A compassionate and captivating examination of evolving attitudes toward mental illness throughout history and the fight to end the stigma. For centuries, scientists and society cast moral judgments on anyone deemed mentally ill, confining many to asylums. In Nobody’s Normal, anthropologist Roy Richard Grinker chronicles the progress and setbacks in the struggle against mental-illness stigma—from the eighteenth century, through America’s major wars, and into today’s high-tech economy. Nobody’s Normal argues that stigma is a social process that can be explained through cultural history, a process that began the moment we defined mental illness, that we learn from within our communities, and that we ultimately have the power to change. Though the legacies of shame and secrecy are still with us today, Grinker writes that we are at the cusp of ending the marginalization of the mentally ill. In the twenty-first century, mental illnesses are fast becoming a more accepted and visible part of human diversity. Grinker infuses the book with the personal history of his family’s four generations of involvement in psychiatry, including his grandfather’s analysis with Sigmund Freud, his own daughter’s experience with autism, and culminating in his research on neurodiversity. Drawing on cutting-edge science, historical archives, and cross-cultural research in Africa and Asia, Grinker takes readers on an international journey to discover the origins of, and variances in, our cultural response to neurodiversity. Urgent, eye-opening, and ultimately hopeful, Nobody’s Normal explains how we are transforming mental illness and offers a path to end the shadow of stigma.

No Such Thing As Normal speaks to the curiosities and difficult questions that arise in a world full of diversity. Equipped with discussion questions, this story provides a creative, honest, and interactive way to instill dignity and respect for all people.

The nameless narrator first appears to fit the stereotype of a meticulous killer untroubled by normal emotions. He researched 18-year-old Sarah Abbott, who was taking a year off from school before heading to Oxford, killed her in her house, and carefully cleaned up afterward. On returning to his van, however, he discovers that he has locked its keys inside. A brick through the van's window solves that problem, but later, back at the victim's house, he runs into a friend of Sarah's, Erica Shaw, who winds up in a cage in the basement of the narrator's garage. His bumbling continues throughout. In a big departure from the standard serial killer trope, he begins nonpredatory relationships with three different women. He even falls in love with one of them. Those who have no trouble accepting a humanized serial killer will be most satisfied.

Reprint of the original, first published in 1876.