Photographs by Mark Klett and Byron Wolfe; text by Rebecca Solnit.

Five years ago, Benji Green lost his beloved father, Big Eddie, when his truck crashed into a river. Everyone called it an accident, but Benji knows it was more. Even years later, he's buried in his grief, throwing himself into managing Big Eddie's convenience store in the small-town of Roseland, Oregon. Surrounded by his mother and three aunts, he lives day to day, struggling to keep his head above water. But Roseland is no ordinary place. With ever more frequent dreams of his father's death and waking visions of feathers on the river's surface, Benji finds his definition of reality bending. He thinks himself haunted; by ghosts or memories, he can no longer tell. Not until a man falls from the sky, leaving the burning imprint of wings on the ground, does Benji begin to understand that the world is more mysterious than he ever imagined--and more dangerous. As uncontrollable forces descend on Roseland, they reveal long-hidden truths about friends, family, and the stranger Calliel--a man Benji can no longer live without.

Bestselling author Alex Kotlowitz is one of this country's foremost writers on the ever explosive issue of race. In this gripping and ultimately profound book, Kotlowitz takes us to two towns in southern Michigan, St. Joseph and Benton Harbor, separated by the St. Joseph River. Geographically close, but worlds apart, they are a living metaphor for America's racial divisions: St. Joseph is a prosperous lakeshore community and ninety-five percent white, while Benton Harbor is impoverished and ninety-two percent black. When the body of a black teenaged boy from Benton Harbor is found in the river, unhealed wounds and suspicions between the two towns' populations surface as well. The investigation into the young man's death becomes, inevitably, a screen on which each town projects their resentments and fears. The Other Side of the River sensitively portrays the lives and hopes of the towns' citizens as they wrestle with this mystery--and reveals the attitudes and misperceptions that undermine race relations throughout America.

Glen Canyon was a place of extraordinary beauty before it disappeared, flooded when a new dam ("a major mistake of our time," says environmentalist David Brower) was completed in 1963. This book is a commemorative edition of Eliot Porter's exquisite photographs of the canyon.

A Newbery Honor Book. “A gripping, compassionate portrayal of a boy’s struggle with conscience” by the bestselling author of My Mother Is Mine (Kirkus Reviews). While on a bike trip, Joel’s best friend Tony drowns while they are swimming in the forbidden, treacherous Vermilion River. Joel is terrified at having to tell of his disobedience and overwhelmed by his feelings of guilt, even though the daring act was Tony’s idea, and Joel didn’t know that Tony couldn’t swim. But Joel’s loving and protective father will help him deal with the tragic aftermath—and understand that we all must live with the choices we make. “A powerful, soul-stirring novel told simply and well.”—Booklist (starred review) “This is a devastating but beautifully written story of a boy’s all-consuming guilt over the role he plays in the death of his best friend . . . Bauer’s honest and gripping novel joins the ranks of such as Katherine Paterson’s Bridge to Terabithia in its handling of these issues.”—Publishers Weekly “Descriptions are vivid, characterization and dialogue natural, and the style taut but unforced. A powerful, moving book.”—School Library Journal

Winner of the 2021 National Book Award for Poetry From the winner of the Ruth Lilly Poetry Prize come masterfully crafted narratives of protest, grief and love. Martín Espada is a poet who "stirs in us an undeniable social consciousness," says Richard Blanco. Floaters offers exuberant odes and defiant elegies, songs of protest and songs of love from one of the essential voices in American poetry. Floaters takes its title from a term used by certain Border Patrol agents to describe migrants who drown trying to cross over. The title poem responds to the viral photograph of Óscar and Valeria, a Salvadoran father and daughter who drowned in the Río Grande, and allegations posted in the "I’m 10-15" Border Patrol Facebook group that the photo was faked. Espada bears eloquent witness to confrontations with anti-immigrant bigotry as a tenant lawyer years ago, and now sings the praises of Central American adolescents kicking soccer balls over a barbed wire fence in an internment camp founded on that same bigotry. He also knows that times of hate call for poems of love—even in the voice of a cantankerous Galápagos tortoise. The collection ranges from historical epic to achingly personal lyrics about growing up, the baseball that drops from the sky and smacks Espada in the eye as he contemplates a girl’s gently racist question. Whether celebrating the visionaries—the fallen dreamers, rebels and poets—or condemning the outrageous governmental neglect of his father’s Puerto Rico in the wake of Hurricane María, Espada invokes ferocious, incandescent spirits.

Published in association with Phoenix Art Museum and Center for Creative Photography.

When 14-year-old Ruby Carson takes a tumble through the ice she nearly drowns. Coming to, she has a vision of her town under water that she shares with the assembled crowd. Already something of an oddity, the vision solidifies her status as an outcast. But as it turns out she was right ...

"They had been told their sacrifice was for the public good. They were never told how much they would miss it, or for how long." Drowned Town explores the multigenerational impact caused by the loss of home and illuminates the joys and sorrows of a group of people bound together by western Kentucky's Land Between the Lakes and the lakes that lie on either side of it. The linked stories are rooted in a landscape forever altered by the mid-twentieth-century impoundment of the Tennessee and Cumberland Rivers and the seizing of property under the power of eminent domain to create a national recreation area on the narrow strip of land between the lakes. The massive federal land and water projects completed in quick succession were designed to serve the public interest by providing hydroelectric power, flood control, and economic progress for the region—at great sacrifice for those who gave up their homes, livelihoods, towns, and history. The narrative follows two women whose lives are shaped by their friendship and connection to the place, and their stories go back and forth in time to show how the creation of the lakes both healed and hurt the people connected to them. In the process, the stories emphasize the importance of sisterhood and family, both blood and created, and how we cannot separate ourselves from our places in the world.