Who is responsible for juvenile delinquency? Mark D. Jacobs uses ethnographic, statistical, and literary methods to uncover the many levels of disorganization in American juvenile justice. By analyzing the continuities betwen normal casework and exceptional cases, he reveals that probation officers must commonly contrive informal measures to circumvent a system which routinely obstructs the delivery of services to their clients. Jacobs defines the concept of the "no-fault society" to describe the larger context of societal disorder and interpersonal manipulation that the juvenile justice system at once reflects and exacerbates.

This volume is a collection of all-new original essays covering everything from feminist to postcolonial readings of the play as well as source queries and analyses of historical performances of the play. The Merchant of Venice is a collection of seventeen new essays that explore the concepts of anti-Semitism, the work of Christopher Marlowe, the politics of commerce and making the play palatable to a modern audience. The characters, Portia and Shylock, are examined in fascinating detail. With in-depth analyses of the text, the play in performance and individual characters, this book promises to be the essential resource on the play for all Shakespeare enthusiasts.

If you're a parent of one of the more than one million children in this country with obsessive-compulsive disorder, you know how confusing, even frightening, the symptoms of OCD can be. You're terrified of losing your child and angry about the havoc this disorder has wreaked in your family. More than anything, you want to be able to unlock the secrets of OCD, understand the cause of your child's bizarre symptoms, and help your child break free of these disruptive, relentless thoughts and actions. In her landmark book, Freeing Your Child from Obsessive-Compulsive Disorder, Dr. Tamar E. Chansky creates a clear road map to understanding and overcoming OCD based on her successful practice treating hundreds of children and teenagers with this disorder. In Part I, Dr. Chansky "cracks the code" of the peculiar rules and customs of OCD -- the handwashing, tapping, counting, and so forth. She explains how OCD is diagnosed, how to find the right therapist partner, and how to tailor treatment options to your child's needs. You'll learn how powerful behavioral modification can be and when medication can help. In Part II, you'll learn how not to be pulled in by your child's debilitating rituals at home or at school, how to talk to your child about the "brain tricks" OCD causes, and how to create an effective OCD battle plan that will empower your child to "boss back" the OCD monster. You'll also learn how to cope in moments of crisis. Part III offers specific advice for how to help your child handle the most common manifestations of OCD such as fears of contamination, checking, getting things "just right," intrusive thoughts, and more. Part IV is an indispensable guide to additional resources, including books, videos, organizations, and websites. Filled with Dr. Chansky's compassionate advice and inspiring words from the many children with OCD whom she has helped, this book will be your lifeline. Battling back from OCD is hard work, but with the comprehensive, proven guidance in this book, you can help your child reclaim a life free from its grip.

Natalie Warren. Beautiful, independent, and driven. With no one to count on, Natalie relies solely on herself to achieve her dreams. As an aspiring actress, she knows how to handle disappointment. After all, she's experienced enough heartbreak from her childhood to last a lifetime.Seth Garrett. Powerful, alluring, and enigmatic. Hiding his past away, no one truly knows who he is and he prefers to keep it that way. One thing for sure is he wants Natalie. What Seth wants, he gets. A chance encounter between the two leaves Natalie reeling. Mostly unaffected by men at this point in her life, she craves his attention. Evasive as he may be, Natalie wants more. What's wrong with a little harmless fun? That's hard to say when the person you desire holds your future in his hands and can ultimately make or break your career. Why risk playing the game when you know the cards could be stacked against you?

Although philosophy of childhood has always played some part in philosophical discourse, its emergence as a field of postmodern theory follows the rise, in the late nineteenth century, of psychoanalysis, for which childhood is a key signifier. Then in the mid-twentiethcentury Philipe Aries’s seminal Centuries of Childhood introduced the master-concept of childhood as a social and cultural invention, thereby weakening the strong grip of biological metaphors on imagining childhood. Today, while philosophy of childhood per se is a relatively boundaryless field of inquiry, it is one that has clear distinctions from history, anthropology, sociology, and even psychology of childhood. This volume of essays, which represents the work of a diverse, international set of scholars, explores the shapes and boundaries of the emergent field, and the possibilities for mediating encounters between its multiple sectors, including history of philosophy, philosophy of education, pedagogy, literature and film, psychoanalysis, family studies, developmental theory, ethics, history of subjectivity, history of culture, and evolutionary theory. The resultis an engaging introduction to philosophy of childhood for those unfamiliar with this area of scholarship, and a timely compendium and resource for those for whom it is a new disciplinary articulation.

