Dude ranches were Arizona's first destination vacation. The earliest were built on working cattle ranches, stage stops, mining claims, and homesteads. Early dudes were typically wealthy and stayed for a long time, some for so long that one ranch had a school for its guests' children. Dude ranches were built around unspoiled country and offered spectacular views, "healthy" weather, and the chance to experience the cowboy life. Hollywood filmmakers came and, with them, some of the biggest figures of their time. Among those who were guests at dude ranches were John Wayne, Gary Cooper, Clark Gable, Katherine Hepburn, Spencer Tracy, Dean Martin, Tom Hanks, Walt Disney, and US presidents.

Viewers of films and television shows might imagine the dude ranch as something not quite legitimate, a place where city dwellers pretend to be cowboys in amusingly inauthentic fashion. But the tradition of the dude ranch, America’s original western vacation, is much more interesting and deeply connected with the culture and history of the American West. In American Dude Ranch, Lynn Downey opens new perspectives on this buckaroo getaway, with all its implications for deciphering the American imagination. Dude ranching began in the 1880s when cattle ranches ruled the West. Men, and a few women, left the comforts of their eastern lives to experience the world of the cowboy. But by the end of the century, the cattleman’s West was fading, and many ranchers turned to wrangling dudes instead of livestock. What began as a way for ranching to survive became a new industry, and as the twentieth century progressed, the dude ranch wove its way into American life and culture. Wyoming dude ranches hosted silent picture shoots, superstars such as Gene Autry were featured in dude film plots, fashion designers and companies like Levi Strauss & Co. replicated the films’ western styles, and novelists Zane Grey and Mary Roberts Rinehart moved dude ranching into popular literature. Downey follows dude ranching across the years, tracing its influence on everything from clothing to cooking and showing how ranchers adapted to changing times and vacation trends. Her book also offers a rare look at women’s place in this story, as they found personal and professional satisfaction in running their own dude ranches. However contested and complicated, western history is one of America’s national origin stories that we turn to in times of cultural upheaval. Dude ranches provide a tangible link from the real to the imagined past, and their persistence and popularity demonstrate how significant this link remains. This book tells their story—in all its familiar, eccentric, and often surprising detail.

The remarkable story of Sandra Day O’Connor’s family and early life, her journey to adulthood in the American Southwest that helped make her the woman she is today: the first female justice of the U.S. Supreme Court and one of the most powerful women in America. “A charming memoir about growing up as sturdy cowboys and cowgirls in a time now past.”—USA Today In this illuminating and unusual book, Sandra Day O’Connor tells, with her brother, Alan, the story of the Day family, and of growing up on the harsh yet beautiful land of the Lazy B ranch in Arizona. Laced throughout these stories about three generations of the Day family, and everyday life on the Lazy B, are the lessons Sandra and Alan learned about the world, self-reliance, and survival, and how the land, people, and values of the Lazy B shaped them. This fascinating glimpse of life in the Southwest in the last century recounts an important time in American history, and provides an enduring portrait of an independent young woman on the brink of becoming one of the most prominent figures in America.

"To Arizona cowpunchers the Spanish word orejana refers to an ownerless, unbranded bovine old enough to quit its mother, in other words a maverick. Somehow that word evokes images of the legendary O RO Ranch north of Prescott, Arizona. This rough and remote, 257,000-acre ranch is as wild as the elusive orejanas that brush up in its precipitous canyons, evading the rope and all semblance of modern civilization. Once a Spanish Land Grant, this outfit has a tangible mystique about it that everyone who ever worked or lived here feels. Journalist and photographer Kathy McCraine is one of very few people ever allowed to photograph on this iconic ranch, which is locked to the public. From 1993 to 2013 she made numerous trips to the headquarters and to the remote areas on the ranch where the roundup wagon camped. Her unstaged photos depict the everyday lives of some of the last of the real, big outfit cowboys, at work catching horses out of the remuda, dragging calves to the fire for branding, and breaking broncs." --

He already owned and managed two ranches and needed a third about as much as he needed a permanent migraine: that’s what Alan Day said every time his friend pestered him about an old ranch in South Dakota. But in short order, he proudly owned 35,000 pristine grassy acres. The opportunity then dropped into his lap to establish a sanctuary for unadoptable wild horses previously warehoused by the Bureau of Land Management. After Day successfully lobbied Congress, those acres became Mustang Meadows Ranch, the first government-sponsored wild horse sanctuary established in the United States. The Horse Lover is Day’s personal history of the sanctuary’s vast enterprise, with its surprises and pleasures and its plentiful dangers, frustrations, and heartbreak. Day’s deep connection with the animals in his care is clear from the outset, as is his maverick philosophy of horse-whispering, with which he trained fifteen hundred wild horses. The Horse Lover weaves together Day’s recollections of his cowboying adventures astride some of his best horses, all of which taught him indispensable lessons about loyalty, perseverance, and hope. This heartfelt memoir reveals the Herculean task of balancing the requirements of the government with the needs of wild horses.

Of all the brave stage drivers in the old west, Mountain Charley Parkhurst was one of the bravest and most colorful. He also just happened to be a woman.

Arizona's Arivaca Valley lies only a short distance from the Mexican border and is a rugged land in which to put down stakes. When Arizona Territory was America's last frontier, this area was homesteaded by Anglo and Mexican settlers alike, who often displaced the Indian population that had lived there for centuries. This frontier way of life, which prevailed as recently as the beginning of the twentieth century, is now recollected in vivid detail by an octogenarian who spent her girlhood in this beautiful, cruel country. Eva Antonia Wilbur inherited a unique affinity for the land. Granddaughter of a Harvard-educated physician who came to the Territory in the 1860s, she was the firstborn child of a Mexican mother and Anglo father who instilled in her an appreciation for both cultures. Little Toña learned firsthand the responsibilities of ranching—an education usually reserved for boys—and also experienced the racial hostility that occurred during those final years before the Tohono O'odham were confined to a reservation. Begun as a reminiscence to tell younger family members about their "rawhide tough and lonely" life at the turn of the century, Mrs. Wilbur-Cruce's book is rich with imagery and dialogue that brings the Arivaca area to life. Her story is built around the annual cycle of ranch life—its spring and fall round-ups, planting and harvesting—and features a cavalcade of border characters, anecdotes about folk medicine, and recollections of events that were most meaningful in a young girl's life. Her account constitutes a valuable primary source from a region about which nothing similar has been previously published, while the richness of her story creates a work of literature that will appeal to readers of all ages.

Janet Stewart's overview of Arizona ranch houses not only recounts the development of a popular architectural form, ir also offers a practical guide for modern homebuilders who wish to recapture this famous style. Photographs and floor plans accompany the text.