This historical commentary examines books 79(78)-80(80) of Cassius Dio's Roman History, which cover the period from the death of Caracalla in A. D. 217. to the reign of Severus Alexander and Cassius Dio's retirement from political life in 229. Cassius Dio, a Roman Senator, provides a valuable eyewitness account of this turbulent period, which was marked by the assassination of Caracalla, the rise of Macrinus, Rome's first equestrian emperor, and his subsequent overthrow, the tempestuous, and by all accounts peculiar, reign of Elagabalus, and the continuation of the Severan dynasty under the young Severus Alexander. In addition to elucidating important passages from these books, this study assesses Cassius Dio's political life and its relationship to his literary career; his call to history and time of composition; his historical method; and his attitude toward and subsequent presentation of the later Severan dynasty. In its investigation of books 79(78)-80(80), the work assesses an important stretch of Dio's actual text, which for other parts has been preserved largely in epitome and excerpts. Finally, the work aims to fill a gap in scholarship, as no commentary on these books of Cassius Dio's history has been produced since the nineteenth century, and its publication coincides with a renewed interest in the history and historiography of the Severan period.

Cassius Dio’s Roman History is an essential, yet still undervalued, source for modern historians of the late Roman Republic. The papers in this volume show how his account can be used to gain new perspectives on such topics as the memory of the conspirator Catiline, debates over leadership in Rome, and the nature of alliance formation in civil war. Contributors also establish Dio as fully in command of his narrative, shaping it to suit his own interests as a senator, a political theorist, and, above all, a historian. Sophisticated use of chronology, manipulation of annalistic form, and engagement with Thucydides are just some of the ways Dio engages with the rich tradition of Greco-Roman historiography to advance his own interpretations.

An insightful and original exploration of Roman Republic politics In A Companion to the Political Culture of the Roman Republic, editors Valentina Arena and Jonathan Prag deliver an incisive and original collection of forty contributions from leading academics representing various intellectual and academic traditions. The collected works represent some of the best scholarship in recent decades and adopt a variety of approaches, each of which confronts major problems in the field and contributes to ongoing research. The book represents a new, updated, and comprehensive view of the political world of Republican Rome and some of the included essays are available in English for the first time. Divided into six parts, the discussions consider the institutionalized loci, political actors, and values, rituals, and discourse that characterized Republican Rome. The Companion also offers several case studies and sections on the history of the interpretation of political life in the Roman Republic. Key features include: A thorough introduction to the Roman political world as seen through the wider lenses of Roman political culture Comprehensive explorations of the fundamental components of Roman political culture, including ideas and values, civic and religious rituals, myths, and communicative strategies Practical discussions of Roman Republic institutions, both with reference to their formal rules and prescriptions, and as patterns of social organization In depth examinations of the 'afterlife' of the Roman Republic, both in ancient authors and in early modern and modern times Perfect for students of all levels of the ancient world, A Companion to the Political Culture of the Roman Republic will also earn a place in the libraries of scholars and students of politics, political history, and the history of ideas.

"The Roman History of Cassius Dio provides one of the most important continuous narratives of the early Roman empire, spanning the inception of the Principate under Augustus to the turbulent years of the Severan Dynasty. It has been a major influence on how scholars have thought about Roman imperial history, from the Byzantine period down to the present day, as well as being a work of considerable literary sophistication and merit. This book, the product of an international collaborative project, brings together thirteen chapters written by scholars based in Europe, North America, and Australia. They offer new approaches to Dio's representation of Roman emperors, their courtiers, and key political constituencies such as the army and the people, as well as the literary techniques he uses to illuminate his narrative, from speeches to wonder narratives"--

“One of the really remarkable books of our day”—the story of the Roman emperor on which the award-winning BBC TV series was based (The New York Times). Once a rather bookish young man with a limp and a stammer, a man who spent most of his time trying to stay away from the danger and risk of the line of ascension, Claudius seemed an unlikely candidate for emperor. Yet, on the death of Caligula, Claudius finds himself next in line for the throne, and must stay alive as well as keep control. Drawing on the histories of Plutarch, Suetonius, and Tacitus, noted historian and classicist Robert Graves tells the story of the much-maligned Emperor Claudius with both skill and compassion. Weaving important themes throughout about the nature of freedom and safety possible in a monarchy, Graves’s Claudius is both more effective and more tragic than history typically remembers him. A bestselling novel and one of Graves’ most successful, I, Claudius has been adapted to television, film, theatre, and audio. “[A] legendary tale of Claudius . . . [A] gem of modern literature.” —Publishers Weekly (starred review)

