This book presents a new perspective on Islamic urban society: a dynamism of social networking and justice which caused both rapid development and sudden decay in the Ṣāliḥiyya quarter. Founded in the northern suburbs of Damascus by Hanbali ulama who migrated from Palestine to Syria in the mid-12th century, the quarter developed into a city through waqf endowments. It has attracted the attention of historians and travelers for its unique location, popular movements and religious features. Through the study of local chronicles, topographies and archival sources and through modern field research, Toru Miura explores the history of the Ṣāliḥiyya quarter from its foundation to the early 20th century, comparing it to European, Chinese and Japanese cities.

In Majd al-Dīn al-Fīrūzābādī (1329-1415): A Polymath on the Eve of the Early Modern Period, Vivian Strotmann provides a detailed reconstruction of the famous lexicographer’s and travelling scholar’s life and works. The ‘author of the Qāmūs al-muḥīṭ’ is widely known for his Arabic lexicon, which overshadows the astounding breadth of his writing. This polymathic aspect is elucidated through detailed reconstruction of al-Fīrūzābādī’s corpus, including examination of works that were considered lost and misapprehensions concerning ascriptions of authorship. Through minute analysis of biographical sources, the book shows al-Fīrūzābādī’s development as a scholar, his central role in the defence of Ibn al-ʿArabī’s teachings and thereby his importance as a powerful intellectual in Timurid times and for developments during the Early Modern Period.

Winner of the 2022 Dan David Prize for outstanding scholarship that illuminates the past and seeks to anchor public discourse in a deeper understanding of history In Middle Eastern cities as early as the mid-8th century, the Sons of Sasan begged, trained animals, sold medicinal plants and potions, and told fortunes. They captivated the imagination of Arab writers and playwrights, who immortalized their strange ways in poems, plays, and the Thousand and One Nights. Using a wide range of sources, Richardson investigates the lived experiences of these Sons of Sasan, who changed their name to Ghuraba' (Strangers) by the late 1200s. This name became the Arabic word for the Roma and Roma-affiliated groups also known under the pejorative term 'Gypsies'. This book uses mostly Ghuraba'-authored works to understand their tribal organization and professional niches as well as providing a glossary of their language Sin. It also examines the urban homes, neighborhoods, and cemeteries that they constructed. Within these isolated communities they developed and nurtured a deep literary culture and astrological tradition, broadening our appreciation of the cultural contributions of medieval minority communities. Remarkably, the Ghuraba' began blockprinting textual amulets by the 10th century, centuries before printing on paper arrived in central Europe. When Roma tribes migrated from Ottoman territories into Bavaria and Bohemia in the 1410s, they may have carried this printing technology into the Holy Roman Empire.

The studies in this volume go beyond the question of the authenticity of Prophetic narrations. By approaching hadith narrations and literature from various perspectives, the authors seek to push the field of Hadith Studies in a new and promising direction.

On the basis of a newly discovered manuscript this book offers the most comprehensive bibliography of the enormous output of the fifteenth-century scholar Ibn ʿAbd al-Hādī – enlarging our view of his scholarly contribution and correcting numerous mistakes in this regard. This book is thus essential reading for all those interested in the writerly world of Damascus and the scholarly world of the late fifteenth century, especially with regard to the Ḥanbalī tradition and ḥadīth scholarship. In particular, linking the titles of his books with the extant manuscripts in libraries around the world opens new perspectives to these scholarly worlds. At the same time this book offers a new framework to studying social history with reference to documents and the material culture of the book. في اكتشاف جديد لمخطوطة تسمية كتب يوسف بن حسن بن عبد الهادي، يُقدِّم سعيد الجوماني وكونراد هيرشلر أضبط قائمة ببليوغرافية بمؤلفاته الشخصيَّة وبخط يده؛ فنبَّهت هذه القائمة إلى جزءٍ من إنتاجه الفكري كان مجهولاً تماماً، وصححت الكثير من أخطاء القراءة في القوائم السابقة. ونشرها سيدعم الأبحاث العاملة بحقل حركة التأليف بدمشق والحياة الفكريّة فيها نهاية القرن التاسع الهجريّ، خاصّةً ما يتعلق بالتراث الحنبليّ وعلم الحديث. وسيفتح الربط بين المؤلفات المذكورة في تسمية الكتب من جهة ووقف كتب ابن عبد الهادي من جهة ثانية والمخطوطات الموجودة في مكتبات العالم من جهة ثالثة باباً جديداً إلى دراسة التراث الفكري في مدينة دمشق أواخر العهد المملوكي. وتقترح هذه الدراسة إطاراً جديداً لدراسة التاريخ الاجتماعي اعتماداً على الوثائق الشخصيَّة والهيئات الماديّة للمخطوطات الشخصيّة.

