Prince Astraeus of Caiphul schemes to usurp the throne of his father, King Darius. Seduced by his step-mother and an evil magician named Gucumatz, his plan includes the sacrificial death of an innocent young woman, Princess Asparis. Astraeus' plans change when he meets Asparis and falls in love. The story follows his struggle to free himself from the influence of his step-mother and Gucumatz, face torture by his father's assassins and battle his way through to a vision of his ultimate destiny.

The sixteenth-century Puritan Solomon Kane has a thirst for justice which surpasses common reason. Sombre of mood, clad in black and grey, he 'never sought to analyse his motives and he never wavered once his mind was made up. Though he always acted on impulse, he firmly believed that all his actions were governed by cold and logical reasonings...A hunger in his soul drove him on and on, an urge to right all wrongs, protect all weaker things, and avenge all crimes against right and justice'. Immune to the attractions of the opposite sex, he seems drawn by some psychological distress beacon to places where he knows only that he will be called upon to defend the helpless or (more often) exact retribution on their behalf. Himself a Christian, possessed of enormous strength and skill in swordplay, he yet has little hesitation in calling upon the assistance of his Voodoo-practising friend N'Longa when strength, skill and Christian belief are not enough.

In 'The Story of Atlantis (Complete Collection)' by William Scott-Elliot, readers are taken on a captivating journey through the lost civilization of Atlantis. Scott-Elliot presents a comprehensive account of Atlantis, discussing its history, culture, and ultimate demise in a scholarly and meticulous manner. Drawing upon ancient texts and archaeological evidence, the book offers a detailed analysis of this mythical island, shedding light on its significance in the literary and historical context of the time. Scott-Elliot's writing style is both informative and engaging, making this a compelling read for anyone interested in the mysteries of Atlantis. As a prominent theosophist, Scott-Elliot brings a unique perspective to the subject, incorporating spiritual and metaphysical elements into his narrative. His deep understanding of esoteric teachings adds a fascinating layer of depth to the exploration of Atlantis, making this book a valuable resource for scholars and enthusiasts alike. I highly recommend 'The Story of Atlantis' to readers seeking a comprehensive and insightful examination of this legendary civilization.

In 'The Lost Lemuria & The Story of Atlantis (Illustrated Edition)' by William Scott-Elliot, the author delves into the mystical and ancient civilizations of Lemuria and Atlantis. Through detailed descriptions and vivid illustrations, Scott-Elliot explores the history, culture, and ultimate downfall of these lost continents. Drawing from esoteric and theosophical teachings, the book offers a fascinating look into prehistoric civilizations and their spiritual significance. Written in a captivating and informative style, this literary work provides valuable insights into the mysteries of Lemuria and Atlantis within the context of the occult and metaphysical realms. Readers will be intrigued by the author's exploration of these legendary lands and their enduring influence on history and spirituality.

This carefully crafted ebook: "The Story of Atlantis - Complete Historical, Geographical & Ethnological Study" is formatted for your eReader with a functional and detailed table of contents. Extract: "The memory of Nature is in reality a stupendous unity, just as in another way all mankind is found to constitute a spiritual unity if we ascend to a sufficiently elevated plane of Nature in search of the wonderful convergence where unity is reached without the loss of individuality. For ordinary humanity, however, at the early stage of its evolution represented at present by the majority, the interior spiritual capacities ranging beyond those which the brain is an instrument for expressing, are as yet too imperfectly developed to enable them to get touch with any other records in the vast archives of Nature's memory, except those with which they have individually been in contact at their creation. The blindfold interior effort they are competent to make, will not, as a rule, call up any others. But in a flickering fashion we have experience in ordinary life of efforts that are a little more effectual." William Scott-Elliot (1849-1919) was a theosophist and anthropologist.

This carefully crafted ebook: "The Lost Worlds: The Story of Atlantis & The Lost Lemuria (Illustrated)" is formatted for your eReader with a functional and detailed table of contents. Extract: "The memory of Nature is in reality a stupendous unity, just as in another way all mankind is found to constitute a spiritual unity if we ascend to a sufficiently elevated plane of Nature in search of the wonderful convergence where unity is reached without the loss of individuality. For ordinary humanity, however, at the early stage of its evolution represented at present by the majority, the interior spiritual capacities ranging beyond those which the brain is an instrument for expressing, are as yet too imperfectly developed to enable them to get touch with any other records in the vast archives of Nature's memory, except those with which they have individually been in contact at their creation. The blindfold interior effort they are competent to make, will not, as a rule, call up any others. But in a flickering fashion we have experience in ordinary life of efforts that are a little more effectual." William Scott-Elliot (1849-1919) was a theosophist and anthropologist.

