'Dispossession and the Making of Jedda (1955)' newly locates the story of the genesis of the iconic 1955 film ‘Jedda’ (dir. Chauvel) and, in turn, ‘Jedda’ becomes a cultural context and point of reference for the history of race relations it tells. It spans the period 1930–1960 but is focused on the 1950s, the decade when Charles Chauvel looked to the ample resources of his friends in the rich pastoral Ngunnawal country of the Yass Valley to make his film. This book has four locations. The homesteads of the wealthy graziers in the Yass Valley and the Hollywood Mission in Yass town are its primary sites. Also relevant are the Sydney of the cultural and moneyed elites, and the Northern Territory where ‘Jedda’ was made. Its narrative weaves together stories of race relations at these four sites, illuminating the film’s motifs as they are played out in the Yass Valley, against a backdrop of Sydney and looking North towards the Territory. It is a reflection on family history and the ways in which the intricacies of race relations can be revealed and concealed by family memory, identity and myth-making. The story of the author, as the great granddaughter, great-niece and cousin of some of those who poured resources into the film, both disrupts and elaborates previously ingrained versions of her family history.

The first detailed history of imperial and national honours in Australia, Honouring a Nation tells the story of the honours system’s transformation from instrument of imperial unity to national institution. From the extension of British honours to colonial Australasia in the nineteenth century, through to Tony Abbott’s revival of knighthoods in the twenty-first, this book explains how the system has worked, traces the arguments of its supporters and critics, and looks both at those who received awards and those who declined them. Honouring a Nation brings to life a long history of debate over honours, including wrangles over State rights, gender imbalances in honours lists, and the emergence and hardening of the Labor/Liberal divide over British awards, illuminating issues that are still part of Australian life—and of the honours system—today. The history of the honours system is equally the history of the nation, revealing who Australians were, what they have become, what they value, and the things that have unified and divided them. ‘National honours are a fraught recognition of merit. They beg many questions: who decides, why some people are recognised, and others ignored. Honours provide a window to the soul of the nation and invite us to consider who we really are and what we value. These are big issues to ponder. Karen Fox provides many of the answers in this timely, lively and important book.’ — Julianne Schultz AM FAHA, Emeritus Professor Media and Culture, Griffith University ‘Give Karen Fox a gong: for distinguished service to Australian culture in recognition of her authoritative yet entertaining account of how a supposedly egalitarian country embraced knighthoods, OAs and other baubles.’ — Richard White, Associate Professor at the University of Sydney and author of Inventing Australia ‘Karen Fox has written an intelligent, incisive and intriguing account of how Australians have acknowledged and elevated their fellow citizens, from the founding of the first colony to the present day … a work packed with insights about the ever-shifting determinants of social hierarchy, individual merit and public esteem … a thoroughly stimulating read.’ — Stuart Ward, Head of the Saxo Institute, University of Copenhagen ‘At last, a definitive account of the Australian honours system, from the First Fleet to 2021. Honours serve as a prism through which to view imperial strategies, federal rivalries and partisan, class-based and gender politics, with many scandals and controversies along the way. Karen Fox has given us a book that is both topical and compelling on evolving national identity and honours as a symbol of exclusion or inclusion.’ — Marian Sawer AO, Emeritus Professor, The Australian National University

Tom O'Regan's book is the first of its kind on Australian post-war cinema. It takes as its starting point Bazin's question 'What is cinema?'and asks what the construct of a 'national' cinema means. It looks at the broader concept from a different angle, taking film beyond the confines of 'art' into the broader cultural world. O'Regan's analysis situates Australian cinema in its historical and cultural perspective producing a valuable insight into the issues that have been raised by film policy, the cinema market place and public discourse on film production strategies. Since 1970 Australian film has enjoyed a revival. This book contains detailed critiques of the key films of this period and uses them to illustrate the recent theories on the international and Australian cinema industries. Its conclusions on the nature of the nation's cinema and the discourses within it are relevant within a far wider context; film as a global phenomenon.

Fifty years ago, a group of striking Aboriginal stockmen in the remote Northern Territory of Australia heralded a revolution in the cattle industry and a massive shift in Aboriginal affairs. Now, after many years of research, A Handful of Sand tells the story behind the Gurindji people's famous Wave Hill Walk-off in 1966 and questions the meanings commonly attributed to the return of their land by Gough Whitlam in 1975. Written with a sensitive, candid and perceptive hand, A Handful of Sand reveals the path Vincent Lingiari and other Gurindji elders took to achieve their land rights victory, and how their struggles in fact began, rather than ended, with Whitlam's handback.

