This book brings together some 500 accounts of strange events and eerie experiences in the province.

From the Hermitage ruins to Dundurn Castle, from Customs House to Stoney Creek Battlefield Park, the city of Hamilton, Ontario, is steeped in a rich history and culture. This title offers a collection of tales compiled from the files of the paranormal group Haunted Hamilton, which has been investigating Hamilton's historic haunted past since 1999.

Beach Boulevard, Mud Street, Sulphur Springs Road, Paradise Road, the Jolley Cut -- street names are a vivid and living embodiment of a city's history, of the dreams, passions and workaday concerns of its citizens. Love, murder, betrayal, political intrigue -- all are present in this engaging new book about Hamilton's past. Most Hamiltonians know that MacNab Street was named after Allan Napier MacNab, a famous native son, but who were the people who gave their names to James, King or Barton streets, Fennell Avenue, or Kitty Murray Lane? Street names offer a unique, meandering path through Hamilton's fascinating past, full of curious biographical culs-de-sac and occasional sweeping historical vistas. Hamilton Street Names includes more than 120 routes in the new city. Each alphabetically organized entry offers fascinating insights into the city's social, political, cultural or military history. Richly illustrated with archival photographs, this book offers fascinating views into the past of the new Hamilton.

2013 Hamilton Arts Council Literary Award — Shortlisted, Nonfiction Hamilton, Ontario, may seem just like any other city, but a haunted past is hidden beneath it. From the Hermitage ruins to Dundurn Castle, from the Customs House to Stoney Creek Battlefield Park, the city of Hamilton, Ontario, is steeped in a rich history and culture. But beneath the surface of the Steel City there dwells a darker heart — from the shadows of yesteryear arise the unexplainable, the bizarre, and the chilling. Lock the doors and turn on all the lights before you settle down with this book, because once you begin to read about the supernatural elements that lurk within this seemingly normal city in Southern Ontario, strange bumps in the night will take on new, more sinister meanings. Prepare to be thrilled and chilled with this collection of tales compiled from historical documents, first-person accounts, and the files of the paranormal group Haunted Hamilton, which has been investigating and celebrating Hamilton’s historic haunted past since 1999.

The quest to write a geographical book leading up to the two-hundredth anniversary of this conflict, known as the War of 1812, that created two North American countries we enjoy today, began in 2006, with the goal to visit as many historical sites as possible. We started searching for roadside markers, plaques, monuments, cemeteries, the tombstones to the fallen, fortifications, battlefields and those who fought in this war, and to tell the readers the stories behind them. Searching for the Forgotten War 1812, was an experience that was more than we expected in terms of the wonderful people we met along the way.

North America's museums are treasured for their collections of Aboriginal ethnographic and archaeological objects. Yet stories of how these artifacts were acquired often reveal unethical acts and troubling chains of possession, as well as unexpected instances of collaboration. For instance, archaeological excavation of Aboriginal graves was so prevalent in the late-eighteenth century that the government of Upper Canada legislated against it, although this did little to stop the practice. Many objects were collected by non-Native outsiders to preserve cultures perceived to be nearing extinction, while other objects were donated or sold by the same Native communities that later demanded their return. Some Native people collected for museums and even created their own.

House museums act as both sources and suppliers of history. Functioning first as private residences, they are then preserved as commemorative monuments and become living history museums offering theme-based tours led by period-costumed interpreters so that visitors might experience "what it felt like to live back then." In Family Ties, Andrea Terry considers the appeal and relevance of domesticated representations of Victorian material culture in a contemporary multicultural context. Through three case studies, Terry examines Victorian homes that have been repurposed as living history museums that host speculative performances of the past. The credibility of Dundurn Castle in Hamilton, William Lyon Mackenzie House in Toronto, and the Sir George-Étienne Cartier National Historic Site of Canada in Montreal, Terry argues, relies on the belief that architectural monuments and the objects they contain are evidence of the time, culture, nation, or people that produced them. Family Ties connects residential artifacts to performance by examining the Victorian Christmas programs offered annually at each site to demonstrate the complex nuances of living history. Through a detailed exploration of the relationship between heritage, living history, and memory, Family Ties illuminates the effects of institutional interpretations of the past that privilege nationalist myths.