The contributions in this volume are focused on the historical origins, religious provenance, and social function of ancient Jewish and Christian apocalyptic literature, including so-called ‘Gnostic’ writings. Although it is disputed whether there was a genre of ‘apocalyptic literature,’ it is obvious that numerous texts from ancient Judaism, early Christianity, and other religious milieus share a specific view of history and the world to come. Many of these writings are presented in form of a heavenly (divine) revelation, mediated through an otherworldly figure (like an angel) to an elected human being who discloses this revelation to his recipients in written form. In different strands of early Judaism, ancient Christianity as well as in Gnosticism, Manichaeism, and Islam, apocalyptic writings played an important role from early on and were produced also in later centuries. One of the most characteristic features of these texts is their specific interpretation of history, based on the knowledge about the upper, divine realm and the world to come. Against this background the volume deals with a wide range of apocalyptic texts from different periods and various religious backgrounds.

The dream state is the one path to heightened consciousness that we all know from birth; it has been used to secure creativity, health, foreknowledge, and ecstatic insight. But it is a voice of inner truth that is now being vindicated--as can be learned from vastly remote cultures. 110 illustrations, 24 in color.

This collection of studies on Dreams, Memory and Imagination in Byzantium covers four main themes: the place of dreams, imagination and memory in the Byzantine philosophical tradition; the political uses of prophetic dreams and visions in imperial contexts; the appearance and manipulation of dreams and memory in Byzantine poetry and histories, and changing commemorations of the saints over time in art, epigraphy and literature. These studies reveal the distinctive and important roles of memory, imagination and dreams in the Byzantine court, the proto-Orthodox church and broader society from Constantinople to Syria and beyond. This volume of Byzantina Australiensia brings together the work of senior and early career scholars from Australia, Greece, Israel, Italy, Japan, New Zealand and the United States.

"This brilliant study presents contemporary anthropology at its best. Whether one's goal is understanding the permeability of traditions and modernities or the changing shape of religious imagination and thought in one of the most pivotal countries of the Middle East, this book is an outstanding point of departure."—Dale F. Eickelman, author of The Middle East and Central Asia: An Anthropological Approach, 4th ed. "Dreams That Matter is an insightful and well-crafted study of the practice of dreaming in contemporary Egypt. Mittermaier provides a superb analysis of the imaginative repertoires of Islamic traditions and shows how the dream has remained not only a site of Muslim scholarly interest, but an important part of the way ordinary Muslims encounter and engage with the divine."—Charles Hirschkind, author of Powers of the Secular Modern: Talal Asad and His Interlocutors "Amira Mittermaier has given us the most complete anthropological study of dream culture in the Middle East—perhaps in any culture. It is a sensitive, intellectually challenging, indeed a courageous, investigation of the psychological, ontological, and ethical assumptions that lie behind dreams, visions, and dream-visitations in contemporary Egypt—where the dream is a vibrant site of political, religious, and interpretive contest. Dreams That Matter will rank among the most important contributions to the anthropology of the imagination for years to come."—Vincent Crapanzano, author of The Harkis: The Wound That Never Heals

Kelley unearths freedom dreams in this exciting history of renegade intellectuals and artists of the African diaspora in the twentieth century. Focusing on the visions of activists from C. L. R. James to Aime Cesaire and Malcolm X, Kelley writes of the hope that Communism offered, the mindscapes of Surrealism, the transformative potential of radical feminism, and of the four-hundred-year-old dream of reparations for slavery and Jim Crow. From'the preeminent historian of black popular culture' (Cornel West), an inspiring work on the power of imagination to transform society.

Retells the author's dream experiences while he was semi-conscious following a two-month-long coma."

An exploration of the wakeful character of the dream and the dreamful character of wakefulness. Dreams have attracted the curiosity of humankind for millennia. In A Dream Interpreted Within a Dream, Elliot Wolfson guides the reader through contemporary philosophical and scientific models to the archaic wisdom that the dream state and waking reality are on an equal phenomenal footing--that the phenomenal world is the dream from which one must awaken by waking to the dream that one is merely dreaming that one is awake. By interpreting the dream within the dream, one ascertains the wakeful character of the dream and the dreamful character of wakefulness. Assuming that the manner in which the act of dreaming is interpreted may illuminate the way the interpreter comprehends human nature more generally, Wolfson draws on psychoanalysis, phenomenology, and neuroscience to elucidate the phenomenon of dreaming in a vast array of biblical, rabbinic, philosophical, and kabbalistic texts. To understand the dream, Wolfson writes, it is necessary to embrace the paradox of the fictional truth--a truth whose authenticity can be gauged only from the standpoint of its artificiality. The dream, on this score, may be considered the semblance of the simulacrum, wherein truth is not opposed to deception because the appearance of truthfulness cannot be determined independently of the truthfulness of appearance.

The whole manifested world goes to show us what use we have made of God's gift. Receiving a gift does not mean that we are going to use it wisely, but we have the gift. Everyone has the gift; and the world simply reflects the use of that gift.In "The Merchant of Venice," Shakespeare puts these words into the mouth of Portia: "If to do were as easy as to know what were good to do, chapels had been churches and poor men's cottages princes palaces. It is a good divine who follows his own instructions. I can easier teach twenty what were good to be done than to be one of the twenty to follow my own teaching."So you and I have been given a gift. To what use have we put it? In a book written in the First Century, written at the time of our Gospel, -- it's called the Hermetica, and this is a translation by Walter Scott. It is a wonderful series of four volumes; and in this he says: "There are two gifts that God has given to man alone, and to no other mortal creature, and these two gifts are Mind and Speech. And the gifts of Mind and Speech are essential and identical with Immortality. If they are used rightly, man will not differ in any respect from the immortals; and when he quits the body, these two will be his guides and they will lead him into the troop of the gods and. to the souls that have attained to bliss."

This wide-ranging exploration of the spiritual and scientific dimensions of dreaming offers new connections between the ancient wisdom of the world's religious traditions, which have always taught that dreams reveal divine truths, and the recent findings of modern psychological research. Drawing upon philosophy, anthropology, sociology, neurology, literature, and film criticism, the book offers a better understanding of the mysterious complexity and startling creative powers of human dreaming experience. For those interested in gaining new perspectives on dreaming, the powers of the imagination, and the newest frontiers in the dialogue between religion and science, Visions of the Night promises to be a welcome resource.