First comprehensive publication about the German pioneer of Leica photography

With a new preface, Robert Paul Wolff's classic analysis of the foundations of the authority of the state and the problems of political authority and moral autonomy in a democracy.

Personalties around the Leica such as Ernst Leitz II, Oskar Barnack, Henri Dumur, Paul Wolff, Heinrich Stockler and Julius Behnke come to life again through Walther Benser's tales and recollections presented to us in a new light. The Leica lecture tours, started by Anton Baumann, soon became Benser's specialty with which he achieved world-wide recognition. He took his shows not only around Germany but also into neighboring countries even after he war had begun. As a result of his photographic activity he eventually became a war reporter. Then came the battle for survival, both during and after the war - and the Leica always played an important and often decisive role. Finally he resumed his lecture tours, earning great success across the continents, both for his own pictures and for the Leica. He then started his own business, which finally grew into a large color-picture agency. These are the stages in Walter Benser's life with the Leica, periods he lived through and helped to mold with every camera model, from the Leica I to the M6.

What, and who, are we working for? A thoughtful assessment on our current society from “probably America’s most prominent Marxist economist” (The New York Times). Capitalism as a system has spawned deepening economic crisis alongside its bought-and-paid-for political establishment. Neither serves the needs of our society. Whether it is secure, well-paid, and meaningful jobs or a sustainable relationship with the natural environment that we depend on, our society is not delivering the results people need and deserve. One key cause for this intolerable state of affairs is the lack of genuine democracy in our economy as well as in our politics. The solution requires the institution of genuine economic democracy, starting with workers managing their own workplaces, as the basis for a genuine political democracy. Here Richard D. Wolff lays out a hopeful and concrete vision of how to make that possible, addressing the many people who have concluded economic inequality and politics as usual can no longer be tolerated and are looking for a concrete program of action. “Wolff’s constructive and innovative ideas suggest new and promising foundations for much more authentic democracy and sustainable and equitable development, ideas that can be implemented directly and carried forward. A very valuable contribution in troubled times.” —Noam Chomsky, leading public intellectual and author of Hope and Prospects

Normally, discussions about One New Man focus on Jew and Gentile needing to reconcile. Usually, this conversation breaks down over the place of Israel in the Kingdom and end times. People rarely think, much less act, on the purpose behind the Lord calling us to be the One New Man. The fundamental issue of identity has been overlooked. When people recognize that their true identity is their Messiah, they will be drawn into a closer relationship with God. They have been born into a time where biblical prophecy is confirming that the unity between Jew and Gentile is ushering in a new season of outpouring of the Holy Spirit, and the Lord is calling them to join in. There is a call in this season, as confirmed in Ephesians 2 and 3, for Jew and Gentile to come together as One New Man and to walk as joint heirs in the commonwealth of Israel. When Jew and Gentile come together as One, the Lord has stored up a release of blessing and power that will forever change humanity’s destiny.

Nurse Wolf is Manhattan's Queen of Pain - she gives pleasure by inflicting it, gains pleasure from causing it. The neurologist Dr Oliver Sacks is her opposite, a defuser of pain, a comforter. And yet the dominatrix and the doctor operate in similar territory: both are involved in the ritual and theatrical aspects of sexuality. In Nurse Wolf and Dr Sacks, Paul Theroux hears two remarkable confessions. His book offers an extraordinary insight into the 'other' side of New York.

Mishna Wolff grew up in a poor black neighborhood with her single father, a white man who truly believed he was black. "He strutted around with a short perm, a Cosby-esqe sweater, gold chains and a Kangol—telling jokes like Redd Fox, and giving advice like Jesse Jackson. You couldn't tell my father he was white. Believe me, I tried," writes Wolff. And so from early childhood on, her father began his crusade to make his white daughter Down. Unfortunately, Mishna didn't quite fit in with the neighborhood kids: she couldn't dance, she couldn't sing, she couldn't double dutch and she was the worst player on her all-black basketball team. She was shy, uncool and painfully white. And yet when she was suddenly sent to a rich white school, she found she was too "black" to fit in with her white classmates. I'm Down is a hip, hysterical and at the same time beautiful memoir that will have you howling with laughter, recommending it to friends and questioning what it means to be black and white in America.

The field of strength and conditioning has grown exponentially over the last two decades, making both collaboration with others and recognition of the impact S&C coaches can have beyond the weight room more important than ever before. This book purposefully begins by sharing professional insights from both the individuals S&C coaches work with - the event coaches - and those individuals S&C coaches work for - the athletes - to examine how collaboration towards agreed, shared and understood performance goals works in practice. The latter chapters focus on applying S&C principles within rowing populations, which are easily transferred to any athlete. This includes: a 'performance backwards' approach to planning; exploring an adaptation approach to programming; common injuries across rowing populations; exercise selection, including specific trunk training assessment and programming; transfer of training to rowing performance, and finally, understanding the needs of Paralympic Rowers.

The protagonist of Tobias Wolff’s shrewdly—and at times devastatingly—observed first novel is a boy at an elite prep school in 1960. He is an outsider who has learned to mimic the negligent manner of his more privileged classmates. Like many of them, he wants more than anything on earth to become a writer. But to do that he must first learn to tell the truth about himself. The agency of revelation is the school literary contest, whose winner will be awarded an audience with the most legendary writer of his time. As the fever of competition infects the boy and his classmates, fraying alliances, exposing weaknesses, Old School explores the ensuing deceptions and betrayals with an unblinking eye and a bottomless store of empathy. The result is further evidence that Wolff is an authentic American master.

The best pages from the sensational photo magazine published in France in the 1920s and 1930s.