Briscoe's grandmother remembered stories about the first white men coming to the Northern Territory. This extraordinary memoir shows us the history of an Aboriginal family who lived under the race laws, practices and policies of Australia in the twentieth century. It tells the story of a people trapped in ideological folly spawned to solve 'the half-caste problem'. It gives life to those generations of Aboriginal people assumed to have no history and whose past labels them only as shadowy figures. Briscoe's enthralling narrative combines his, and his contemporaries, institutional and family life with a high-level career at the heart of the Aboriginal political movement at its most dynamic time. It also documents the road he travelled as a seventeen year old fireman on the South Australia Railways to becoming the first Aboriginal person to achieve a PhD in history.

The contributions in Nationalism and the Postcolonial examine forms, representations, and consequences of ubiquitous nationalisms in languages, popular culture, and literature across the globe from the perspectives of linguistics, political science, cultural studies, and literary studies.

Postcolonial Locations seeks to clarify the meaning of ‘the postcolonial’ through close textual readings, and prioritises material and located readings over more abstract theoretical discussions; it seeks to re-orient the field by providing practical explorations of what the discipline is for. The book begins with an introduction of the key theoretical debates in the field – between the universal and the particular; the global and the local – but it then goes on to demonstrate, via a series of close textual readings, that these distinctions are not always useful and that we can achieve a more comprehensive and complete reading of the multiple times, places and texts in which colonial power is both exerted and fought. An engaging and comprehensive guide to contemporary postcolonial studies, this book is essential reading for students as well as professors.

Winner of the 2020 Miles Franklin Literary Award and 2021 Kate Challis RAKA Award! "A beautifully written novel that puts language at the heart of remembering the past and understanding the present."—Kate Morton “A groundbreaking novel for black and white Australia.”—Richard Flanagan, Man Booker Prize winning author of The Narrow Road to the Deep North A young Australian woman searches for her grandfather's dictionary, the key to halting a mining company from destroying her family's home and ancestral land in this exquisitely written, heartbreaking, yet hopeful novel of culture, language, tradition, suffering, and empowerment in the tradition of Louise Erdrich, Sandra Cisneros, and Amy Harmon. Knowing that he will soon die, Albert “Poppy” Gondiwindi has one final task he must fulfill. A member of the indigenous Wiradjuri tribe, he has spent his adult life in Prosperous House and the town of Massacre Plains, a small enclave on the banks of the Murrumby River. Before he takes his last breath, Poppy is determined to pass on the language of his people, the traditions of his ancestors, and everything that was ever remembered by those who came before him. The land itself aids him; he finds the words on the wind. After his passing, Poppy’s granddaughter, August, returns home from Europe, where she has lived the past ten years, to attend his burial. Her overwhelming grief is compounded by the pain, anger, and sadness of memory—of growing up in poverty before her mother’s incarceration, of the racism she and her people endured, of the mysterious disappearance of her sister when they were children; an event that has haunted her and changed her life. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends and honor Poppy and her family, she vows to save their land—a quest guided by the voice of her grandfather that leads into the past, the stories of her people, the secrets of the river. Told in three masterfully woven narratives, The Yield is a celebration of language and an exploration of what makes a place "home." A story of a people and a culture dispossessed, it is also a joyful reminder of what once was and what endures—a powerful reclaiming of Indigenous language, storytelling, and identity, that offers hope for the future.

The rise of capitalism to global dominance is still largely associated – by both laypeople and Marxist historians – with the industrial capitalism that made its decisive breakthrough in 18th century Britain. Jairus Banaji’s new work reaches back centuries and traverses vast distances to argue that this leap was preceded by a long era of distinct “commercial capitalism”, which reorganised labor and production on a world scale to a degree hitherto rarely appreciated. Rather than a picture centred solely on Europe, we enter a diverse and vibrant world. Banaji reveals the cantons of Muslim merchants trading in Guangzhou since the eighth century, the 3,000 European traders recorded in Alexandria in 1216, the Genoese, Venetians and Spanish Jews battling for commercial dominance of Constantinople and later Istanbul. We are left with a rich and global portrait of a world constantly in motion, tied together and increasingly dominated by a pre-industrial capitalism. The rise of Europe to world domination, in this view, has nothing to do with any unique genius, but rather a distinct fusion of commercial capitalism with state power.

Deporting ‘Black Britons’ exposes the relationship between racism, borders and citizenship by telling the painful stories of four men who have been exiled to Jamaica. It examines processes of criminalisation, illegalisation and racialisation as they interact to construct deportable subjects in contemporary Britain and offers new ways of thinking about race and citizenship at different scales.