Drawing on journals, diaries, personal narratives, and unit histories, Hallas relates the story of WWI's "doughboys" -- the men behind the American rifles. He weaves from first experiences to the bloody battle at Belleau Wood to Marne and Argonne battlefields, crafting a uniquely personal and startingly real conception of how boys from America became soldiers in Europe.

How does a democratic government conscript citizens, turn them into soldiers who can fight effectively against a highly trained enemy, and then somehow reward these troops for their service? In Doughboys, the Great War, and the Remaking of America, Jennifer D. Keene argues that the doughboy experience in 1917–18 forged the U.S. Army of the twentieth century and ultimately led to the most sweeping piece of social-welfare legislation in the nation's history—the G.I. Bill. Keene shows how citizen-soldiers established standards of discipline that the army in a sense had to adopt. Even after these troops had returned to civilian life, lessons learned by the army during its first experience with a mass conscripted force continued to influence the military as an institution. The experience of going into uniform and fighting abroad politicized citizen-soldiers, Keene finally argues, in ways she asks us to ponder. She finds that the country and the conscripts—in their view—entered into a certain social compact, one that assured veterans that the federal government owed conscripted soldiers of the twentieth century debts far in excess of the pensions the Grand Army of the Republic had claimed in the late nineteenth century.

In her warm and witty new memoir, Stella Suberman charms readers with her personal perspective as she recalls the original 1940s GI Bill. As she writes of the bill and the epic events that spawned it, she manages, in her crisp way, to personalize and humanizes them in order to entertain and to educate. Although her story is in essence that of two Jewish families, it echoes the story of thousands of Americans of that period. Her narrative begins with her Southern family and her future husband’s Northern one – she designates herself and her husband as “Depression kids” – as they struggle through the Great Depression. In her characteristically lively style, she recounts the major happenings of the era: the Bonus March of World War I veterans; the attack on Pearl Harbor; the Roosevelt/New Deal years; the rise of Hitler’s Nazi party and the Holocaust; the second World War; and the post-war period when veterans returned home to a collapsed and jobless economy. She then takes the reader to the moment when the GI Bill appeared, the glorious moment, as she writes, when returning veterans realized they had been given a future. As her husband begins work on his Ph.D., she focuses on the GI men and their wives as college life consumed them. It is the time also of Senator Joseph McCarthy and the “Red Scare,” of the creation of an Israeli state, of the Korean War, and of other important issues, and she discusses them forthrightly. Throughout this section she writes of how the GI’s doggedly studied, engaged in critical thinking (perhaps for the first time), discovered their voices. As she suggests, it was not the 1930’s anymore, and the GI Bill boys were poised to give America an authentic and robust middle class. Stella Suberman is the author of two popular and well-reviewed titles: The Jew Store and When It Was OurWar. In its starred review, Booklist called The Jew Store “an absolute pleasure,” and The Atlanta Journal-Constitution wrote that it was “valuable history as well as a moving story.” When It Was Our War received a starred review from Publishers Weekly, and in another starred review, Kirkus Reviews described it as “Engaging . . . A remarkable story that resonates with intelligence and insight.” Mrs. Suberman lives with her husband, Jack, in Chapel Hill, North Carolina.

“Before the Greatest Generation, there was the Forgotten Generation of World War I . . . wonderfully engaging” (Kirkus Reviews, starred review). “Richard Rubin has done something that will never be possible for anyone to do again. His interviews with the last American World War I veterans—who have all since died—bring to vivid life a cataclysm that changed our world forever but that remains curiously forgotten here.” —Adam Hochschild, author of To End All Wars: A Story of Loyalty and Rebellion, 1914–1918 In 2003, eighty-five years after the end of World War I, Richard Rubin set out to see if he could still find and talk to someone who had actually served in the American Expeditionary Forces during that colossal conflict. Ultimately he found dozens, aged 101 to 113, from Cape Cod to Carson City, who shared with him at the last possible moment their stories of America’s Great War. Nineteenth-century men and women living in the twenty-first century, they were self-reliant, humble, and stoic, never complaining, but still marveling at the immensity of the war they helped win, and the complexity of the world they helped create. Though America has largely forgotten their war, you will never forget them, or their stories. A decade in the making, The Last of the Doughboys is the most sweeping look at America’s First World War in a generation, a glorious reminder of the tremendously important role America played in the “war to end all wars,” as well as a moving meditation on character, grace, aging, and memory. “An outstanding and fascinating book. By tracking down the last surviving veterans of the First World War and interviewing them with sympathy and skill, Richard Rubin has produced a first-rate work of reporting.” —Ian Frazier, author of Travels in Siberia “I cannot remember a book about that huge and terrible war that I have enjoyed reading more in many years.” —Michael Korda, The Daily Beast

