In 1998, Brenda Nottestad, a young Christian wife and mother, with two children, was breathing a sigh of relief that her life was so blessed and that her two children were growing into high achieving, good kids. Anorexia and bulimia were foreign to her with the exception of an occasional made-for-TV movie. Until, that is, her own daughter, at age 15 was caught throwing up at school and the cheerleading advisor contacted Brenda. Thus began the journey that is in this book. It is a mother's journal from the depths of disbelief and despair through a maze of counseling, medical treatment and prayer to reach the other side of a mountain she never dreamed her family would be asked to climb. As Brenda grieved, battled and fought the forces of darkness for her daughter, the easy answers she thought would come, just were not there. For every step forward, there were two steps backward. The healing truly had to be a process--a journey of intellect and faith. This book is a remarkable insight into a mother's heart, a daughter's pain, a family's faith, and God's truly amazing grace to overcome the insidious world that is eating disorders.

This collection brings togethet some of Laxman's best short stories, travelogues about the United State, Australia, the Andamans, Darjeeling etc

The Distorting Mirror analyzes the multiple and complex ways in which urban Chinese subjects saw themselves interacting with the new visual culture that emerged during the turbulent period between the 1880s and the 1930s. The media and visual forms examined include lithography, photography, advertising, film, and theatrical performances. Urbanites actively engaged with and enjoyed this visual culture, which was largely driven by the subjective desire for the empty promises of modernity—promises comprised of such abstract and fleeting concepts as new, exciting, and fashionable. Detailing and analyzing the trajectories of development of various visual representations, Laikwan Pang emphasizes their interactions. In doing so, she demonstrates that visual modernity was not only a combination of independent cultural phenomena, but also a partially coherent sociocultural discourse whose influences were seen in different and collective parts of the culture. The work begins with an overall historical account and theorization of a new lithographic pictorial culture developing at the end of the nineteenth century and an examination of modernity’s obsession with the investigation of the real. Subsequent chapters treat the fascination with the image of the female body in the new visual culture; entertainment venues in which this culture unfolded and was performed; how urbanites came to terms with and interacted with the new reality; and the production and reception of images, the dynamics between these two being a theme explored throughout the book. Modernity, as the author shows, can be seen as spectacle. At the same time, she demonstrates that, although the excessiveness of this spectacle captivated the modern subject, it did not completely overwhelm or immobilize those who engaged with it. After all, she argues, they participated in and performed with this ephemeral visual culture in an attempt to come to terms with their own new, modern self.

"Drawing on memoirs, archives, and interviews, Davis and Trani trace American prejudice toward Russia and China by focusing on the views of influential writers and politicians over the course of the twentieth century, showing where American images originated and how they evolved"--Provided by publisher.

A mirror, when clear, reflects an exact representation of any who stand before it. Each gift, imperfection, and scar is seen clearly and in detail. A mirror that is skewed will still portray a reflection, but the reflection will not directly represent reality. This is the general theory behind the famed Funhouse Mirrors, and why they are so intriguing. In an instant, one can see their reality differently. Sometimes we see something we dislike, and other times, we see what we prefer. Louis Bianco believes our perceptions are like mirrors, reflecting what occurs in real life back into our cognition. Skewed perceptions, much like mirrors, will distort our cognition, causing us to see reality differently than what is actually in front of us. America, is our cognition distorted? Through this book, Bianco hopes that each of us can decide for ourselves how accurately our perceptions depict reality. ***** "Louis Bianco once again provides our world with extraordinary testimony that is presented in a well-organized, scientific, and yet graceful manner. In Bianco's first creation, he challenged everything we knew about disability and diagnosis. In this powerful book, he challenges every perception we have about our country, our world, and how we see ourselves in our own 'mirror.' Funhouse Mirrors is a must for every bookshelf. I assure you, you will be grateful for this introspective journey with this gifted and brilliant author." ~ Catherine Hughes, bestselling author, blogger, coach, editor, speaker, and trainer, The Caffeinated Advocate

As one of the best-known survivors of the concentration camps, Primo Levi's testimony to his experiences in Auschwitz is internationally recognised as one of the most significant works of the last century. This volume examines each of Levi's works in detail, assessing and analysing the influence of Levi's time in Auschwitz on his writing. It identifies a variety of thematic, temporal, stylistic and linguistic echoes of Levi's concentration camp testimony, and traces these echoes throughout his subsequent, apparently unrelated, work. The book provides original and fascinating insights into the works of this remarkable writer, giving readers a new understanding and perspective on the immense significance and the pervasive influence of the holocaust on Levi's creative output.