Dope-Darling is a story of sex, drugs, and music set just before the outbreak of the First World War. Claire is the talk of the town when she meets Roy at a London nightclub. Leaving his fiancée Beatrice, Roy marries the bohemian starlet in only three weeks, entering a world of excess and excitement beyond his wildest dreams. As the cocaine and booze begin to wear him down, and as Britain prepares for war with Germany, he begins to wonder if enlistment could provide him a means of escape. With a beautifully designed cover and professionally typeset manuscript, this edition of David Garnett’s Dope-Darling is a classic 1918 work of British literature reimagined for modern readers.

Examines the history of cocaine from its first medical uses to the worldwide issues it presents today.

This is a discussion of the transformation of drug use (especially morphine and cocaine, which was once commonly available in any chemist's shop) into a national menace. It revolves around the death of Billie Carleton, a West End musical actress, in 1918. Its cast of characters includes Brilliant Chang, a Chinese restaurant proprietor and Edgar Manning, a jazz drummer from Jamaica. They were eventually identified as the villains of the affair and invested with a highly charged sexual menace. Around them, in the streets off Shaftesbury Avenue, there swirled a raffish group of seedy and entitled hedonists. Britain was horrified and fascinated, and so the drug problem was born amid a gush of exotic tabloid detail.

The first biography of David Garnett goes beyond stereotype and myth and presents a clear sighted account of this often contradictory figure at the centre of literary London in the era of the Bloomsbury Group. Shortlisted for the James Tait Black Prize for best biography 2016 Book of the Year 2015 Sunday Times Book of the Year 2015 Times Literary Supplement Book of the Year 2015 Evening Standard Book of the Year 2015 New Zealand Listener Shortlisted for the Slightly Foxed Best First Biography Prize 2015 Literary Sensation, Lover, Libertine, Family Man Award-winning novelist and towering figure of the 20th century British literary landscape, David Garnett was a Bloomsbury insider ultimately pushed to the margins. In this, the first biography of Garnett, (known as Bunny), author Sarah Knights – who has had unprecedented access to Garnett's papers – goes beyond stereotype and myth to present a clear sighted account of this often contradictory figure. Trained as a scientist, Garnett worked as a novelist and wrote exquisite prose. Lady into Fox was made into a Rambert ballet and Aspects of Love into an Andrew Lloyd Webber musical. In the First World War, he was a conscientious objector whereas in the Second he worked for British intelligence. A free love enthusiast, he nevertheless married. He loathed literary criticism but became a leading literary critic. Born into the Victorian period, Garnett's life spanned two World Wars, the Swinging Sixties and beyond. From pre-Revolutionary Russia, by way of Indian Nationalists in London and carefree Neo-Paganism, Garnett's early life was packed with adventure. Propelled by a desire to be constantly in love, he dazzled men and women, believing the person mattered, irrespective of gender. An overnight literary sensation in the 1920s he was at the centre of literary London. Confidante and mentor of many writers, T. E. Lawrence, Rupert Brooke, D. H. Lawrence, Joseph Conrad and H. G. Wells, were among his friends. Garnett felt most at home with the Bloomsbury Group, in particular with Vanessa Bell and Duncan Grant, his lover, with whom he lived during the First World War. Their long friendship was threatened, however, when Garnett's cradle-side prophecy to marry their daughter Angelica came true. David 'Bunny' Garnett is brought to life by Ben Lloyd-Hughes and Jack Davenport in the BBC series 'Life in Squares'.

With contributions from Great Britain, Ireland, America, Canada, Australia, India, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey.

In its first edition Dictionary of Literary Pseudonyms established itself as a comprehensive dictionary of pseudonyms used by literary writers in English from the 16th century to the present day. This new Second Edition increases coverage by 35%! There are two sequences: Part I - which now includes more than 17,000 entries- is an alphabetical list of pseudonyms followed by the writer's real name. Part II is an alphabetical list of writers cited in Part I-more than 10,000 writers included-providing brief biographical details followed by pseudonyms used by the wrter and titles published under those pseudonyms. Dictionary or Literary Pseudonyms has now become a standard reference work on the subject for teachers, student, and public, high school, and college/universal librarians. The Second Edition will, we believe, consolidate that reputation.

A Man in the Zoo (1924) is a novel by David Garnett. Published several years after Garnett was awarded the James Tait Black Memorial Prize and the Hawthornden Prize for Lady into Fox (1922), his third novel explores themes of race and empire while showcasing the author’s original—and often controversial—literary style. “It was a warm day at the end of February, and Sunday morning. In the air there was a smell of spring, mixed with the odours of different animals—yaks, wolves, and musk-oxen, but the two visitors did not notice it. They were lovers, and were having a quarrel.” On a beautiful day at the local zoo, John Cromartie and Josephine Lackett find themselves falling out of love. Among the animals, Josephine explains that she can no longer explain their relationship to her family, who expect her to marry a man of equal social stature. Insulting John, she tells him he should live in the zoo before storming off. Heartbroken, and perhaps a little vindictive, John resolves to remain at the zoo with the animals she thinks he belongs with. With a beautifully designed cover and professionally typeset manuscript, this edition of David Garnett’s A Man in the Zoo is a classic work of British literature reimagined for modern readers.