Exploding the myths--past, present and future--of the Holy City and the state of Israel.

Assigned the difficult task of identifying the victim of a suicide bombing at a Jerusalem market, a human resources representative pieces together the woman's past as a former Soviet engineer and a non-Jewish person on a religious pilgrimage.

A landmark history of one hundred years of war waged against the Palestinians from the foremost US historian of the Middle East, told through pivotal events and family history In 1899, Yusuf Diya al-Khalidi, mayor of Jerusalem, alarmed by the Zionist call to create a Jewish national home in Palestine, wrote a letter aimed at Theodore Herzl: the country had an indigenous people who would not easily accept their own displacement. He warned of the perils ahead, ending his note, “in the name of God, let Palestine be left alone.” Thus Rashid Khalidi, al-Khalidi’s great-great-nephew, begins this sweeping history, the first general account of the conflict told from an explicitly Palestinian perspective. Drawing on a wealth of untapped archival materials and the reports of generations of family members—mayors, judges, scholars, diplomats, and journalists—The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel, but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel’s 1982 invasion of Lebanon to the endless and futile peace process. Original, authoritative, and important, The Hundred Years' War on Palestine is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces arrayed against the Palestinians, it offers an illuminating new view of a conflict that continues to this day.

NEW YORK TIMES BESTSELLER • A NEW YORK TIMES BOOK REVIEW AND ECONOMIST BEST BOOK OF THE YEAR “A deeply reported, deeply personal history of Zionism and Israel that does something few books even attempt: It balances the strength and weakness, the idealism and the brutality, the hope and the horror, that has always been at Zionism’s heart.”—Ezra Klein, The New York Times Winner of the Natan Book Award, the National Jewish Book Award, and the Anisfield-Wolf Book Award Ari Shavit’s riveting work, now updated with new material, draws on historical documents, interviews, and private diaries and letters, as well as his own family’s story, to create a narrative larger than the sum of its parts: both personal and of profound historical dimension. As he examines the complexities and contradictions of the Israeli condition, Shavit asks difficult but important questions: Why did Israel come to be? How did it come to be? Can it survive? Culminating with an analysis of the issues and threats that Israel is facing, My Promised Land uses the defining events of the past to shed new light on the present. Shavit’s analysis of Israeli history provides a landmark portrait of a small, vibrant country living on the edge, whose identity and presence play a crucial role in today’s global political landscape.

Finalist for the Book Club category of the 2016 National Jewish Book Awards. The #1 International Best Seller, The Beauty Queen of Jerusalem is a dazzling novel of mothers and daughters, stories told and untold, and the ties that bind four generations of women. Gabriela's mother Luna is the most beautiful woman in all of Jerusalem, though her famed beauty and charm seem to be reserved for everyone but her daughter. Ever since Gabriela can remember, she and Luna have struggled to connect. But when tragedy strikes, Gabriela senses there's more to her mother than painted nails and lips. Desperate to understand their relationship, Gabriela pieces together the stories of her family's previous generations—from Great-Grandmother Mercada the renowned healer, to Grandma Rosa who cleaned houses for the English, to Luna who had the nicest legs in Jerusalem. But as she uncovers shocking secrets, forbidden romances, and the family curse that links the women together, Gabriela must face a past and present far more complex than she ever imagined. Set against the Golden Age of Hollywood, the dark days of World War II, and the swinging '70s, The Beauty Queen of Jerusalem follows generations of unforgettable women as they forge their own paths through times of dramatic change. With great humor and heart, Sarit Yishai-Levi has given us a powerful story of love and forgiveness—and the unexpected and enchanting places we find each.

In A Walk in Jerusalem, The Rev. Canon John L. Peterson, Secretary General of the Anglican Communion, brings new life co this centuries-old ritual, known as the Stations of the Cross. Illustrated with a map, 14 black-and-white photographs, and 14 pen-and-ink drawings, this helpful guide provides the appropriate episode of the Passion story for each station along with a meditation and brief liturgy that apply that story to today's world.

Balian, the landless son of a local baron, goes to Jerusalem to seek his fortune. Instead, he finds himself trapped into serving the young prince suffering from leprosy, an apparent sentence to obscurity and death. But the unexpected death of King Amalric makes the leper boy King Baldwin IV of Jerusalem, and Balian’s prospects begin to improve. The Byzantine princess Maria Comnena is just thirteen years old when she arrives in the Kingdom of Jerusalem at her great uncle’s orders to cement the alliance between the two Christian kingdoms in the East. The child wife of a man almost three times her own age, she is despite her excellent education and intelligence little more than a pretty doll in the eyes of her husband. When she fails to produce a male heir for the desperate king, her marriage becomes a gilded prison. Until suddenly the king is dead and Maria finds herself a wealthy widow at just twenty years of age. Meanwhile, the charismatic Kurdish leader Saladin has united the forces of Islam and vowed to drive the Christians into the sea. While King Baldwin IV—and Balian—struggle to save the Holy Land for Christendom by whatever means they can, the internal rivalries of Templars and Hospitallers, the advocates of offense and defense, and the bitter rivalries of barons threaten to tear the kingdom apart.

Dying as a Shahid: Martyrs in Islam examines the motives, religious and psychological, which make the so-called “suicide bomber” tick. What is usually so-called, must rather be termed “Islamikaze” a combination of Islam and kamikaze, due to the phenomenological resemblance between the Japanese kamikaze who fought in the Pacific during World War II, and the present-day Muslim terrorists. In addition to the religious, social, and psychological underpinnings of the phenomenon of Shahid (martyr), there is a rich array of historical precedents that have fixated this sort of terrorism with self-immolation, dubbed “self-sacrifice,” as a prominent feature of Islamic life.

When the Six-Day War began, Elie Wiesel rushed to Israel. "I went to Jerusalem because I had to go somewhere, I had to leave the present and bring it back to the past. You see, the man who came to Jerusalem then came as a beggar, a madman, not believing his eyes and ears, and above all, his memory." This haunting novel takes place in the days following the Six-Day War. A Holocaust survivor visits the newly reunited city of Jerusalem. At the Western Wall he encounters the beggars and madmen who congregate there every evening, and who force him to confront the ghosts of his past and his ties to the present. Weaving together myth and mystery, parable and paradox, Wiesel bids the reader to join him on a spiritual journey back and forth in time, always returning to Jerusalem.