The destruction of Atlantis was accomplished by a series of catastrophes varying in character from great cataclysms in which whole territories and populations perished, to comparatively unimportant landslips such as occur on our own coasts to-day. When the destruction was once inaugurated by the first great catastrophe there was no intermission in the minor landslips which continued slowly but steadily to eat away the continent. Four of the great catastrophes stand out above the rest in magnitude. The first took place in the Miocene age, about 800,000 years ago. The second, which was of minor importance, occurred about 200,000 years ago. The third--about 80,000 years ago--was a very great one. It destroyed all that remained of the Atlantean continent, with the exception of the island to which Plato gave the name of Poseidonis, which in its turn was submerged in the fourth and final great catastrophe of 9564 B.C. Now the testimony of the oldest writers and of modern scientific research alike bear witness to the existence of an ancient continent occupying the site of the lost Atlantis. Before proceeding to the consideration of the subject itself, it is proposed cursorily to glance at the generally known sources which supply corroborative evidence. These may be grouped into the five following classes: First, the testimony of the deep-sea surroundings. Second, the distribution of fauna and flora. Third, the similarity of language and of ethnological type. Fourth, the similarity of religious belief, ritual, and architecture. Fifth, the testimony of ancient writers, of early race traditions, and of archaic flood-legends.

After the demise of Lemuria, new races emerged on Atlantis from the surviving ape-like creatures. This led to the Atlantean races, beginning with the black skinned "Rmoahal" and leading to the "copper coloured" Tlavatli, who were ancestor-worshippers, and then the "Toltecs", who had advanced technology including "airships". The Toltecs were succeeded by "First Turanians" and then "Original Semites". These later produced further sub-races, the Akkadians and Mongolians. A group of Akkadians migrated to Britain 100,000 years ago, where they built Stonehenge. The crudity of the design in contrast to Atlantean architecture is explained by the fact that "the rude simplicity of Stonehenge was intended as a protest against the extravagant ornament and over-decoration of the existing temples in Atlantis, where the debased worship of their own images was being carried on by the inhabitants."

In a meteoric career that spanned a mere twelve years, Robert E. Howard single-handedly invented the genre that came to be called sword and sorcery. From his fertile imagination sprang some of fiction’s most enduring heroes. Yet while Conan is indisputably Howard’s greatest creation, it was in his earlier sequence of tales featuring Kull, a fearless warrior with the brooding intellect of a philosopher, that Howard began to develop the distinctive themes, and the richly evocative blend of history and mythology, that would distinguish his later tales of the Hyborian Age. Much more than simply the prototype for Conan, Kull is a fascinating character in his own right: an exile from fabled Atlantis who wins the crown of Valusia, only to find it as much a burden as a prize. This groundbreaking collection, lavishly illustrated by award-winning artist Justin Sweet, gathers together all Howard’s stories featuring Kull, from Kull’ s first published appearance, in “The Shadow Kingdom,” to “Kings of the Night,” Howard’ s last tale featuring the cerebral swordsman. The stories are presented just as Howard wrote them, with all subsequent editorial emendations removed. Also included are previously unpublished stories, drafts, and fragments, plus extensive notes on the texts, an introduction by Howard authority Steve Tompkins, and an essay by noted editor Patrice Louinet. Praise for Kull “Robert E. Howard had a gritty, vibrant style–broadsword writing that cut its way to the heart, with heroes who are truly larger than life.”—David Gemmell “Howard’s writing seems so highly charged with energy that it nearly gives off sparks.”—Stephen King “Howard was a true storyteller–one of the first, and certainly among the best, you’ll find in heroic fantasy. If you’ve never read him before, you’ re in for a real treat.”—Charles de Lint “For stark, living fear . . . what other writer is even in the running with Robert E. Howard?”—H. P. Lovecraft

Sent back in time to the Thurian Age, Conan battles terrifying creatures and meets Kull the Conqueror, a barbarian-king as strong as himself. Although these two legends begin at odds, they quickly realize they must quest together to stop the dark machinations of Thulsa Doom, an ancient necromancer who has contacted a mysterious evil beyond time and space to strengthen his already impressive power. This action-packed third volume of Conan the Barbarian is written by award-winner Jim Zub (Dungeons & Dragons, Avengers) with dynamic, pulp-infused artwork by Roberto de la Torre (Thunderbolts, Ms. Marvel)! Collects Conan the Barbarian #9-12 “A must-read for fans of Conan and classic sword-and-sorcery tales.” – Comical Opinions “Absolutely fantastic… You have got to read this comic book…” - Comic Book University