In Margaret Coel's latest Wind River Reservation mystery, Arapaho attorney Vicky Holden and Father John O'Malley find themselves immersed in the dark underbelly of the illegal market for Indian relics.

New love. Exotic destinations. A once-in-a-lifetime adventure. What could go wrong? City girl Torre DeRoche isn't looking for love, but a chance encounter in a San Francisco bar sparks an instant connection with a soulful Argentinean man who unexpectedly sweeps her off her feet. The problem? He's just about to cast the dock lines and voyage around the world on his small sailboat, and Torre is terrified of deep water. However, lovesick Torre determines that to keep the man of her dreams, she must embark on the voyage of her nightmares, so she waves good-bye to dry land and braces for a life-changing journey that's as exhilarating as it is terrifying. Somewhere mid-Pacific, she finds herself battling to keep the old boat, the new relationship, and her floundering sanity afloat. . . . This sometimes hilarious, often harrowing, and always poignant memoir is set against a backdrop of the world's most beautiful and remote destinations. Equal parts love story and travel memoir, Love with a Chance of Drowning is witty, charming, and proof positive that there are some risks worth taking.

The award-winning author of "Dream Boy" and "Winter Birds" weaves the moving tale of a woman determined to figure out if the visions that haunt her are merely dreams--or nightmares she has lived and forced herself to forget. "Each sentence bristles with equal parts rage and grace".--Kelly McQuain, "The Philadelphia Inquirer".

Young Melissa found it a stupid idea to accompany her parents on a sailing trip to the Caimans. This journey could further her secret resentments against her dad and she also disliked the terrier dog that would accompany them on this journey. These forebodings worsened. A storm out of this world left her to decide who would live and die on this cruellest sea voyage, someone or some would die especially slow.

In Britain, 600 people die of drowning every year. This book explains why it is so easy to drown, where accidents happen, and how to save victims’ lives.

LONGLISTED FOR THE 2024 GILLER PRIZE Evocative, magical and luminously written, The Cure for Drowning is not only a brilliant, boundary-pushing love story but a Canadian historical novel that boldly centres queer and non-binary characters in unprecedented ways. Born Kathleen to an immigrant Irish farming family in southern Ontario, Kit McNair has been a troublesome changeling since, at ten, they fell through the river ice and drowned—only to be nursed back to life by their mother's Celtic magic. A daredevil in boy's clothes, Kit chafes at every aspect of a farmgirl's life, driving that same mother to distraction with worry about where Kit will ever fit in. When Rebekah Kromer, an elegant German-Canadian doctor's daughter, moves to town with her parents in April 1939, Rebekah has no doubt as to who 19-year-old Kit is. Soon she and Kit, and Kit's older brother, Landon, are drawn tight in a love triangle that will tear them and their families apart, and send each of them off on a separate path to war. Landon signs up for the Navy. Kit, now known as Christopher, joins the Royal Air Force, becoming a bomber navigator relied on for his luck and courage. Rebekah serves with naval intelligence in Halifax, until one more collision with Landon changes the course of her life and draws her back to the McNair farm—a place where she'd once known love. Fallen on even harder times, the McNairs welcome all the help she is able to give, and she believes she has found peace at last. Until, with the war over, Kit and Landon return home. Told in the vivid, unforgettable voices of Kit and Rebekah, The Cure for Drowning is a powerfully engrossing novel that imagines a history that is truer than true.

Literary depictions of drowning or burial at sea provide fascinating glimpses into the often-conflicted human relationship with memory. For many cultures and religious traditions, properly remembering the dead involves burial, a funeral, and some kind of grave marker. Traditional rituals of memorialization are disturbed by the drowned body, which may remain lost at sea or be washed up unrecognized on a distant shore. The first book of its kind, Literary Drowning explores depictions of the drowned body in twentieth-century Irish and Caribbean postcolonial literature, uncovering a complex transatlantic conversation that reconsiders memory, forgetfulness, and the role that each plays in the making of the postcolonial subject and nation. Faced with fissures in cultural memory, postcolonial writers often identify their situation—and their nation’s—with that of the drowned body. Floating aimlessly without a grave, unmemorialized and perhaps unremembered, the drowned corpse embodies the troubled memory of the postcolonial nation or individual. Boeninger follows a trail of drowned bodies and literary influence from the turn-of-the-century Irish playwright J. M. Synge, through the poems and plays of St. Lucian Nobel laureate Derek Walcott, to the lesser-known work of Guyanese British novelist and poet David Dabydeen, and finally to the contemporary Irish plays of Marina Carr. Each author, while borrowing from those who came before, changes the image of the drowned body to reflect different facets of the project of remembering postcolonially.

"The bucolic setting, emphasis on family and leisurely pace make for a nice end run around traditional police procedurals." —The New York Times Book Review In The Drowning Sea, Sarah Stewart Taylor returns to the critically acclaimed world of Maggie D’arcy with another atmospheric mystery so vivid readers will smell the salt in the air and hear the wind on the cliffs. For the first time in her adult life, former Long Island homicide detective Maggie D’arcy is unemployed. No cases to focus on, no leads to investigate, just a whole summer on a remote West Cork peninsula with her teenage daughter Lilly and her boyfriend, Conor and his son. The plan is to prepare Lilly for a move to Ireland. But their calm vacation takes a dangerous turn when human remains wash up below the steep cliffs of Ross Head. When construction worker Lukas Adamik disappeared months ago, everyone assumed he had gone home to Poland. Now that his body has been found, the guards, including Maggie's friends Roly Byrne and Katya Grzeskiewicz, seem to think he threw himself from the cliffs. But as Maggie gets to know the residents of the nearby village and learns about the history of the peninsula and its abandoned Anglo Irish manor house, once home to a famous Irish painter who died under mysterious circumstances, she starts to think there's something else going on. Something deadly. And when Lilly starts dating one of the dead man's friends, Maggie grows worried about her daughter being so close to another investigation and about what the investigation will uncover. Old secrets, hidden relationships, crime, and village politics are woven throughout this small seaside community, and as the summer progresses, Maggie is pulled deeper into the web of lies, further from those she loves, and closer to the truth.

Deftly written and emotionally powerful, Drowning Ruth is a stunning portrait of the ties that bind sisters together and the forces that tear them apart, of the dangers of keeping secrets and the explosive repercussions when they are exposed. A mesmerizing and achingly beautiful debut. Winter, 1919. Amanda Starkey spends her days nursing soldiers wounded in the Great War. Finding herself suddenly overwhelmed, she flees Milwaukee and retreats to her family's farm on Nagawaukee Lake, seeking comfort with her younger sister, Mathilda, and three-year-old niece, Ruth. But very soon, Amanda comes to see that her old home is no refuge--she has carried her troubles with her. On one terrible night almost a year later, Amanda loses nearly everything that is dearest to her when her sister mysteriously disappears and is later found drowned beneath the ice that covers the lake. When Mathilda's husband comes home from the war, wounded and troubled himself, he finds that Amanda has taken charge of Ruth and the farm, assuming her responsibility with a frightening intensity. Wry and guarded, Amanda tells the story of her family in careful doses, as anxious to hide from herself as from us the secrets of her own past and of that night. Ruth, haunted by her own memory of that fateful night, grows up under the watchful eye of her prickly and possessive aunt and gradually becomes aware of the odd events of her childhood. As she tells her own story with increasing clarity, she reveals the mounting toll that her aunt's secrets exact from her family and everyone around her, until the heartrending truth is uncovered. Guiding us through the lives of the Starkey women, Christina Schwarz's first novel shows her compassion and a unique understanding of the American landscape and the people who live on it.