In 1946, World War I veteran and self-described “buck private in the rear rank” Gerald Andrew Howell finished a memoir of the experiences of his squad from the 39th Infantry Regiment, 4th Division, and their “moments of horror, tragedy, humor, amour, [and] promiscuity” in Europe. This was “the old Army as it used to be,” Howell explains—the saga of the “down-trodden doughboy.” A few months later Howell was dead, his manuscript unpublished. Jeffrey Patrick discovered the memoir and the author’s correspondence with publishers and took on the task of bringing it to publication at last. Yesterday There Was Glory is an unpretentious account of men at war, from training camp to the occupation of Germany. It includes graphic descriptions of the battlefield, of shell fire, gas attacks, and lice. “Between the attacks the men would lay in their wet holes and pray for relief. But no relief came,” Howell remembers. He recalls much more than the horrors of combat, however, chronicling the diverse collection of heroes, professional warriors, shirkers, and braggarts that made up the American Expeditionary Forces. Howell and his comrades longed for wounds that would allow them to escape the war, but resolutely engaged the Germans in hand-to-hand combat. They poked fun at their comrades, but were willing to share their last can of food. They endured difficult marches, pursued “mademoiselles” and “frauleins,” and even staged a “strike” to protest mistreatment by their officers. They were as “ribald as any soldiery in any army,” Howell admits, but “underneath this veneer, they were really patriotic, steadfast and sincere.” Patrick provides an editor’s introduction and annotations to explain terms and sources in the memoir. Howell’s account preserves the flavor of army life with conversations and banter in soldier language, including the uncensored doughboy profanity often heard but seldom recorded.

Lamar Jimmerson is the leader of the Gnomon Society, the international fraternal order dedicated to preserving the arcane wisdom of the lost city of Atlantis. Stationed in France in 1917, Jimmerson comes across a little book crammed with Atlantean puzzles, Egyptian riddles, and extended alchemical metaphors. It's the Codex Pappus - the sacred Gnomon text. Soon he is basking in the lore of lost Atlantis, convinced that his mission on earth is to administer to and extend the ranks of the noble brotherhood.

This is a new edition of this classic book which includes, in its over 700 postcards, many new, powerful propaganda images from nations on both sides of this epic conflict. Here are cards from the Queen's Collection, cards from America, Australia, Austria, Belgium, Britain, Bulgaria, Canada, Czechoslovakia, Egypt, France, Germany, Holland, Italy, Rumania, Salonika, Serbia... All are faithfully reproduced from the original, whether in dramatic black and white or in exuberant colour and they are all at least 100 years old. But this is not just a picture book.??Here is a rich treasure trove to be dipped into for dilettante pleasure or to be read seriously as a thematic and contemporary history of the war. These cards have been collected over many years and a good number are rare and extremely valuable, both intrinsically and for the fascinating information contained in the informative running text and in the thoughtful captions (an example appears below, just one of the over 700). ??This is essential reading for anyone who wishes to sense the feelings and emotions of those who lived through, and fought in, the First World War; readers will appreciate the Twitter-like brevity of the captions, the power of the images and enjoy the chase to understand what lies behind them.???This handsome and fascinating book uses hundreds of the immensely popular picture postcards of the '14-'18 period to document the course and effects of the Great War, with all its dramatis personae, its humour, suffering, patriotism, sentimentality and fervour.