In the first in Agatha Award-winning author Toni L. P. Kelner’s smart, witty mystery series, amateur sleuth Laura Fleming finds her trip going South—in lethal ways... They say you can’t go home again, and Laura Burnette Fleming thinks they may have a point. Moving to Boston has made her a bona fide Yankee in the eyes of her Byerly, North Carolina family. Yet Laura—forever Laurie Anne to her kin—still rushes back to see her ailing grandpa. Paw is in a bad way, rousing just long enough to tell Laura he didn’t fall—he was attacked—before passing away. Why would anyone harm the beloved Burnette patriarch? True, the family has its share of issues lately, from Aunt Nellie’s doomed get-rich-quick schemes to Aunt Edna’s fixation with the local pastor. But surely not even the grasping cousins slyly sizing up Paw’s possessions could commit murder. With the aid of her Shakespearean scholar husband, Richard, and her indomitable great-aunt Maggie, Laura confronts a slew of family secrets. Turns out Paw may have seen something that a killer is determined to keep quiet. And Laura will have to untangle the truth, before this homecoming leads to another homicide...

At a stately manor home, open for public tours, a young boy lifts the helmet on a suit of armor and finds a human face staring back at him! Detective C.D. Sloan and his wisecracking sidekick, Crosby, must figure out who stashed the body and why.

It seemed like a good idea at the time to Anne Hardaway: a jolly family reunion in the sun and sand of Oceanside Heights on the Jersey Shore. But it turns out to be the last gathering of any kind for wealthy Great-aunt Hannah, who is discovered on the beach viciously stabbed to death … by a knife taken from Anne's own kitchen! With a $50 million inheritance at stake, any one of her kin could be the culprit, but it's Anne whom the evidence accuses. A killer isn't satisfied yet, however. As the professional ghostwriter/amateur sleuth intensifies her hunt for the blood relative with a taste for blood, Anne realizes her options are growing frighteningly limited. She can spend the rest of her life in prison … or lose it right now!

After exhausting their resources in the slums of Los Angeles, a junkie and his wife settle in London's "murder mile," the city's most violent and criminally corrupt section. Persevering past failed treatments, persistent temptation, urban ennui, and his wife's ruinous death wish, the nameless narrator fights to reclaim his life. In prose that could peel paint from a car, Tony O'Neill re-creates the painfully comic, often tragic days of a recovering heroin addict.

A New York Times Bestseller & the Basis for the Hit Showtime Docuseries Murder in the Bayou is a New York Times bestselling chronicle of a high-stakes investigation into the murders of eight women in a troubled Southern parish that is “part murder case, part corruption exposé, and part Louisiana noir” (New York magazine). Between 2005 and 2009, the bodies of eight women were discovered in Jennings, Louisiana, a bayou town of 10,000 in the Jefferson Davis parish. The women came to be known as the Jeff Davis 8, and local law enforcement officials were quick to pursue a serial killer theory, stirring a wave of panic across Jennings’ class-divided neighborhoods. The Jeff Davis 8 had been among society’s most vulnerable—impoverished, abused, and mired with mental illness. They engaged in sex work as a means of survival. And their underworld activity frequently occurred at a decrepit motel called the Boudreaux Inn. As the cases went unsolved, the community began to look inward. Rumors of police corruption and evidence tampering, of collusion between street and shield, cast the serial killer theory into doubt. But what was really going on in the humid rooms of the Boudreaux Inn? Why were crimes going unsolved and police officers being indicted? What had the eight women known? And could anything be done do stop the bloodshed? Mixing muckraking research and immersive journalism over the course of a five-year investigation, Ethan Brown reviewed thousands of pages of previously unseen homicide files to posit what happened during each woman’s final hours delivering a true crime tale that is “mesmerizing” (Rolling Stone) and “explosive” (Huffington Post). “Brown is a man on a mission...he gives the victims more respectful attention than they probably got in real life” (The New York Times). “A must-read for true-crime fans” (Publishers Weekly, starred review), with a new afterword, Murder in the Bayou is the story of an American town buckling under the dark forces of poverty, race, and class division—and a lightning rod for justice for the daughters it lost.

The dark inner world of Tim Wells exposed. Dark psychological forces dwelt inside the mind of meek college professor Tim Wells, driving him to shatter his perfect marriage and leave behind a wake of death and destruction in a suburban community turned upside down. When Wells strangled his wife in their Rochester, New York home, the murder dominated the media. Forensic psychologist Dr. Jerid M. Fisher intensively interviewed the incarcerated murderer and the couple's family and friends, searching for answers.

Against her better judgement, Rina Martin accepts an invitation to a country house hotel with a sinister reputation and looks forward to leaving when she is joined by DI MacGregor, but a blizzard prevents their departure and then Edwin Holmes, grand old man of psychic research, is found murdered in his bed.

"In the remote Bocas del Toro, Panama, William Dathan Holbert, aka 'Wild Bill,' is awaiting trial for the murder of five fellow American ex-patriots. Holbert's first victims were the Brown family, who lived on a remote island in the area's Darklands. There, Holbert turned their home into the 'Jolly Roger Social Club,' using drink- and drug-fueled parties to get to know other ex-pats ... But this is not just a book about what Holbert did and the complex financial and real estate motives behind the killings; it is about why Bocas del Toro turned out to be his perfect hunting ground, and why the community tolerated--even accepted--him for a time"

In 1969 after 20 years living in New York City, Engineer, Photographer & Educator William Henry Mackey, Jr. returned to the rural Georgia backwoods where he had been raised. During the 20 years since he had left, the South had undergone drastic changes, from the Civil Rights Era to the technological advances in farming techniques, yet at the same time it remained the same simple place where he had grown up. Mackey proceeded to photograph and interview friends, family and other residents of the area in an effort to document their history and recollections of an era that was fast fading under the onslaught of 'progress'. The result is a fascinating look into the legacy of rural Blacks in coastal Georgia and the political, technological and social changes they underwent during the century since the Emancipation Proclamation.