The renowned modernist poet of experiment and innovation known as “The Pope of Greenwich Village” and a pioneer of Filipino American poetry A finalist for the Pulitzer Prize for his first U.S. poetry collection published by Viking Press in 1942, Villa was admired for “the reverence, the raptness, the depth of concentration in [his] bravely deep poems” (Marianne Moore). Doveglion (Villa’s pen name for dove, eagle, and lion) contains Villa’s collected poetry, including rare and previously unpublished material. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Jose Garcia Villa was an elusive figure in American literary circles. At the height of his career in the 1940s and 1950s, Villa was part of an elite literary circle that included Marianne Moore, e. e. cummings, Dame Edith Sitwell, Dylan Thomas, and W.H. Auden. His first book of poetry, Have Come, Am Here, won the American Academy of Arts and Letters Award in 1942, the first of many other awards. Yet, despite numerous accolades, he has been largely dismissed in the United States where his reputation was built and has been criticized in Asian American studies for not being "ethnic" enough. The Anchored Angel rediscovers the work of this fierce: conoclast by reprinting a selection of his writing and providing rich secondary materials, including a complete bibliography.

The centennial edition of major Filipino writer José Garcia Villa's collected poetry Known as the "Pope of Greenwich Village," José Garcia Villa had a special status as the only Asian poet among a group of modern literary giants in 1940s New York that included W. H. Auden, Tennessee Williams, and a young Gore Vidal. But beyond his exotic ethnicity, Villa was a global poet who was admired for "the reverence, the raptness, the depth of concentration in [his] bravely deep poems" (Marianne Moore). Doveglion (Villa's pen name for dove, eagle, and lion) contains Villa's collected poetry, including rare and previously unpublished material. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Manila is not for the faint of heart. Population: over ten million and growing by the minute. Climate: hot, humid and prone to torrential monsoon rains of biblical proportions. The ultimate femme fatale, she's complicated and mysterious, with a tainted, painful past. The perfect, torrid setting for noir. Edited by Dogeaters (Penguin, 1991) author and National Book Award Nominee Jessica Hagedorn, and featuring original stories from a stunning group of multi-award-winning authors.

A scintillating collection of essays on language from one of literature's most supple minds In The Night Sky, her first work of essays, acclaimed poet Ann Lauterbach writes of the ways in which art and poetry are integral and necessary to human conversation. At the center of the book is a series of seven essays, by turns meditative and polemical, that articulate the interstices between Lauterbach's poetics and her experience. She advocates an active encounter with language, at once imaginative and practical, and argues for the importance of art to the well- being of a democratic society. Lauterbach's "nimble and glittering" (Booklist) writings bring us to a new understanding of the relationship between self-knowledge and cultural meaning, as well as demonstrating the ways in which contemporary philosophy and theory might be integrated with practical knowledge.

Here at last, insofar as possible for the meticulous and indefatigable scholar, an amazing collection of the entire corpus of Jose Garcia Villa's short stories! Through all the stories in light of that assessment, we see how Villa as fictionist gained his critical acumen in the art of fiction whereby as its critic he cleared the ground for its maturity in the development of Philippine fiction; likewise, Villa's agon with the medium of expression for substance and form led him to poetry as Doveglion: the stories are the sea, says Villa, the poems the horizon, for the sea designed the horizon.

First anthology of Villa's essays written from the 1920s to the 1950s, which created a canon of Philippine fiction and poetry--essays counting as among the most significant in Philippine literary criticism in English. Includes the famed annual Villa selection of best short stories and poems, occasional critical essays and letters to the editor, and unpublished pieces. With extensive explanatory and bibliographic notes.