Colonial Wrought Iron is a photographic survey of early wrought iron work in America with 506 photographs from the Sorber Collection. The colonial period in America was centered around the blacksmith who was the maker and creator of these items. The informational text explains the characteristics and the conditions of the period in which the iron was forged. Colonial Wrought Iron is an invaluable resource tool for the blacksmith involved making reproduction hardware and related items, as well as an inspiration for merging form and function. In this book you will find the commonplace and the ornate but they all reflect the hand of fine craftsmanship. The work displayed in Colonial Wrought Iron is from the collection of Jim Sorber. Jim, now in his eighties, has been an avid collector for 70 years. This collection is a result of a life steeped in an enduring appreciation for the skills of his ancestors. Even as a child he was interested in their hand tools and the wonderful things they made. That interest soon grew into a passion. A unique aspect of Jims collection is that it reflects a certain ethnic influence. Much of his collecting has been done near his home in the counties of Berks, Chester, Lancaster, Lebanon, Lehigh, Montgomery and Schuylkill. This area has been settled by German immigrants since the mid-to-late 17th century. Jims collection, many pieces of which are signed and dated, reflects an iron chronicle of the Pennsylvania Dutch migration westward from the Philadelphia area.

Absorbing book describes, in detail, farm tools and kitchen implements and how they were made. Includes devices used by curriers, wheelwrights, coopers, blacksmiths, loggers, tanners, coachmakers, and other craftsmen of the pre-industrial age. An informal, expressively written book for cultural historians, woodcrafters, and Americana enthusiasts. 184 black-and-white illustrations.

By mastering founding, fining, puddling, or bloom smelting, ironworkers gained a degree of control over their lives not easily attained by others.

Stacks of stone preside over many bucolic and wooded landscapes in the mid-Atlantic states. Initially constructed more than two hundred years ago, they housed blast furnaces that converted rock and wood into the iron that enabled the United States to secure its national independence. By the eve of the Revolutionary War, furnaces and forges in the American colonies turned out one-seventh of the world's iron.Forging America illuminates the fate of labor in an era when industry, manhood, and independence began to take on new and highly charged meanings. John Bezís-Selfa argues that the iron industry, with its early concentrations of capital and labor, reveals the close links between industrial and political revolution. Through means ranging from religious exhortation to force, ironmasters encouraged or compelled workers--free, indentured, and enslaved--to adopt new work styles and standards of personal industry. Eighteenth-century revolutionary rhetoric hastened the demise of indentured servitude, however, and national independence reinforced the legal status of slavery and increasingly defined manual labor as "dependent" and racially coded. Bezís-Selfa highlights the importance of slave labor to early American industrial development. Research in documents from the seventeenth, eighteenth, and early nineteenth centuries led Bezís-Selfa to accounts of the labor of African-Americans, indentured servants, new immigrants, and others. Their stories inform his highly readable narrative of more than two hundred years of American history.

A photographic essay and documentation about the master artist-blacksmith Samuel Yellin representing the culmination of 19th-century wrought iron design and fabrication.

Now in its sixth year, Early Homes is a biannual special edition that focuses on the period 1690—1850 and it's revivals, including Colonial and Neoclassical design. Each issue contains lavish photos and plenty of product sources.