“A delightful and entertaining book about one of America’s greatest humorists.”—Seth Meyers This “absorbing, illuminating” (Jon Meacham) biography of the legendary political humorist reveals the life behind his must-read Washington Post columns, featuring never-before-published photos, documents, and interviews. Before Jon Stewart, Stephen Colbert, Trevor Noah, and Doonesbury, there was Art Buchwald. For more than fifty years, from 1949 to 2006, Art Buchwald’s Pulitzer Prize–winning column of political satire and biting wit made him one of the most widely read American humorists and a popular player in the Washington world of Ethel and Ted Kennedy, Ben Bradlee, and Katharine Graham. Dean Acheson, former U.S. Secretary of State, called Buchwald the “greatest satirist in the English language since Pope and Swift.” Drawing on Buchwald’s most memorable columns and unpublished correspondence with other famous people, Funny Business shows how Art Buchwald became an American original. Like Mark Twain, Dorothy Parker, and James Thurber, he satirized political scoundrels, lampooned the powerful, and “worshipped the quicksand” that ten presidents walked on, as Buchwald joked. “The key to Buchwald’s style of humor, he once stated, was to “treat light subjects seriously and serious subjects lightly.” But there was a darker, more serious side to Art Buchwald. A childhood spent in foster homes taught him to see comedy as a refuge. Buchwald also struggled with depression, a secret he kept from the public for nearly thirty years. This revealing book is studded with stories of Buchwald’s friendships with Humphrey Bogart, John Steinbeck, Irwin Shaw, William Styron, Erma Bombeck, Frank Sinatra, Adam West ("Batman"), Robert Frost, and others. Throughout his career, Buchwald wrote about such historical events as the Vietnam War, the assassinations of John and Robert Kennedy, Watergate, and the 9/11 terrorist attack. Featured here are stories of Buchwald’s nonstop one-liners, known in his day as “Buchshots.” Entertaining and absorbing, Funny Business looks back on Buchwald’s brilliant gift for humor and satire, which will once again bring readers a comedic respite from troublesome times.

The City is the best, funniest, saddest, and most thought-provoking compilation ever assembled on the urban scene. James A. Clapp has arranged more than three thousand quotations—epigrams, epithets, verses, proverbs, scriptural references, witticisms, lyrics, literary references, and historical observations—on urban life from antiquity until the present. These quotes are drawn from the written and spoken words of more than one thousand writers throughout history. This volume, with contributions from speakers, poets, song writers, politicians philosophers, scientists, religious leaders, historians, social scientists, humorists, architects, journalists, and travelers from and to many lands is designed to be used by writers, speechmakers, students, and scholars on cities and urban life. Clapp's text is striking for its sharp contrasts of urban and rural life and the urbanization process in different historical times and geographical areas. This second edition includes four hundred new entries, updated birth dates and occupations of quoted authors, and an expanded and updated introduction and preface. Clapp also added new introduction pages for each section containing pictures and unique quotations. The indexes have also been expanded to include more subjects and cities. The scope of this book is international, including entries on most major and many minor cities of the world. It is noteworthy for its pleasures as well as its insights.

Do Americans live in a planned economy? Most of us would say no. John Munkirs. however, argues that the American economy has “centralized private sector planning.” Assessing 138 major industries and 5 major market areas, the author shows how firms in a given industry are technologically, financially, and administratively interdependent. He then demonstrates how industries are both structurally and functionally interdependent and how a series of economic planning instruments evolved over the years that both allow and may even necessitate regional, national, and international private sector planning.

The City is the best, funniest, saddest, and most thought-provoking compilation ever assembled on the urban scene. James A. Clapp has arranged more than three thousand quotations--epigrams, epithets, verses, proverbs, scriptural references, witticisms, lyrics, literary references, and historical observations--on urban life from antiquity until the present. These quotes are drawn from the written and spoken words of more than one thousand writers throughout history. This volume, with contributions from speakers, poets, song writers, politicians philosophers, scientists, religious leaders, historians, social scientists, humorists, architects, journalists, and travelers from and to many lands is designed to be used by writers, speechmakers, students, and scholars on cities and urban life. Clapp's text is striking for its sharp contrasts of urban and rural life and the urbanization process in different historical times and geographical areas. This second edition includes four hundred new entries, updated birth dates and occupations of quoted authors, and an expanded and updated introduction and preface. Clapp also added new introduction pages for each section containing pictures and unique quotations. The indexes have also been expanded to include more subjects and cities. The scope of this book is international, including entries on most major and many minor cities of the world. It is noteworthy for its pleasures and as well as its insights.

