DIVCollection of essays on film icon Marlene Dietrich./div

Few movie stars have meant as many things to as many different audiences as the iconic Marlene Dietrich. The actress-chanteuse had a career of some seventy years: one that included not only classical Hollywood cinema and the concert hall but also silent film in Weimar Germany, theater, musical comedy, vaudeville, army camp shows, radio, recordings, television, and even the circus. Having renounced and left Nazi Germany, assumed American citizenship, and entertained American troops, Dietrich has long been a flashpoint in Germany’s struggles over its cultural heritage. She has also figured prominently in European and American film scholarship, in studies ranging from analyses of the directors with whom she worked to theories about the ideological and psychic functions of film. Dietrich Icon, which includes essays by established and emerging film scholars, is a unique examination of the many meanings of Dietrich. Some of the essays in this collection revisit such familiar topics as Germany’s complex relationship with Dietrich, her ambiguous sexuality, her place in the lesbian archive, her star status, and her legendary legs, but with fresh critical perspective and an emphasis on historical background. Other essays establish new avenues for understanding Dietrich’s persona. Among these are a reading of Marlene Dietrich’s ABC—an eclectic autobiographical compendium containing Dietrich’s thoughts on such diverse subjects as “steak,” “Sternberg (Joseph von),” “Stravinsky,” and “stupidity”—and an argument that Dietrich manipulated her voice—through her accent, sexual innuendo, and singing—as much as her visual image in order to convey a cosmopolitan world-weariness. Still other essays consider the specter of aging that loomed over Dietrich’s career, as well as the many imitations of the Dietrich persona that have emerged since the star’s death in 1992. Contributors. Nora M. Alter, Steven Bach, Elisabeth Bronfen, Erica Carter, Mary R. Desjardins, Joseph Garncarz, Gerd Gemünden, Mary Beth Haralovich, Amelie Hastie, Lutz Koepnick, Alice A. Kuzniar, Amy Lawrence, Judith Mayne, Patrice Petro, Eric Rentschler, Gaylyn Studlar, Werner Sudendorf, Mark Williams

Moving from the chilly intrigues of the Russian Court to the secretive palace of the Ottoman Empire, Ethan Gage and his family seek a relic that promises imperial invincibility.

"In this collection of interviews and photographs, the many facets of Dietrich's personality and of her life during World War II are recounted by those whose lives she touched"--Front flap of jacket.

A collection of the icon’s surprising and heartfelt thoughts on topics A-to-Z, plus recipes and photos—a wonderfully addictive scrapbook for fans. From the wonderfully varied and witty mind of Marlene Dietrich comes an alphabetized collection of her most zany, honest, and heartfelt thoughts. Offering her take on a range of ideas, people, and items, Marlene Dietrich’s ABC is an unprecedented glimpse into one of history’s brightest and most enigmatic stars. Nothing is too small or grand for Dietrich’s unique eye. From her entry for hardware store—“I’d rather go to a hardware store than to the opera”—to her entry for egocentric—“If he is a creative artist, forgive him”—she transforms both the mundane and the mysterious into snapshots of her own spirit. Complete with photos from her vast career, Marlene Dietrich’s ABC is an unexpected and addicting treat.

From the stages of Berlin to anti-Nazi efforts and silver-screen stardom, Steven Bach reveals the fascinating woman behind the myth surrounding Marlene Dietrich in a biography that will stand as the ultimate authority on a singular star. Based on six years of research and hundreds of interviews—including conversations with Dietrich—this is the life story of one of the century’s greatest movie actresses and performers, an icon who embodied glamour and sophistication for audiences around the globe.

Parisian gallery owner, antiques dealer, and style tastemaker Pierre Passebon curates his favorite portraits of Marlene Dietrich by world-class photographers in this exquisite cloth-bound volume. Featuring rare images from Pierre Passebon’s personal collection, this volume celebrates Marlene Dietrich, Hollywood’s iconic femme fatale, as immortalized by master photographers including Edward Steichen, Irving Penn, Richard Avedon, Cecil Beaton, Milton Greene, George Hurrell, Antony Armstrong-Jones, and others. An active participant in her photo sessions, she constructed her own unique image of charm and seduction. Dietrich’s life was devoted to glamour for over forty years: in stage performances, on screen, and in concert. The public loved her. A modern and transgressive woman, she didn’t hesitate to break the rules by dressing in menswear (she was Yves Saint Laurent’s muse for his iconic tuxedos) or by being seen in public with her husband and her lovers (both male and female). Dietrich also refused to bend to Hollywood conventions around motherhood by raising her daughter in the limelight as well. Her beauty, style, and elegance made her the archetypal femme fatale, but it was Dietrich’s unwavering confidence, gender fluidity, and firm stand against Nazism that made her a revolutionary and an icon. This volume reveals how her fascination lies not only in the way she inspired the greatest photographers and fashion designers of her time, but in how she continues to embody the essence of glamour and female independence today.

"It is widely understood that the modernist novel sought to escape what Virginia Woolf called the "tyranny" of plot. Yet even as twentieth-century writers pushed against the constraints of Victorian, plot-driven novels, Pardis Dabashi shows that plot kept its hold on them through the influence of another medium: the cinema. Focusing on the novels of Nella Larsen, Djuna Barnes, and William Faulkner-writers known for their moviegoing affinities and connections to early film-Dabashi uses the relationship between literature and the cinema to reveal a profound longing for plot in modernist fiction. Dabashi links the moviegoing practices of Larsen, Barnes, and Faulkner to the tensions in their works, tensions between the formal properties of the novels and the characters in them. In making a distinction between what the novel is doing and what their characters desire, these authors ponder how it is one thing to withhold plot as a gesture of modernist aesthetics, and quite another to be denied the comfort of plot's architecture in one's living and breathing existence"--

Studies representations of women and death by women to see whether and how they differ from patriarchal versions.

The Routledge Encyclopedia of Films comprises 200 essays by leading film scholars analysing the most important, influential, innovative and interesting films of all time. Arranged alphabetically, each entry explores why each film is significant for those who study film and explores the social, historical and political contexts in which the film was produced. Ranging from Hollywood classics to international bestsellers to lesser-known representations of national cinema, this collection is deliberately broad in scope crossing decades, boundaries and genres. The encyclopedia thus provides an introduction to the historical range and scope of cinema produced throughout the world.