RENDER UNTO CAESAR... Gifted with the power of Nabu, armed with the Helmet of Fate, Egyptian-American medical student Khalid Nassour is getting a crash course in the ways of the world beyond. Unfortunately, our world’s a big enough mess as it is. As Khalid struggles to reconcile everything he thought he knew about life and faith with the angels, demons, gods and monsters facing him at every turn, the people of his ancestral homeland face monsters of their own. So when protests against the police state turn violent outside the Egyptian consulate in New York, it’s Khalid’s fate to investigate. What he discovers is a dictatorship much older—and potentially deadlier—than the one the protesters face. The spirit of none other than Julius Caesar himself has risen again, and he’s determined to finish what he started and conquer Egypt for good. Stopping Caesar will take everything the new Doctor Fate knows about space and time, magic and history. And it may bring a former Fate out of retirement in the bargain... Comics legend Paul Levitz (LEGION OF SUPER-HEROES, JSA) and acclaimed artist Sonny Liew (THE SHADOW HERO, THE ART OF CHARLIE CHAN HOCK CHYE) continue their rollicking reimagining of DC’s premiere superhero sorcerer in DOCTOR FATE VOL. 2: PRISONERS OF THE PAST! Collects issues #8-12.

Khalid's quest for answers leads the young Doctor Fate to his ancestralhomeland of Egypt, where he discovers that malevolent supernatural forces haveconspired to make life a lot harder for humanity than it should be. It's as ifJulius Caesar himself has returned from the grave to resume his campaign againstthe Egyptian people. But that would be impossible... and impossible to defeat.

"Being a twenty-something medical student has its own share of problems, but throw a new, unexpected identity as a superhero powered by an ancient mystic force on top of it? Things get pretty hairy quickly. Egyptian-American Brooklynite Khalid "Kent" Nassor stumbles upon the helmet of Fate, which transforms him into the all-new Doctor Fate! An overwhelmed Kent finds himself tackling a strange set of magical powers, all without an instruction manual. But he'll need to master his new tricks fast, as Anubis, the Egyptian Lord of the Dead, is preparing the flood to wash the world away. Legendary writer Paul Levitz and sensational newcomer Sonny Liew deliver a hero for the next generation in Doctor Fate Vol. 1! Collects issues #1-6"--

This collection kicks off with Young Justice searching for Conner Kent as Superboy finds himself trapped in Skartaris, home of Warlord! To rescue him, the team enlists backup-in the form of Sideways, Spoiler, Aqualad, and Arrowette! This leads Impulse on a journey of self-discovery throughout space and time, uncovering some shocking truths! Plus, date night gets dangerous for Drake and Spoiler! Collects Young Justice #13-20.

Written by Steve Gerber and others Art by Justiniano, Walden Wong andothers Cover by Justiniano The Dr. Fate story from COUNTDOWN TO MYSTERY #1-8 iscollected in this sequel to the hit miniseries DAY OF VENGEANCE. The new Dr.Fate must master his strange new powers in time to battle the dread Devourer ofSouls!

With her characteristic brilliance, grace and radical audacity, Angela Y. Davis has put the case for the latest abolition movement in American life: the abolition of the prison. As she quite correctly notes, American life is replete with abolition movements, and when they were engaged in these struggles, their chances of success seemed almost unthinkable. For generations of Americans, the abolition of slavery was sheerest illusion. Similarly,the entrenched system of racial segregation seemed to last forever, and generations lived in the midst of the practice, with few predicting its passage from custom. The brutal, exploitative (dare one say lucrative?) convict-lease system that succeeded formal slavery reaped millions to southern jurisdictions (and untold miseries for tens of thousands of men, and women). Few predicted its passing from the American penal landscape. Davis expertly argues how social movements transformed these social, political and cultural institutions, and made such practices untenable. In Are Prisons Obsolete?, Professor Davis seeks to illustrate that the time for the prison is approaching an end. She argues forthrightly for "decarceration", and argues for the transformation of the society as a whole.

A brilliant work from the most influential philosopher since Sartre. In this indispensable work, a brilliant thinker suggests that such vaunted reforms as the abolition of torture and the emergence of the modern penitentiary have merely shifted the focus of punishment from the prisoner's body to his soul.

Winner of the Commonwealth Prize New York Times Book Review—Notable Fiction 2002 Entertainment Weekly—Best Fiction of 2002 Los Angeles Times Book Review—Best of the Best 2002 Washington Post Book World—Raves 2002 Chicago Tribune—Favorite Books of 2002 Christian Science Monitor—Best Books 2002 Publishers Weekly—Best Books of 2002 The Cleveland Plain Dealer—Year’s Best Books Minneapolis Star Tribune—Standout Books of 2002 Once upon a time, when the earth was still young, before the fish in the sea and all the living things on land began to be destroyed, a man named William Buelow Gould was sentenced to life imprisonment at the most feared penal colony in the British Empire, and there ordered to paint a book of fish. He fell in love with the black mistress of the warder and discovered too late that to love is not safe; he attempted to keep a record of the strange reality he saw in prison, only to realize that history is not written by those who are ruled. Acclaimed as a masterpiece around the world, Gould’s Book of Fish is at once a marvelously imagined epic of nineteenth-century Australia and a contemporary fable, a tale of horror, and a celebration of love, all transformed by a convict painter into pictures of fish.

Life in Edge City has always been tough for Stanley Ipkiss. He's as good-natured and decent as they come, but nice don't pay the bulldog or make points with the ladies. Stanley knows he's destined for greater things, but how to get there? Enter the Mask, an ancient artifact that imbues its wearer with the power to do just about anything one desires — especially if one desires zoot suits, pies, mallets, cartoon bug-eyes, and a penchant for Latin song stylings! Stanley Ipkiss now has the world on a string, but there are many in that world of vastly lesser niceness than Stanley who desire the Mask's power for themselves. With great power comes big trouble... and even bigger laughs!

American culture has long represented mixed-race identity in paradoxical terms. On the one hand, it has been associated with weakness, abnormality, impurity, transgression, shame, and various pathologies; however, it can also connote genetic superiority, exceptional beauty, and special potentiality. This ambivalence has found its way into superhero media, which runs the gamut from Ant-Man and the Wasp’s tragic mulatta villain Ghost to the cinematic depiction of Aquaman as a heroic “half-breed.” The essays in this collection contend with the multitude of ways that racial mixedness has been presented in superhero comics, films, television, and literature. They explore how superhero media positions mixed-race characters within a genre that has historically privileged racial purity and propagated images of white supremacy. The book considers such iconic heroes as Superman, Spider-Man, and The Hulk, alongside such lesser-studied characters as Valkyrie, Dr. Fate, and Steven Universe. Examining both literal and symbolic representations of racial mixing, this study interrogates how we might challenge and rewrite stereotypical narratives about mixed-race identity, both in superhero media and beyond.