An exciting new account of Irish high crosses This landmark study of Irish high crosses focuses on the carvings of an unnamed artist, the "Muiredach Master," whose monuments--completed in the early years of the 10th century--deserve a place alongside the Book of Kells as great works of their time. Drawing on a wealth of recent research, Roger Stalley describes in vivid detail how the crosses were made, where they were carved, and how they were lifted into place. His lively prose situates the works in their context, identifying patrons and exploring their motives, as well as venturing to understand what the crosses may have meant to those who gazed at them a millennium ago. In doing so, Stalley rejects preconceived notions about the imagery of the crosses, including the extent to which they were inspired by images from abroad.

A study of the form, function & mystery of these Christian monuments scattered across Ireland.

Drawing on new work published over the past twenty years, the author offers a history of building in Western Europe from 300 to 1200. Medieval castles, church spires, and monastic cloisters are just some of the areas covered.

"A breadth of interdisciplinary voices" discuss how geographical insularity - specifically that of Britain and Ireland - has affected artistic tradition.

A generously illustrated collection, The Insular Tradition explores the various ways in which tradition becomes part of our definition of insular culture and cultural history. The essays are the outcome of a conference held within the Medieval Academy of America meeting at Kalamazoo in 1991. Scholars from America, Scandinavia, Britain, and Ireland came together to discuss the latest research on the remarkable Christian art which flourished among the Celtic and Anglo-Saxon peoples in the Early Medieval Period. New discoveries and a renewed research interest are shedding light on the splendid manuscript illuminations, sculpture, and metalwork of the time. Historical sources are reanalyzed and, together with modern approaches to interpretation, provide fascinating new insights into the social, economic, and spiritual background of the creative artists. This book presents a number of challenging reinterpretations of landmark achievements such as the Book of Kells, the Irish High Crosses, and the enigmatic symbolic and decorative systems of the Pictish people of Scotland. The contributors discuss the processes of creativity, the way in which influences are transmitted, the cross-fertilization of the arts in different media, and the role of trade and exchange and of the patron. Extensive illustrations, some of them difficult to source elsewhere, and comprehensive up-to-date bibliographies make the volume especially useful to those wishing to find a suitable point of entry into this expanding and ever-changing field.

This detailed account of Irish archaeological and archival evidence is presented in a clear and consise manner. There are chapters on cult objects, shrines, round towers, relics, Ogham stones, sundials, bullauns, cursing stones, and holed stones.

This is the first book devoted to churches in Ireland dating from the arrival of Christianity in the fifth century to the early stages of the Romanesque around 1100, including those built to house treasures of the golden age of Irish art, such as the Book of Kells and the Ardagh chalice. � Carrag�in's comprehensive survey of the surviving examples forms the basis for a far-reaching analysis of why these buildings looked as they did, and what they meant in the context of early Irish society. � Carrag�in also identifies a clear political and ideological context for the first Romanesque churches in Ireland and shows that, to a considerable extent, the Irish Romanesque represents the perpetuation of a long-established architectural tradition.

This collection considers Irish monuments from the medieval to the modern era. The essays presented here acknowledge the plurality of values associated with Irish monuments. Taking a holistic approach to the topic, the volume contains contributions from art historians, archaeologists, historians and heritage practitioners. The multidisciplinary and intersectoral contributions are placed in dialogue with one another, providing a discussion of Irish monuments that is unique in its comprehensiveness. The integration of research on early Irish monumental work with that of the more modern period, situating all Irish monuments on a continuum of shared concerns, is a significant pioneering element in this field. The range of perspectives represented in the book reflects the complexity of cultural heritage in contemporary life and opens the conversation to include a wider range of views. It will be a valuable resource for scholars, students, learned societies, public bodies, communities in Ireland and for anyone interested in sculpture. An Open Access version of Kathleen James-Chakraborty's chapter 'New states and old statues: Ireland's monuments in an international context' is available on the Liverpool University Press website.

His is a sweeping, gloriously illustrated celebration of 1,600 years of Irish art and architecture. In five handsome, deeply researched volumes, Art and Architecture of Ireland provides an authoritative and fully illustrated account of the art and architecture of Ireland from the early Middle Ages to the end of the 20th century. Each volume has its own expert editor or editorial team and covers a specific area or chronological period. More than 250 scholars from around the world, who represent a broad range of disciplines, contribute texts that range from thematic and general to articles on techniques and historical developments, biographical entries, bibliographies, lists of artists and comprehensive indexes. Historical documentation combines with the best of current scholarship to make this the most comprehensive and ambitious undertaking of its kind. The volumes will explore all aspects of Irish art and architecture - from high crosses to installation art, from Georgian houses to illuminated manuscripts, from watercolours and sculptures to photographs, oil paintings, video art and tapestries. This monumental work provides new insight into every facet of the strength, depth and variety of Ireland's artistic and architectural heritage. 0Also part of the 5 vols.-set 'Art and Architecture of Ireland'. 9780300179248.

Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.