Gifts have been part of international relations since ancient times. They can serve as tokens of friendship, apology or authority; as taunts, bribes, boasts or tricks. They can also go wrong: Mali's 2013 gift of a camel to French President François Hollande was reported to have ended up in a tagine. Exploring fifty diplomatic gifts given through the ages, Brummell explains the great complexity of this political art--an exercise in brand-building for the giver, via an item that must suit the recipient's own interests and character. Byzantine emperors sent fragments of the True Cross to fellow Christian rulers around Europe; Kings Louis XV and XVI of France used Sèvres porcelain, while the Ottoman sultans favoured robes of honour. In some cases, recipients have made no secret of the gift they would want. The Amarna Letters, dating to around 1350 BCE, record a communication from Hittite Prince Zita to the Egyptian Pharaoh, offering sixteen men--and hinting rather heavily that he would like some gold in return. From the Trojan Horse to Cleopatra's Needle to the Statue of Liberty, this rich history offers a new take on both the curious detail and the grand spectacle of global politics.

Global Gifts considers the role that the circulation of material culture played in the establishment of early modern global diplomacy.

Michael Laver examines how the giving of exotic gifts in early modern Japan facilitated Dutch trade by ascribing legitimacy to the shogunal government and by playing into the shogun's desire to create a worldview centered on a Japanese tributary state. The book reveals how formal and informal gift exchange also created a smooth working relationship between the Dutch and the Japanese bureaucracy, allowing the politically charged issue of foreign trade to proceed relatively uninterrupted for over two centuries. Based mainly on Dutch diaries and official Dutch East India Company records, as well as exhaustive secondary research conducted in Dutch, English, and Japanese, this new study fills an important gap in our knowledge of European-Japanese relations. It will also be of great interest to anyone studying the history of material culture and cross-cultural relations in a global context.

“Jewelry isn’t ordinarily a tool of political persuasion, but in this beautiful book, Madeleine Albright, American ambassador to the United Nations and then the nation’s first female secretary of state, tells the compelling story of how these small objects became part of her ‘personal diplomatic arsenal.’” — The Chicago Tribune From New York Times bestselling author and former secretary of state Madeleine Albright, Read My Pins is a story and celebration of how one woman’s jewelry collection was used to make diplomatic history. Part illustrated memoir, part social history, Read My Pins provides an intimate look at Albright's life through the brooches she wore. Her collection is both international and democratic—dime-store pins share pride of place with designer creations and family heirlooms. Included are the antique eagle purchased to celebrate Albright's appointment as secretary of state, the zebra pin she wore when meeting Nelson Mandela, and the Valentine's Day heart forged by Albright's five-year-old daughter. Read My Pins features more than 200 photographs, along with compelling and often humorous stories about jewelry, global politics, and the life of one of America's most accomplished and fascinating diplomats.

From Napoleon Bonaparte's invasion of Egypt in 1798 to the foreign interventions in the ongoing civil wars in Syria, Yemen, and Libya today, global empires or the so-called Great Powers have long assumed the responsibility to bring security in the Middle East. The past two centuries have witnessed their numerous military occupations to 'liberate', 'secure' and 'educate' local populations. They staged first 'humanitarian' interventions in history and established hitherto unseen international and local security institutions. Consulting fresh primary sources collected from some thirty archives in the Middle East, Russia, the United States, and Western Europe, Dangerous Gifts revisits the late eighteenth and nineteenth century origins of these imperial security practices. It explicates how it all began. Why did Great Power interventions in the Ottoman Levant tend to result in further turmoil and civil wars? Why has the region been embroiled in a paradox-an ever-increasing demand despite the increasing supply of security-ever since? It embeds this highly pertinent genealogical history into an innovative and captivating narrative around the Eastern Question, emancipating the latter from the monopoly of Great Power politics, and foregrounding the experience of the Levantine actors. It explores the gradual yet still forceful opening up of the latter's economies to global free trade, the asymmetrical implementation of international law in their perspective, and the secondary importance attached to their threat perceptions in a world where political and economic decisions were ultimately made through the filter of global imperial interests.

