For Freshman-/Sophomore-level courses in Drawing. Progressing logically from the fundamentals of drawing to its more specific aspects--this text addresses the options, challenges, and methodologies of drawings subjects such as still life, figure, landscape, and envisioned images. The text approaches the teaching of drawing in the same way artists approach the creating of drawings: by proceeding from the general to the specific and presenting a work in an organized and economical manner.

In this meditation/how-to guide on drawing as an ethnographic method, Andrew Causey offers insights, inspiration, practical techniques, and encouragement for social scientists interested in exploring drawing as a way of translating what they "see" during their research.

Imagine having the ability to draw any subject with precision, detail and expression. With Claudia's help, you can do it! In How to See, How to Draw, you will discover how to tap into your powers of observation, strengthen your hand-eye connection, and draw the world around you with new skill and accuracy. Just take it one step at a time. Claudia is an expert teacher, breaking down complex compositions into a series of achievable shapes and values that even beginners will understand. Through dozens of mini demonstrations, fun-to-do exercises and complete step-by-step instruction, you'll learn everything from basic drawing techniques to more challenging methods for rendering wonderfully rich, in-depth compositions. Her visual instruction details how to: • Use a variety of drawing tools to suit your style and artistic intent • Learn to let go of preconceived ideas so you can observe lines, shapes and spatial relationships as they actually are • Create strong compositions through comparison and proportional control • Find, fix and avoid common mistakes by using simple grids and guide lines • Understand and work with perspective to create the illusion of depth • Reveal form through light and shadow • Explore the potential of texture to create mood and movement Claudia's drawings illuminate a range of subjects, including portraits, landscapes, animals and still life. You can practice using her reference photos and drawings, or you can apply her exercises to your own subjects. Start today, Claudia's way! Following her masterful guidance, you'll see the world through new eyes and draw better than you ever have before.

Learn important drawing skills with 30+ step-by-step demonstrations of favorite subjects. Learning how to draw is fun, so whether you've never drawn before or have been drawing for years, grab a pencil and some paper, and let's have fun drawing together! Each of the 30+ lessons focuses on a different topic, technique, or concept, promoting learning through clear step-by-step demonstrations for successful drawings. No experience necessary! Readers will get creative and have fun learning how to draw with this essential addition to any art-instruction library.

If you've always wanted to draw but didn't think you had the talent, think again! With The Everything Drawing Book as your guide, you'll learn how to see the world through an artist's eyes-and capture it on canvas. Unlock your creative potential and expand your drawing expertise with: Useful exercises and assignments that help you find your own style Easy tricks for charcoal, watercolor, and pen-and-ink methods Quick tips on perspective and technique, as well as portraiture and landscape drawing Budget-friendly suggestions on how to save a bundle on expensive artist supplies Dozens of original drawings designed to spark your imagination And much, much more!

"This book is an attempt to replicate the approach to observational drawing that we use in the New English Art Club Drawing School ... I am very grateful to the members of the NEAC who have lent drawings for the book; in the main, they are members who also teach at the Drawing School"--Page 7.

The works in The Drawing Book, by artists, architects, sculptors, scientists, filmmakers and thinkers of all descriptions, attest to the versatility and immediacy of drawing. From first thoughts to finely wrought, elaborate artworks, from the lightest sketch in pencil to bold, gallery-wall installations, the medium is shown as an essential vehicle for creativity. The recent prominence of artists such as Louise Bourgeois, Eva Hesse, Chris Ofili, Rachel Whiteread, Ellen Gallagher, and a host of others who use drawing as a final means of expression, is addressed in both the works shown and essays by curators Kate Macfarlane and Katharine Stout, and art historian Charles Darwent. The Drawing Book takes us on a journey through five themes -- measurement, nature, the city, dreams, and the body. Each is richly illustrated with a diverse range of images, from the old masters -- Leonardo da Vinci, Botticelli, Dürer -- through great Modernist pieces by Rodin, Picasso, Matisse, and on to the contemporary artists who are reviving drawing today. A new and unique approach to an age old medium.

Presents a comprehensive survey of the art of drawing, and asserts that drawing is far more than the sum of a work's materials, it is a powerful means of visual exploration.

Interviews with twelve contemporary American illustrators and analyses of their techniques and approaches are accompanied by examples of their work, with personal comments.

Native Places is a collection of 64 watercolor sketches paired with mini-essays about architecture, landscape, everyday objects, and nature. The sketches relate the delight found in ordinary places. The short essays, rather than repeat what is visible in the sketch, illustrate ideas and thoughts sparked by that image and offer a fresh interpretation of ordinary things. The goal of Native Places is, in part, to transform the way we see. Through its pages, barns become guidebooks to crops and weather; a country church is redolent of the struggle for civil rights and human dignity; and a highway rest stop offers a glimpse of egalitarian society. Native Places also expresses the belief that writing and hand drawing are not obsolete skills. Both disciplines offer us the opportunity to develop a natural grace in the way we view the world and take part in it.