Did America really learn to "stop worrying and love the bomb," as the title of Stanley Kubrick's 1964 film, Dr. Strangelove, would have us believe? Does that darkly satirical comedy have anything in common with Martin Luther King Jr.'s impassioned "I Have a Dream" speech or with Elvis Presley's throbbing "I'm All Shook Up"? In Margot Henriksen's vivid depiction of the decades after World War II, all three are expressions of a cultural revolution directly related to the atomic bomb. Although many scientists and other Americans protested the pursuit of nuclear superiority after World War II ended, they were drowned out by Cold War rhetoric that encouraged a "culture of consensus." Nonetheless, Henriksen says, a "culture of dissent" arose, and she traces this rebellion through all forms of popular culture. At first, artists expressed their anger, anxiety, and despair in familiar terms that addressed nuclear reality only indirectly. But Henriksen focuses primarily on new modes of expression that emerged, discussing the disturbing themes of film noir (with extended attention to Alfred Hitchcock) and science fiction films, Beat poetry, rock 'n' roll, and Pop Art. Black humor became a primary weapon in the cultural revolution while literature, movies, and music gave free rein to every possible expression of the generation gap. Cultural upheavals from "flower power" to the civil rights movement accentuated the failure of old values. Filled with fascinating examples of cultural responses to the Atomic Age, Henriksen's book is a must-read for anyone interested in the United States at mid-twentieth century.

Goodchild unravels the complex web of harsh early experiences, character flaws, and personal and professional frustrations that lay behind the paradox of "the father of the H-bomb."

Stanley Kubrick's Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb is one of the most celebrated and significant films ever made. This book traces the movie's origins as a thriller novel through its evolution into a devastating black comedy, to its ultimate reception as an undisputed cinema classic. A wealth of fresh detail is provided on Dr. Strangelove's production, its initial reception and its lasting influence. The book also examines the film within the context of the real-life superpower standoff it satirized and evaluates its place alongside director Kubrick's entire catalog of famous works. Drawn from interviews, biographical research and extensive cultural analysis, this work is an indispensable resource for Kubrick fans, movie buffs and students of Cold War history.

This book was originally published in the U.K. under the title Two Hours to Doom (written by Peter Bryant, the penname of writer Peter George). This intricately plotted and well-thought out novel conjures the vision of apocalyptic threat of nuclear war and illustrates just how absurdly easy such an attack can be triggered. Dr. Strangelove is based on the novel.

King of the Cold War crisis film, Dr. Strangelove became a cultural touchstone from the moment of its release in 1964. The duck-and-cover generation saw it as a satire on nuclear issues and Cold War thinking. Subsequent generations, removed from the film’s historical moment, came to view it as a quasi-documentary about an unfathomable secret world. Sean M. Maloney uses Dr. Strangelove and other genre classics like Fail Safe and The Bedford Incident to investigate a curious pop cultural contradiction. Nuclear crisis films repeatedly portrayed the failures of the Cold War’s deterrent system. Yet the system worked. What does this inconsistency tell us about the genre? What does it tell us about the deterrent system, for that matter? Blending film analysis with Cold War history, Maloney looks at how the celluloid crises stack up against reality—or at least as much of reality as we can reconstruct from these films with confidence. The result is a daring intellectual foray that casts new light on Dr. Strangelove, one of the Cold War era’s defining films.

An engrossing biography of one of the most influential filmmakers in cinematic history Kubrick grew up in the Bronx, a doctor’s son. From a young age he was consumed by photography, chess, and, above all else, movies. He was a self†‘taught filmmaker and self†‘proclaimed outsider, and his films exist in a unique world of their own outside the Hollywood mainstream. Kubrick’s Jewishness played a crucial role in his idea of himself as an outsider. Obsessed with rebellion against authority, war, and male violence, Kubrick was himself a calm, coolly masterful creator and a talkative, ever†‘curious polymath immersed in friends and family. Drawing on interviews and new archival material, Mikics for the first time explores the personal side of Kubrick’s films.