Explores the Safavid and Ottoman empires through the lens of gifts. When the Safavid dynasty, founded in 1501, built a state that championed Iranian identity and Twelver Shi'ism, it prompted the more established Ottoman Empire to align itself definitively with Sunni legalism. The political, religious, and military conflicts that arose have since been widely studied, but little attention has been paid to their diplomatic relationship. Sinem Arcak Casale here sets out to explore these two major Muslim empires through a surprising lens: gifts. Countless treasures—such as intricate carpets, gilded silver cups, and ivory-tusk knives—flowed from the Safavid to the Ottoman Empire throughout the sixteenth century. While only a handful now survive, records of these gifts exist in court chronicles, treasury records, poems, epistolary documents, ambassadorial reports, and travel narratives. Tracing this elaborate archive, Casale treats gifts as representative of the complicated Ottoman-Safavid coexistence, demonstrating how their rivalry was shaped as much by culture and aesthetics as it was by religious or military conflict. Gifts in the Age of Empire explores how gifts were no mere accessories to diplomacy but functioned as a mechanism of competitive interaction between these early modern Muslim courts.

In recent decades the study of British foreign policy and diplomacy has broadened in focus. No longer is it enough for historians to look at the actions of the elite figures - diplomats and foreign secretaries - in isolation; increasingly the role of their advisers and subordinates, and those on the fringes of the diplomatic world, is recognised as having exerted critical influence on key decisions and policies. This volume gives further impetus to this revelation, honing in on the fringes of British diplomacy through a selection of case studies of individuals who were able to influence policy. By contextualising each study, the volume explores the wider circles in which these individuals moved, exploring the broader issues affecting the processes of foreign policy. Not the least of these is the issue of official mindsets and of networks of influence in Britain and overseas, inculcated, for example, in the leading public schools, at the Universities of Oxford and Cambridge, and in gentlemen's clubs in London's West End. As such the volume contributes to the growing literature on human agency as well as mentalité studies in the history of international relations. Moreover it also highlights related themes which have been insufficiently studied by international historians, for example, the influence that outside groups such as missionaries and the press had on the shaping of foreign policy and the role that strategy, intelligence and the experience of war played in the diplomatic process. Through such an approach the workings of British diplomacy during the high-tide of empire is revealed in new and intriguing ways.

In the sixteenth century, the Ottoman court in Constantinople emerged as the axial centre of early modern diplomacy in Eurasia. Diplomatic Cultures at the Ottoman Court, c.1500-1630 takes a unique approach to diplomatic relations by focusing on how diplomacy was conducted and diplomatic cultures forged at a single court: the Sublime Porte. It unites studies from the perspectives of European and non-European diplomats with analyses from the perspective of Ottoman officials involved in diplomatic practices. It focuses on a formative period for diplomatic procedure and Ottoman imperial culture by examining the introduction of resident embassies on the one hand, and on the other, changes in Ottoman policy and protocol that resulted from the territorial expansion and cultural transformations of the empire in the sixteenth century. The chapters in this volume approach the practices and processes of diplomacy at the Ottoman court with special attention to ceremonial protocol, diplomatic sociability, gift-giving, cultural exchange, information gathering, and the role of para-diplomatic actors.

Taking seriously the critical conception of diplomacy as the mediation of estrangement, Diplomatic Para-citations turns to the politics and laws that tie modern diplomacy to colonial cultures and the ‘genres of Man’ that they privilege. In an attempt to read ‘the diplomatic’ from the African postcolony, the book probes the injunction at the center of the law of genre that states that “genres are not to be mixed.” This enables it to investigate the citational/recitational forms of knowledge and practices of recognition that reproduce the diplomatic and colonial order of things in the African context. Through a reading of literature, philosophy, and a multiplicity of everyday practices in Africa and its diasporas, Sam Okoth Opondo explores amateur diplomatic practices that provide a counterforce to laws that prescribe faithfulness to a norm/form while proscribing the mixing of genres.