Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism. Artists treated in-depth include James Forbes, James Wales, Tilly Kettle, William Hodges, Johann Zoffany, Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery.

The claim that India--uniquely among civilizations--lacks historical writing distracts us from a more pertinent question: how to recognize the historical sense of societies whose past is recorded in ways very different from European conventions. Romila Thapar, a distinguished scholar of ancient India, guides us through a panoramic survey of the historical traditions of North India, revealing a deep and sophisticated consciousness of history embedded in the diverse body of classical Indian literature. The history recorded in such texts as the Ramayana and the Mahabharata is less concerned with authenticating persons and events than with presenting a picture of traditions striving to retain legitimacy amid social change. Spanning an epoch from 1000 BCE to 1400 CE, Thapar delineates three strains of historical writing: an Itihasa-Purana tradition of Brahman authors; a tradition composed mainly by Buddhist and Jaina monks and scholars; and a popular bardic tradition. The Vedic corpus, the epics, the Buddhist canon and monastic chronicles, inscriptional evidence, regional accounts, and literary forms such as royal biographies and drama are all scrutinized afresh--not as sources to be mined for factual data but as genres that disclose how Indians of ancient times represented their own past to themselves.

Early Views of Indonesia is a catalog of the most important watercolor and pencil drawings from the British Library's superb collection of more than 1,500 drawings of Indonesia dating from the early nineteenth century, most of which have never been published before.

The Book Presents A Lucid Survey Of Major Developments In The Ancient And Early Medieval Periods Of Indain History. It Discusses Issues Like The Antiquity And Authorship Of The Harappan Civilization, The Original Home Of The Aryans And The Salient Features Of Their Life, The Emergence Of Caste System And The Process Of State Formation Culminating In The Establishment Of The Maurya Empire. Challenging The Stereotype Of An `Unchanging` India And The Myth Of The `Golden Age`, The Book Not Only Underlines The Changes In Its Cocial Structure Over Centuries But Also Devotes Much Space To India`S Contact With The Outside World Leading To The Enrichment Of Its Culture. Moreover, It Pays Adequate Attention To The Transformation Of India From Pre-Feudal To Feudal Society And To The Discussion Of The Contours Of Feudal Culture.

This is a collection of reproduced photographs and postcards highlighting the history of the Sitka National Historical Park, as well as the town and people of Sitka. It is presented in the form of a turn of the century scrapbook.

In Imagining the Urban, Shonaleeka Kaul turns to Sanskrit literature to discover the characteristics--both physical and social--of ancient Indian cities. Kaul examines nearly a thousand years of Sanskrit kāvyas to see what India's early historic cities were like as living, lived-in, entities--and discovers that the cities were vibrant and teeming with variety and life. As much about Sanskrit literature as about urban spaces--insofar as that literature reveals significant aspects of the Indian urban past-- Imagining the Urban shows that Sanskrit literature is a rich source for historical understanding. Advocating the kāvyas as an important historical source, Kaul provides a fresh view of the early city, showing distinctive ways of thought and behavior that relate to tradition, morality, and authority. With its provocative new questions about early Indian cities and ancient Indian texts, this book will be an essential read for scholars of urban history, Sanskrit writings, and South Asian antiquity.

This volume looks into the ways Indian Ocean routes shaped the culture and contours of early modern India. IT shows how these and other historical processes saw India rebuilt and reshaped during late medieval times after a long age of relative ‘stagnation’, ‘isolation’ and ‘backwardness’. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka

India by Design: Colonial History and Cultural Display maps for the first time a series of historical events—from the Raj in the mid-nineteenth century up to the present day—through which India was made fashionable to Western audiences within the popular cultural arenas of the imperial metropole. Situated at the convergence of discussions in anthropology, art history, museum studies, and postcolonial criticism, this dynamic study investigates with vivid historical detail how Indian objects, bodies, images, and narratives circulated through metropolitan space and acquired meaning in an emergent nineteenth-century consumer economy. Through an examination of India as represented in department stores, museums, exhibitions, painting, and picture postcards of the era, the book carefully confronts the problems and politics of postcolonial display and offers an original and provocative account of the implications of colonial practices for visual production in our contemporary world.

Historians of British colonial rule in India have noted both the place of military might and the imposition of new cultural categories in the making of Empire, but Bhavani Raman, in Document Raj, uncovers a lesser-known story of power: the power of bureaucracy. Drawing on extensive archival research in the files of the East India Company’s administrative offices in Madras, she tells the story of a bureaucracy gone awry in a fever of documentation practices that grew ever more abstract—and the power, both economic and cultural, this created. In order to assert its legitimacy and value within the British Empire, the East India Company was diligent about record keeping. Raman shows, however, that the sheer volume of their document production allowed colonial managers to subtly but substantively manipulate records for their own ends, increasingly drawing the real and the recorded further apart. While this administrative sleight of hand increased the company’s reach and power within the Empire, it also bolstered profoundly new orientations to language, writing, memory, and pedagogy for the officers and Indian subordinates involved. Immersed in a subterranean world of delinquent scribes, translators, village accountants, and entrepreneurial fixers, Document Raj maps the shifting boundaries of the legible and illegible, the legal and illegitimate, that would usher India into the modern world.