Aisha al-Ba‘uniyya (c.1456–1517) was one of the greatest women mystics in Islamic history. A Sufi master and an Arab poet, her religious writings were extensive by any standard and extraordinary for her time. In medieval Islam a number of women were respected scholars and teachers, but they rarely composed works of their own. Aisha al-Ba‘uniyya, however, was prolific. She composed over twenty works, and likely wrote more Arabic prose and poetry than any other Muslim woman prior to the twentieth century. The first full-scale biography of al-Ba‘uniyya in the English language, this volume provides a rare glimpse into the life and writings of a medieval Muslim woman in her own words. Homerin presents her work in the wider context of late-medieval Islamic spirituality, examining the influence of figures such as Ibn al-‘Arabi, al-Busiri and Ibn al-Farid, and emphasising the role of the person of the Prophet Muhammad in her spirituality. Aisha al-Ba‘uniyya is a fascinating introduction to a figure described by a sixteenth-century biographer as ‘one of the marvels of her age’.

This is a pioneering book about the impact that knowledge produced in the Maghrib (Islamic North Africa and al-Andalus = Muslim Iberia) had on the rest of the Islamic world. It presents results achieved in the Research Project "Local contexts and global dynamics: al-Andalus and the Maghrib in the Islamic East (AMOI)", funded by the Spanish Ministry of Science, Innovation and Universities (FFI2016-78878-R AEI/FEDER, UE) and directed by Maribel Fierro and Mayte Penelas. The book contains 18 contributions written by senior and junior scholars from different institutions all over the world. It is divided into five sections dealing with how knowledge produced in the Maghrib was integrated in the Mashriq starting with the emergence and construction of the concept 'Maghrib' (sections 1 and 2); how travel allowed the reception in the Maghrib of knowledge produced in the Mashriq but also the transmission of locally produced knowledge outside the Maghrib, and the different ways in which such transmission took place (sections 3 and 4), and how the Maghribis who stayed or settled in the Mashriq manifested their identity (section 5). The book will be of interest not only for those whose research concentrates on the Maghrib but more generally for those who want to understand the complex and shifting dynamics between 'centres' and 'peripheries' as regards intellectual production and circulation.

Starting from 135 manuscripts that were once part of the library of the late Mamluk sultan Qāniṣawh al-Ghawrī (r. 1501–1516), this book challenges the dominant narrative of a "post-court era", in which courts were increasingly marginalized in the field of adab. Rather than being the literary barren field that much of the Arabic and Arabic-centred sources, produced extra muros, would have us believe, it re-cognizes Qāniṣawh's court as a rich and vibrant literary site and a cosmopolitan hub in a burgeoning Turkic literary ecumene. It also re-centres the ruler himself within this court. No longer the passive object of panegyric or the source of patronage alone, Qāniṣawh has an authorial voice in his own right, one that is idiosyncratic yet in conversation with other voices. As such, while this book is first and foremost a book about books, it is one that consciously aspires to be more than that: a book about a library, and, ultimately, a book about the man behind the library, Qāniṣawh al-Ghawrī.

This book explores how traditional Sunni Muslim conceptions have informed or shaped Islamization strategies in contemporary Turkey. In particular, the author proposes to examine the teaching curriculum of the Ministry of Education, which oversees Turkish public religious education; the activities and teachings of Diyanet, the constitutional organ responsible for managing all religious affairs; and the ideas and activities of three Muslim religious groups currently operating in Turkey. The monograph explains how the interpretation and practice of Islam affects various situations in the Muslim world and analyzes the concept of nature in Islam, which has been an indivisible component of Islamic tradition since the beginning.

Building on his award-winning research, Christian Mauder’s In the Sultan’s Salon constitutes the first detailed study of the intellectual, religious, and political culture of the court of the Mamluk Sultanate (1250–1517), one of the most important polities in Islamic history.