Misogyny is a hot topic, yet it's often misunderstood. What is misogyny, exactly? Who deserves to be called a misogynist? How does misogyny contrast with sexism, and why is it prone to persist - or increase - even when sexist gender roles are waning? This book is an exploration of misogyny in public life and politics by the moral philosopher and writer Kate Manne. It argues that misogyny should not be understood primarily in terms of the hatred or hostility some men feel toward all or most women. Rather, it's primarily about controlling, policing, punishing, and exiling the "bad" women who challenge male dominance. And it's compatible with rewarding "the good ones," and singling out other women to serve as warnings to those who are out of order. It's also common for women to serve as scapegoats, be burned as witches, and treated as pariahs. Manne examines recent and current events such as the Isla Vista killings by Elliot Rodger, the case of the convicted serial rapist Daniel Holtzclaw, who preyed on African-American women as a police officer in Oklahoma City, Rush Limbaugh's diatribe against Sandra Fluke, and the "misogyny speech" of Julia Gillard, then Prime Minister of Australia, which went viral on YouTube. The book shows how these events, among others, set the stage for the 2016 US presidential election. Not only was the misogyny leveled against Hillary Clinton predictable in both quantity and quality, Manne argues it was predictable that many people would be prepared to forgive and forget regarding Donald Trump's history of sexual assault and harassment. For this, Manne argues, is misogyny's oft-overlooked and equally pernicious underbelly: exonerating or showing "himpathy" for the comparatively privileged men who dominate, threaten, and silence women. ^l

Kira helps out at an animal sanctuary in Australia.

Down Girl and Sit protect their masters from the cat next door

An urgent exploration of men’s entitlement and how it serves to police and punish women, from the acclaimed author of Down Girl “Kate Manne is a thrilling and provocative feminist thinker. Her work is indispensable.”—Rebecca Traister NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE ATLANTIC In this bold and stylish critique, Cornell philosopher Kate Manne offers a radical new framework for understanding misogyny. Ranging widely across the culture, from Harvey Weinstein and the Brett Kavanaugh hearings to “Cat Person” and the political misfortunes of Elizabeth Warren, Manne’s book shows how privileged men’s sense of entitlement—to sex, yes, but more insidiously to admiration, care, bodily autonomy, knowledge, and power—is a pervasive social problem with often devastating consequences. In clear, lucid prose, Manne argues that male entitlement can explain a wide array of phenomena, from mansplaining and the undertreatment of women’s pain to mass shootings by incels and the seemingly intractable notion that women are “unelectable.” Moreover, Manne implicates each of us in toxic masculinity: It’s not just a product of a few bad actors; it’s something we all perpetuate, conditioned as we are by the social and cultural mores of our time. The only way to combat it, she says, is to expose the flaws in our default modes of thought while enabling women to take up space, say their piece, and muster resistance to the entitled attitudes of the men around them. With wit and intellectual fierceness, Manne sheds new light on gender and power and offers a vision of a world in which women are just as entitled as men to our collective care and concern.

This philosophical monograph on forgiveness is the first of its kind to be written from a feminist perspective. Kathryn J. Norlock urges scholars to attend to gender when analyzing and recommending forgiveness in practice. She demonstrates that while many academics find the concept of forgiveness both complex and fascinating, they seldom pay attention to the fact that issue of forgiveness intersect with those of gender in many crucial ways. By redefining forgiveness and what constitutes as an act of forgiveness, Norlock encourages readers to consider new questions about the advisability of trying to have a single, universal set of conditions for forgiveness because of the multidimensional nature of its practice and application.

Kika always seems to accomplish things differently than others and tends to get into trouble for it. Join Kika, a girl who loves living upside down in a right side up world, on her unique journey to a flpitastic world!

An “appealing heroine” and her chef boyfriend take on a case of murder by food processor in this Boston-set culinary mystery. Includes recipes! (Publishers Weekly) After months between gigs, Chloe Carter’s dishy boyfriend, Josh Driscoll, has just landed his dream job: executive chef at Simmer, Boston’s soon-to-be hottest new restaurant. As Josh preps for a New Year’s Eve grand opening, Chloe, on winter break from grad school, hooks him up with Food for Thought, an annual charity fundraiser. It seems like a win-win—Simmer will give the dining public a tantalizing taste of things to come, and Josh will showcase his culinary talents—until murder makes a late addition to the menu. It’s not the kind of publicity Chloe was looking for. Now wealthy club owner Oliver Kipper is dead, bludgeoned to death. The murder weapon is a state-of-the-art professional-grade food processor that, unfortunately, belongs to Josh. By opening night, the list of suspects, including Josh’s ex-girlfriends, is almost as long as the line to get into Simmer. Suddenly, Chloe’s risking her life to unmask a killer in a town where murder is becoming an acquired taste. This ebook features mouth-watering recipes sure to satisfy more than just your appetite for crime. Simmer Down is the 2nd book in the Gourmet Girl Mysteries, but you may enjoy reading the series in any order.

"New York Times- and "USA Today"-bestselling author Williams delivers apoignant romance that explores the deep and sometimes dark corners of love./16.

A paranormal rollercoaster ride with goosebumps at every turn--now a motion picture starring Uma Thurman and Anna Sophia Robb! Kit Gordy sees Blackwood Hall towering over black iron gates, and she can't help thinking, This place is evil. The imposing mansion sends a shiver of fear through her. But Kit settles into a routine, trying to ignore the rumors that the highly exclusive boarding school is haunted. Then her classmates begin to show extraordinary and unknown talents. The strange dreams, the voices, the lost letters to family and friends, all become overshadowed by the magic around them. When Kit and her friends realize that Blackwood isn't what it claims to be, it might be too late.

Mishna Wolff grew up in a poor black neighborhood with her single father, a white man who truly believed he was black. "He strutted around with a short perm, a Cosby-esqe sweater, gold chains and a Kangol—telling jokes like Redd Fox, and giving advice like Jesse Jackson. You couldn't tell my father he was white. Believe me, I tried," writes Wolff. And so from early childhood on, her father began his crusade to make his white daughter Down. Unfortunately, Mishna didn't quite fit in with the neighborhood kids: she couldn't dance, she couldn't sing, she couldn't double dutch and she was the worst player on her all-black basketball team. She was shy, uncool and painfully white. And yet when she was suddenly sent to a rich white school, she found she was too "black" to fit in with her white classmates. I'm Down is a hip, hysterical and at the same time beautiful memoir that will have you howling with laughter, recommending it to friends and questioning what it means to be black and white in America.