The sun settles on a beautiful afternoon, in the small Village of Kutana, where a young child by the name of, Fernandito, waves his final goodbyes to the village that birthed him. Fernandito, a four-year-old soccer enthusiast, is filled with excitement as he and his older brother, Canario, take on a journey to a new land. As they go on route with the companionship of a small group, all guided by an uncanny figure, the brothers get trapped in a lie and soon realize they're embarking on one of the most dangerous journeys, where less than a few have ever survived. Being forced to deal with this issue, the brothers must find a way to protect each other, their lives, and their freedom.

National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.

For use in schools and libraries only. American Dream and Zoo story: two plays

Caryl Churchill's spare and resonant version of Strindberg's enigmatic masterpiece. Written in 1901, a mysterious amalgam of Freud, Alice in Wonderland and Strindberg's own private symbolism, A Dream Play follows the logic of a dream: A young woman comes from another world to see if life is really as difficult as people make it out to be. Characters merge into each other, locations change in an instant and a locked door becomes an obsessive recurrent image. As Strindberg wrote in his preface, he wanted 'to imitate the disjointed yet seemingly logical shape of a dream. Everything can happen, everything is possible and probable. Time and place do not exist.' This version of A Dream Play, from a literal translation by Charlotte Barslund, is by leading playwright Caryl Churchill. It was first performed in the Cottesloe auditorium of the National Theatre, London, in February 2005, in a production directed by Katie Mitchell, with additional material by Katie Mitchell and the company. Also included is an introduction by Caryl Churchill.

Play on Shakespeare is a delightful introduction to some of the characters, themes, and literary devices that make Shakespeare so well-loved. The beautiful illustrations bring the play to life and the color-coded text highlights and defines literature elements in the story, both contributing to a rich, multi-layered experience. Come along as four young adventurers go exploring a magical meadow, only to find out there is more mischief afoot in this Fairy Wood than they might have expected. Hilarious mayhem abounds in this introduction to Shakespeare's classic comedy, "A Midsummer Night's Dream."

Dream It! A Playbook to Spark Your Awesomeness is a workbook that teaches middle-grade children to think about what they like, what they are good at, and what their passions are. This playbook is filled with open-ended brainstorming activities to designed to help kids identify their goals and dreams, whatever they are! Dream It! is an effective, evidence-based tool for teaching social-emotional skills, increasing optimistic thinking, and nurturing imagination.

Sark invites the journal writer to compose his/her own creative companion through gentle instructions and playful directions toward artistic freedom. Your "inside child" will peek out to want, wish, find pleasure, and amaze you. "We need your creative spirit in action," says SARK, "because there is only one of you. . . . So share your dreams and let them get really big."

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

A business parable about how companies can achieve remarkable results by helping their employees fulfill their dreams Managing people is difficult. With disengagement and turnover on the rise, many managers are scratching their heads wondering what to do. It's not that we dont dream of being great managers, it's just that we havent found a practical and efficient way to do it. Until now . . . The fictional company in this remarkable book is grappling with real problems of high turnover and low morale -- so the managers begin to investigate what really drives the employees. What they discover is that the key to motivation isnt necessarily the promise of a bigger paycheck or title, but rather the fulfillment of crucial personal dreams. They also learned that people at every level need to be offered specific kinds of help and encouragement -- or our dreams will forever remain just dreams as we grow dissatisfied with our lives and jobs. Beginning with his important thought that a company can only become the-best-version-of-itself to the extent that its employees are becoming better-versions-of-themselves, Matthew Kelly explores the connection between the dreams we are chasing personally and the way we all engage at work. Tackling head-on the growing problem of employee disengagement, Kelly explores the dynamic collaboration that is unleashed when people work together to achieve company objectives and personal dreams. The power of The Dream Manager is that simply becoming aware of the concept will change the way you manage and relate to people instantly and forever. What's your dream?

The room is dim, the chairs are in perfectly lined rows. The city planner puts up a color-coded diagram of the street improvement project, dreading the inevitable angry responses. Jana loves her community and is glad to be able to attend the evening meeting, and she has a lot of ideas for community change. But she has a hard time hearing, and can’t see the diagrams clearly. She leaves early. It’s time to imagine a different type of community engagement – one that inspires connection, creativity, and fun. People love their communities and want them to become safer, healthier, more prosperous places. But the standard approach to public meetings somehow makes everyone miserable. Conversations that should be inspiring can become shouting matches. So what would it look like to facilitate truly meaningful discussions between citizens and planners? What if they could be fun? For twenty years, James Rojas and John Kamp have been looking to art, creative expression, and storytelling to shake up the classic community meeting. In Dream Play Build, they share their insights into building common ground and inviting active participation among diverse groups. Their approach, “Place It!,” draws on three methods: the interactive model-building workshop, the pop-up, and site exploration using our senses. Using our hands to build and create is central to what makes us human, helping spark ideas without relying on words to communicate. Deceptively playful, this method is remarkably effective at teasing out community dreams and desires from hands-on activities. Dream Play Build offers wisdom distilled from workshops held around the world, and a deep dive into the transformational approach and results from the South Colton community in southern California. While much of the process was developed through in-person meetings, the book also translates the experience to online engagement--how to make people remember their connections beyond the computer screen. Inspirational and fun, Dream Play Build celebrates the value of engaging with the dreams we have for our communities. Readers will find themselves weaving these artful, playful lessons and methods into their own efforts for making change within the landscape around them.