"Frederick the Great and His Court: An Historical Romance Book III" by Luise Muhlbach is a captivating portrayal of 18th-century Europe, delving into the intricate web of court intrigue within the Prussian monarchy. Muhlbach, a master of historical fiction in German literature, vividly brings to life the era of Frederick the Great, showcasing not only the military strategy and political drama of the time but also the cultural and intellectual vibrancy of the Enlightenment era. Through meticulous research and expert storytelling, Muhlbach paints a rich tapestry of European history, focusing on the royal court and the nobility who inhabited it. Readers are transported to an era of grandeur and ambition, where power struggles and alliances shape the destiny of nations. At the heart of the narrative lies the enigmatic figure of Frederick the Great, whose charisma and military genius dominate the stage. Against the backdrop of Prussian history, Muhlbach weaves a tale of love, betrayal, and ambition, capturing the essence of an era defined by its monarchs and their courts. "Frederick the Great and His Court" stands as a masterpiece of historical romance, offering readers a captivating glimpse into a bygone era filled with intrigue, passion, and the enduring legacy of one of Europe's most iconic rulers.

The reproach is commonly brought against musical biographies that they are monotonous: and indeed the life of the musician has not often afforded much scope for incident or variety. If he be a composer he treads the accustomed course of early struggles, hard-earned victories and posthumous fame: if he be a virtuoso his career is one triumphal progress which leaves little to record except the successive trophies that he has planted and the successive laurels that he has won. The concentration required by his art removes him in some degree from the stir and stress of public events: for the most part he dwells in an ideal city of his own and breathes the more freely when he has shut its gates upon the world. To this it may be added that the biographers of our great musicians have too often tended to merge the historian in the advocate. They are full of a generous enthusiasm for their subject; they are anxious above all things to present it in an attractive light; but they sometimes neglect Cromwell’s advice to Sir Peter Lely and spoil their portrait by giving it a classic regularity of feature. No doubt every biographer is something of a partisan:—it is no use writing a man’s life unless you think well of him:—but the worst of all ways to arouse interest in your hero is to represent him on a faultless paladin and to treat as a paynim and a miscreant everyone who ever offered him the least opposition. No man can build the monument of departed greatness if he is using up all the stones to pelt his adversaries.

This vintage book contains a complete handbook on quilting in three parts: “History and Quilt Patches”, “Quilts—Antique and Modern”, and “Quilting and Quilting Designs”. A detailed and fascinating exploration of the history and development of quilting, this is a volume that will appeal to those with an interest in the textile industry, and one that would make for a fantastic addition to any collection. Contents include: “Origin and History of Quilt-making with Photographic Reproduction of Patches”, “The Romance of Patchwork”, “Quilt Names”, “The Quilting Bee”, “The Quilt's Place in Art”, “The Quilt in the Twentieth Century”, “Historical Quilts from Recent Exhibitions”, “Gleanings from Old Scrapbooks”, “How to Make a Quilt”, “Reproductions of Quilt Patches”, etc. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, high-quality edition complete with a specially commissioned new introduction on quilting.

"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-