A devastating account of how Australia’s family courts fail children, families and victims of domestic abuse The family courts intimately affect the lives of those who come before them. Judges can decide where you are allowed to live and work, which school your child can attend and whether you are even permitted to see your child. Lawyers can interrogate every aspect of your personal life during cross-examination, and argue whether or not you are fit to be a parent. Broken explores the complexities and failures of Australia’s family courts through the stories of children and parents whose lives have been shattered by them. Camilla Nelson and Catharine Lumby take the reader into the back rooms of the system to show what it feels like to be caught up in spirals of abusive litigation. They reveal how the courts have been politicised by Pauline Hanson and men’s rights groups, and how those they are meant to protect most – children – are silenced or treated as property. Exploring the legal culture, gender politics and financial incentives that drive the system, Broken reveals how the family courts – despite the high ideals on which they were founded – have turned into the worst possible place for vulnerable families and children. Camilla Nelson is an associate professor in media at the University of Notre Dame Australia. A former Walkley Award winner, her writing has appeared in The Conversation, The Independent, Guardian Australia, Mamamia, Marie Claire and the ABC. Broken is her fifth book. Catharine Lumby is a media professor at the University of Sydney. She has a law degree, is the author of six books and has written for The Guardian, The Sydney Morning Herald, ABC-TV and The Bulletin. 'What happens to kids in our family law system should be a national scandal – and yet, so few people know about it. This book finally lifts the lid on this broken system, and shows how this once-great institution now regularly orders children to see or live with dangerous parents, and bankrupts the victim-parents trying to protect them. An urgent call to action.'—Jess Hill, author of See What You Made Me Do 'This searing review of Australia’s family court system is in turns heartbreaking and enraging. Drawing on recent cases and interviews, it shows how family violence continues to be misunderstood and how violent perpetrators are able to manipulate the legal system. It reveals that too often children are not heard, sometimes with devastating outcomes. This book is an urgent appeal: we must do better.'—Professor Heather Douglas, author of Women, Intimate Partner Violence and the Law

Nonnus once vied with Homer for popularity; today his Dionysiaca languishes in obscurity. The Challenge of Epic offers a literary critical rehabilitation of Nonnus' fifth-century AD poem. It argues that modern neglect stems from a failure to appreciate the central position of allusion in late-antique poetry. Attention first focuses on intertextual allusion. It is argued that the poet draws on a plethora of allusions to the cycle of Greek mythology in order to imbue his specific narrative with a universal significance. Focus then shifts to metapoetic allusion: the way in which Nonnus alludes self-consciously to the process of writing, and develops parallels between himself and his subject, Dionysus. Through an appreciation of Nonnus' alllusive strategies, the modern reader can again engage with the mind-bending challenge of the Dionysiaca.

This book offers a literary-critical rehabilitation of Nonnus' fitfth century AD epic. It argues for the centrality of allusive strategies, both intertextual and metapoetic, thus allowing a re-engagement with the challenge of reading late-antique poetry.

As the summer of 1999 draws to a close, Charlotte and Henry are coming to terms with a week-long Tower Room adventure that had cast them back sixty years, to a Toronto poised on the brink of war, ostensibly to resolve the childhood trauma of Gwendolyn MacFarlane. Except nothing was resolved, only witnessed. In fact, before returning to their own time, Charlotte herself took part in the very events that would shape, in some small way, the flawed woman Gwendolyn grew up to be. Now the two friends are unexpectedly offered the opportunity to embark on a second trip – this one physical rather than temporal – accompanying Gwendolyn to London, England, where she will reconnect with Sarah, a former tutor and actress, who left Toronto with Gwendolyn’s older brother Charlie when he went overseas to join the RAF. There Gwendolyn will have the long-severed threads of her unhappy childhood within reach and be confronted with difficult truths about herself and the life she has lived. The question is whether she will recognize resolution for what it is and be able to stitch the torn aspects of her life back together again.

Pamela Howard's What is Scenography?has become a classic text in contemporary theatre design and performance practice. In this second edition, the author expands on her holistic analysis of scenography as comprising space, text, research, art, performers, directors and spectators, to examine the changing nature of scenography in the twenty-first century. The book includes: case studies and anecdotes from Howard's own celebrated career illustrations of her own recent work, including black and white illustrations throughout and an eight page colour section an updated 'world view' of scenography, with definitions from the world's most famous and influential scenographers A direct and personal response to the question of how to define scenography by one of the world's leading practitioners, What is Scenography?continues to shape the work of visual theatremakers throughout the world.