In her new book about the men who were instrumental in establishing the Rome of the Emperors, Colleen McCullough tells the story of a famous love affair and a man whose sheer ability could lead to only one end -- assassination. As The October Horse begins, Gaius Julius Caesar is at the height of his stupendous career. When he becomes embroiled in a civil war between Egypt's King Ptolemy and Queen Cleopatra, he finds himself torn between the fascinations of a remarkable woman and his duty as a Roman. Though he must leave Cleopatra, she remains a force in his life as a lover and as the mother of his only son, who can never inherit Caesar's Roman mantle, and therefore cannot solve his father's greatest dilemma -- who will be Caesar's Roman heir? A hero to all of Rome except to those among his colleagues who see his dictatorial powers as threats to the democratic system they prize so highly, Caesar is determined not to be worshiped as a god or crowned king, but his unique situation conspires to make it seem otherwise. Swearing to bring him down, Caesar's enemies masquerade as friends and loyal supporters while they plot to destroy him. Among them are his cousin and Master of the Horse, Mark Antony, feral and avaricious, priapic and impulsive; Gaius Trebonius, the nobody, who owes him everything; Gaius Cassius, eaten by jealousy; and the two Brutuses, his cousin Decimus, and Marcus, the son of his mistress Servilia, sad victim of his mother and of his uncle Cato, whose daughter he marries. All are in Caesar's debt, all have been raised to high positions, all are outraged by Caesar's autocracy. Caesar must die, they decide, for only when he is dead will Rome return to her old ways, her old republican self. With her extraordinary knowledge of Roman history, Colleen McCullough brings Caesar to life as no one has ever done before and surrounds him with an enormous and vivid cast of historical characters, characters like Cleopatra who call to us from beyond the centuries, for McCullough's genius is to make them live again without losing any of the grandeur that was Rome. Packed with battles on land and sea, with intrigue, love affairs, and murders, the novel moves with amazing speed toward the assassination itself, and then into the ever more complex and dangerous consequences of that act, in which the very fate of Rome is at stake. The October Horse is about one of the world's pivotal eras, relating as it does events that have continued to echo even into our own times.

"This volume focuses on Cassius Dio as a historian - the only historian who allows us to follow the developments of Rome's political institutions during a more than thousand year period, from the foundation of the city to Cassius Dio's retirement from public life in 229 CE. The volume explores the Roman historian's methodology and agendas, all of which influenced his approaches to Rome's history. It offers a reassessment that rests on a deeper study of his relationship with historiographical traditions as well as his narrative and structural approach to Roman history. It examines Cassius Dio as both a writer in the historiographic tradition with his own agenda for writing The Roman History and a historian with his own ambition to tell the history of Rome. Contributors are: Valérie Fromentin, Mads O. Lindholmer, Christopher Baron, Konstantin V. Markov, Josip Parat, Christopher Burden-Strevens, Adam M. Kemezis, Andrew G. Scott, Jesper M. Madsen, Alex Imrie, Graham Andrews, Eric Adler, Carsten H. Lange, Antonio Pistellato, Jesper Carlsen, Brandon Jones, Julie Langford"--

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Method -- Oratory -- Morality -- Institutions & Empire.

For fans of the movie Gladiator comes this bloody account of the clashing of civilizations, as Attila the Hun, "The Scourge of God," struggles to overthrow the Roman Empire. The Roman Empire is weakening. In 367 AD, approximately eight years after the great battle at Hadrian's Wall, Roman garrisons begin to hear rumors of barbarian tribes massing to the north. By 449 AD, Attila, the ruler of the Huns, has become the continent's most powerful monarch, his reputation in battle earning him the title "The Scourge of God." Anticipating an imminent attack by the Huns, Roman leaders negotiate with one of Attila's lieutenants, convincing him to play the part of assassin. He is joined on his mission by a Roman citizen, Jonas, an ambassador dispatched to negotiate a peace treaty with the Huns. When the plot is discovered, Jonas becomes a hostage, forced to fight for his captors if he wishes to remain alive. But he soon learns that Attila intends to conquer Rome itself, and is caught between two mighty empires, both poised for one of the greatest conflicts the world has ever seen. Jonas, knowing his life could be forfeit, has the potential to tip the battle in either direction––and his decision will alter the face of Western civilization. For readers of historically nuanced thrillers and adventure stories by authors like Bernard Cornwell and Colleen McCullough. For readers interested in Roman and Barbarian culture and warfare.