tubiana begin with a measure of the costs of ecological damage—the erosion of biodiversity; air, water, and soil pollution; and the wide-reaching effects of climate change—and then consider the solutions that are either now available or close on the horizon and that may lead to a more sustainable global trajectory. What community-driven or market-based tools can be used to promote sustainable development? How can renewable energy and energy storage advances help us decrease our use of fossil fuels? How can we substitute agroecology for the damaging chemical methods of industrialized agriculture? Is international agreement on climate goals possible? Building on the experience of the most significant climate negotiation of the decade, Earth at Risk shows what a world organized along the principles of sustainability could look like, no matter how optimistic it may seem at the present moment. Though formidable obstacles remain to the realization of this significant transition, Henry and Tubiana present the case for collective initiatives and change that build momentum for implementation and action.

These two books, which helped focus national attention on the movement for a nuclear freeze, are published in one volume.

If parapolitics, a branch of radical criminology that studies the interactions between public entities and clandestine agencies, is to develop as an academic discipline, then it must develop a coherent theory of aesthetics in order to successfully perform its primary function: to render perceptible extra-judicial phenomena that have hitherto resisted formal classification. Wilson offers the work of H.P. Lovecraft (1890-1937) as an example of the relevance of subversive literature-in this case, cosmic horror and the weird tale-to the parapolitical criminologist. Cosmic horror is a form of writing that relies heavily upon the epistemological assumption of a radical and irreconcilable disjunction between appearance and reality, perception and truth. In many ways, the well-constructed weird tale strongly resembles the hard-boiled detective story or the noir thriller in that the resolution of the narrative hinges upon a dramatically shattering confrontation with an unspeakable reality. Apart from its obvious utilization of conspiracy theory, the primary attraction of the Lovecraftian text lies with its remarkably sophisticated utilization of two central tropes of classical aesthetic theory-the sublime and the grotesque. Not only does Lovecraft's oeuvre represent a remarkable use of both of these motifs, but the raw literary power of the Lovecraftian weird tale serves as an outstanding exemplar for the parapolitical scholar to emulate in formulating an alternative mode of discourse, or poetics.