A collection of wit and satire finding fun in the dismal science.

First published in 1988, this book contains entries on famous American Humorists. Humor has been present in American literature, from the beginning, and has developed characteristics that reflect the American character, both regional and national. Although American literature was, in the past, treated as inferior to British literature, there has always been a large popular audience for the genre, which this book shows. The figures with entries in this encyclopedia not only amuse in their writing, but also aim to enlighten- setting out to expose the foibles and foolishness of society and the individuals who compose it. It is the manner in which these authors try to accomplish this end that determines whether they appear in the volume. Indeed, the book will demonstrate that the best humor has at its base, a ready understanding of human nature.

Few American newspapers, perhaps none, have matched the New York Herald Tribune in the crispness of its writing and editing, the bite of its commentators, the range of its coverage and the clarity of its typography. The “Trib”, as it was affectionately called, raised newspapering to an art form. It had an influence and importance out of all proportion to its circulation. During the Civil War, Abraham Lincoln went to great lengths to retain the support of its co-founder, Horace Greeley. President Eisenhower felt it was such an important institution and Republican organ that he helped broker its sale to its last owner, multimillionaire John Hay Whitney. The Trib’s spectacularly distinguished staffers and contributors included Karl Marx, Tom Wolfe, Walter Lippmann, Dorothy Thompson, Virgil Thomson, Eugenia Sheppard, Red Smith, Heywood Broun, Walter Kerr, Homer Bigart, and brothers Joseph and Stewart Alsop. At the close of World War II, the Herald Tribune, the marriage of two newspapers that had done more than any others to create modern daily journalism, was at its apex of power and prestige. Yet just twenty-one years later, its influence still palpable in every newsroom across the nation, the Trib was gone. This is the story The Paper, a 1986 finalist of the National Book Award for Nonfiction and winner of the George Polk Prize, tells. “Probably the best book ever written about an American newspaper. But it is more than that — a brilliant piece of social history that recounts in vivid and telling detail the changing conception of ‘news’ in America... The book is chockablock with marvelous yarns... And what a cast of characters Kluger has to work with... Some of the most vivid pages in The Paper are Kluger’s portraits of these arresting personalities.” — J. Anthony Lukas, The Boston Globe “Monumental... with a narrative sweep that is always absorbing and sometimes breathtaking... What invigorates this history is Mr. Kluger’s enthusiasm for his subject, which is apparent everywhere in the loving detail with which he tells the story... and in the liveliness of the prose with which he profiles some of the Tribune’s more unusual personalities.” — Christopher Lehmann-Haupt, The New York Times “Engrossing... if there is a better book about an American newspaper, I am unaware of it... It is loaded to the gunnels with newspaper anecdotes, but at its core The Paper is a book about the relationship between the press and the powerful, the press and the wealthy.” — Jonathan Yardley, Washington Post Book World “The romance of The Front Page, genteel anti-Semitism, the disaster of newspaper labor relations, and the rise and fall of newspaper fortunes. All are there in The Paper. It is irresistible.” — Anthony Lewis “Compelling... most delightfully so when Mr. Kluger is limning the words and deeds of the people who made The Paper crackle with vitality for more than a century... He does a remarkable job of bringing these people to life on the printed page.” — David Shaw, The New York Times Book Review “Remarkable... a fascinating account of a greatness that once was... This book will hold you in its narrative grip as you revel in a story of a grand venture and epic characters... Here the history of a newspaper is a graphic presentation of a nation’s life.” — Kirkus Reviews “Richard Kluger is uniquely qualified to tell this tale... He brings a novelist’s imagination to some vivid material.” — Paul Gray, Time Magazine “Fascinating from start to finish, the best book about American journalism since Swanberg’s Citizen Hearst. Huge and engrossing.” — Larry Lee, San Francisco Chronicle “A magnificently romantic history not only of the ill-fated New York Herald Tribune but of New York newspapering generally... peopled with unforgettable heroes and knaves.” — Robert Sherrill, Chicago Sun-Times