"Radiation is a complex and paradoxical concept: staggering amounts of energy flow from seemingly inert rock and that energy is both useful and dangerous. While nuclear energy affects our everyday lives--from nuclear medicine and food irradiation to microwave technology--its invisible rays trigger biological damage, birth defects, and cellular mayhem. From the end of the nineteenth century through the use of the atomic bomb in World War II to the twenty-first century's confrontation with the dangers of nuclear power, Craig Nelson illuminates a pageant of fascinating historical figures: Enrico Fermi, Marie and Pierre Curie, Albert Einstein, FDR, Robert Oppenheimer, and Ronald Reagan, among others. He reveals many little-known details, including how Jewish refugees fleeing Hitler transformed America from a country that created light bulbs and telephones into one that split atoms; how the most grotesque weapon ever invented could realize Alfred Nobel's lifelong dream of global peace; how emergency workers and low-level utility employees fought to contain a run-amok nuclear reactor, while wondering if they would live or die. Brilliantly fascinating and remarkably accessible, The Age of Radiance traces mankind's complicated and difficult relationship with the dangerous power it discovered and made part of civilization"--

Shortlisted for the Andrew Carnegie Medal for Excellence in Nonfiction Finalist for The California Book Award in Nonfiction The San Francisco Chronicle's Best of the Year List Foreign Affairs Best Books of the Year In These Times “Best Books of the Year" Huffington Post's Ten Excellent December Books List LitHub's “Five Books Making News This Week” From the legendary whistle-blower who revealed the Pentagon Papers, an eyewitness exposé of the dangers of America's Top Secret, seventy-year-long nuclear policy that continues to this day. Here, for the first time, former high-level defense analyst Daniel Ellsberg reveals his shocking firsthand account of America's nuclear program in the 1960s. From the remotest air bases in the Pacific Command, where he discovered that the authority to initiate use of nuclear weapons was widely delegated, to the secret plans for general nuclear war under Eisenhower, which, if executed, would cause the near-extinction of humanity, Ellsberg shows that the legacy of this most dangerous arms buildup in the history of civilization--and its proposed renewal under the Trump administration--threatens our very survival. No other insider with high-level access has written so candidly of the nuclear strategy of the late Eisenhower and early Kennedy years, and nothing has fundamentally changed since that era. Framed as a memoir--a chronicle of madness in which Ellsberg acknowledges participating--this gripping exposé reads like a thriller and offers feasible steps we can take to dismantle the existing "doomsday machine" and avoid nuclear catastrophe, returning Ellsberg to his role as whistle-blower. The Doomsday Machine is thus a real-life Dr. Strangelove story and an ultimately hopeful--and powerfully important--book about not just our country, but the future of the world.

With rare access to unpublished materials, this volume assesses Dr. Strangelove's narrative accuracy, consulting recently declassified Cold War nuclear-policy documents alongside interviews with Kubrick's collaborators. It focuses on the myths surrounding the film.

From the New York Times–bestselling authors, this “chilling and engrossing” nuclear-showdown thriller packs “a multi-megaton wallop” (Chicago Tribune). Originally published during the Cuban Missile Crisis, this suspenseful novel takes off as a group of American bombers—armed with a deadly payload of nuclear weapons—heads towards Moscow, their motives unknown. Suddenly, a nuclear apocalypse looms closer than it ever has, and the lives of millions depend on the high-stakes diplomacy of leaders on both sides of the divide. The basis for the classic 1964 movie starring Henry Fonda, this two-million-copy bestseller is not only a terrifying thriller, but a fascinating social commentary on Cold War politics and a look at how, in a world poised on the brink, accidents and mistakes can have catastrophic consequences. Exploring the thin line between peace and global destruction that characterized this turbulent era, it is as timely as ever—“gripping, exciting and almost unbearably fascinating” (Los Angeles Times). “Excruciatingly tense.” —The Wall Street Journal