Using selections by American, British, French, German, Russian, Scandinavian, Spanish, Portuguese, and South American critics and authors, Professor Becker illustrates how realism arose as a reaction to romanticism, and how the practitioners of realism developed conflicting ideas about the means they should use and the ends toward which they should strive. The selections are concerned mainly with prose, since, according to the author, prose fiction has been the major vehicle of realism. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Realism is an essential concept in literary studies, yet for a variety of reasons it has not received the attention and clarity it deserves, often being dismissed as ‘too slippery’ to be of use. This accessible study remedies that failing for students and scholars of English Literature and Literary Theory alike, plainly setting out what realism is, the issues surrounding it, and its role in other major literary modes such as modernism and postmodernism. Beginning Realism gives detailed coverage of the nineteenth-century realist novel through its focus on novels by Gaskell, Eliot, Trollope, Dickens, Mrs Oliphant, Thackeray and Zola. As well as discussing ‘the novel’, the book also includes chapters on the use of realism in drama and poetry and a chapter on ‘the language of realism’, another aspect often overlooked in analysis of the concept.

This book guides the student through the fundamentals of this enduring literary form. By using carefully selected novels, the authors provide a lively examination of the particular themes and modes of realist novels of the period.

Marmaduke Pickthall was a prolific British novelist, essayist, journalist, and short story writer who was positively received by his contemporaries for his fictional oeuvre, but is hardly known in the current literary world. Despite his obvious talents, Pickthall was unfortunately ignored when the English literary canon was formed in the mid-twentieth century. Today, he is only remembered for his conversion to Islam, his Turkish sympathies, and his translation of the Holy Quran to English in 1930. Ebtisam A. Sadiq, Naela H. Danish, and Afra S. Al-Shiban rely on extensive research of nineteenth-century British literature with the hope of reintroducing Pickthall to the literary world. In comprehensive analysis that includes the forgotten authors Eastern novels, Western tales, and collections of short stories, the researchers utilize contemporary theories of criticismparticularly postcolonialism, modern realist traditions, and feminismto scrutinize and highlight the nature of his contribution to English literature. Included are examinations of Pickthalls affiliation or withdrawal from literary traditions like Victorianism and Modernism and what exactly determines his canonical status. Marmaduke Pickthall Reinstated shares research and examinations of a forgotten authors literary works with the intent that they finally find a long overdue place in mainstream English literature.

Analyse van de achtergronden en definities van de diverse realistische stromingen in de wereldliteratuur, met een overzicht van de voornaamste werken sedert ca. 1870

In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements. By providing in-depth explorations of central artists and issues, alongside cross-references to illustrations in major textbooks, this volume provides an excellent complement to wider surveys of Latin American and Latinx art. Readers will engage with the latest scholarship on each of five distinct historical periods, plus broader theoretical and historical trends that continue to influence how we understand Latinx, Indigenous, and Latin American art today. The book’s areas of focus include: The development of avant-garde art in the urban centers of Latin America from 1910-1945 The rise of abstraction during the Cold War and the internationalization of Latin American art from 1945-1959 The influence of the political upheavals of the 1960s on art and art theory in Latin America The rise of conceptual art as a response to dictatorship and social violence in the 1970s and 1980s The contemporary era of neoliberalism and globalization in Latin American and Latino Art, 1990-2010 With its comprehensive approach and informative structure, A Companion to Modern and Contemporary Latin American and Latinx Art is an excellent resource for advanced students in Latin American culture and art. It is also a valuable reference for aspiring scholars in the field.