DIVAN OF NAZEER AKBARABADI Translation and Introduction Paul Smith Nazeer Akbarabadi (1735-1830) is an Indian poet known as the 'Father of Nazm', who wrote mainly Urdu ghazals & nazms, masnavis & ruba'is. Urdu ghazals and nazms. It is said that Nazeer's poetic treasure consisted of about 200,000 couplets but only about remain. The canvas of Nazir's nazms is so vast that it encompasses all aspects of human behavior and every person can find nazms that can suit his taste. Many of his poems are about daily life and observations of things such as training a young bear or the pleasures of the rainy season, how beauty can fade... the lives of old prostitutes, etc. His poems are loved by ordinary folk today. Many of his poems are spiritual and he is seen as a true Sufi. Bankey Behari: 'He saw the Lord everywhere. His meditations led him to the realization of the Forms of the Lord as well as the Formless Divinity. He sings of Shri Krishna with the greatest fervour as of Hazrat Ali and the Prophet Mohammed, and turns his face if he comes across the pseudo-saints and religious preceptors who are wanting in realization and yet profess it. By far he is best in portraying the heat of his yearning for his vision.' This is the largest translation of his poetry into English, with the correct form & meaning. Introduction on his Life, Times & Poetry and on the poetic forms he used. Selected Bibliography. Large Format Paperback 7" x 10" 394 pages. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. " Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator from English into Persian, knower of Hafiz's Divan off by heart. Paul Smith (b. 1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Mahsati, Lalla Ded, Bulleh Shah, Shah Latif, Makhfi and many others, as well as his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. www.newhumanitybooks.com

An exploration of the Persian poet’s spiritual philosophy, with original translations of his poetry • Features extensive insight into the meanings and contexts of the poetry and philosophies of this spiritual teacher • Includes over 30 complete poems by Haféz, including “The Wild Deer,” often regarded as his masterpiece For 600 years the Persian poet Haféz has been read, recited, quoted, and loved by millions of people in his homeland and throughout the world. Like his predecessor Rumi, he is a spiritual guide in our search for life’s essence. Haféz is both a mystic philosopher and a heartfelt poet of desires and fears. Haféz: Teachings of the Philosopher of Love is the perfect introduction to the man known as the philosopher of love, whose message of spiritual transcendence through rapture and service to others is especially important to our troubled world. His wisdom speaks directly to the cutting edge of philosophy, psychology, social theory, and education and can serve as a bridge of understanding between the West and the Middle East, two cultures in desperate need of mutual empathy.

Anthology of articles by Indian and Soviet scholars.

NAZIR AKBARABADI 'FATHER OF THE NAZM' Selected Poems Translation & Introduction Paul Smith Nazir Akbarabadi (1735-1830) is an Indian poet known as the 'Father of the Nazm', who wrote mainly Urdu nazms. The canvas of Nazir's nazms is so vast that it encompasses all aspects of human behavior and every person can find nazms that can suit his taste. Many of his poems are about daily life and observations of things and are humourous. His poems are loved by ordinary folk today. Titles: On Being Patient, On Your Beauty, On Death, On Money, Story of Man, The Quest for Love, The Sick World's Party, Old Age, Story of the Pedlar, Chapatis, Joys of the Rainy Season, Pickle of Rats, Wealth, Moonlight, Bear Cub Tamer, The Sad State of Akbarabad (Agra), My Different Roles, Krishna's Childhood; Cruel, Beautiful Beloved, Only Bread, Poverty, The Orange, In the End, The Path of the Beloved. Many of his poems are spiritual and he is seen as a true Sufi. Bankey Behari: 'He saw the Lord everywhere. His meditations led him to the realization of the Forms of the Lord as well as the Formless Divinity. He sings of Shri Krishna with the greatest fervour as of Hazrat Ali and the Prophet Mohammed, and turns his face if he comes across the pseudo-saints and religious preceptors who are wanting in realization and yet profess it.' This is the largest translation of his nazms with the correct form & meaning. Introduction on his Life, Times & Poetry and on the Nazm. Selected Bibliography. Large Format paperback 7" x 10" 282 pages. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. " Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator from English into Persian, knower of Hafiz's Divan off by heart. Paul Smith is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Mahsati, Lalla Ded, Bulleh Shah, Shah Latif, Makhfi and many others, as well as his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. www.newhumanitybooks.com

The Savafid dynasty represented, in political, cultural and economic terms the pinnacle of Iran's power and influence in its early modern history. The evidence for this -the creation of a nation state, military expansion and success, economic dynamism and the exquisite art and architecture of the period - is well-known. What is less understood is the extent to which the Safavid success depended on - and was a product of - a class of elite originating from outside Iran: the slaves of Caucasian descent and the Armenian merchants of New Julfa in the city of Isfahan. It was these groups, bolstered by Shah Abbas the Great (1589 – 1629) and his successors, who became the pillars of Safavid political, economic and cultural life. This book describes how these elites, following their conversion to Islam, helped to form a new language of Savafid absolutism. It documents their contributions, financed by the Armenian trade in Safavid silk, to the transformation of Isfahan's urban, artistic and social landscape. The insights provided here into the multi-faceted roles of the Safavid royal household offer an original and comprehensive study of slave elites in imperial systems common to the political economies of the Malmuk, Ottoman and Safavid courts as well as contributing to the earlier Abbasid, Ghaznavid and Saljuq eras. As such this book makes an original and important contribution to our understanding of the history of the Islamic world from the 16th to the 18th centuries and will prove invaluable for students and scholars of the period.