When Misty rammed the ice pick in his head, she felt alive, free, and wonderful. And the best part was she had six more to do. With a sigh, her mind went to an earlier time as she squatted in the corner and sucked her thumb. Childlike tears rolled down her cheeks as she hugged her Raggedy Ann doll and recited a Mother Goose nursery rhyme. Mary, Mary, quite contrary. How. . . . . . Police Sergeant Jack Delaney and the Doom squad were stumped. The murders had no common link. He knew if they could find the motive, they would solve the case. The problem was the motive was created fifty years ago.

Alex and Conner Bailey have not been back to the magical Land of Stories since their adventures in The Wishing Spell ended. But one night, they learn the famed Enchantress has kidnapped their mother. Against the will of their grandmother (the one and only Fairy Godmother), the twins must find their own way into the Land of Stories to rescue their mother and save the fairy tale world from the greatest threat it's ever faced.

Who was Mother Goose? Where did she come from, and when? Although she’s one of the most beloved characters in Western literature, Mother Goose’s origins have seemed lost in the mists of time. Several have tried to pin her down, claiming she was the mother of Charlemagne, the wife of Clovis (King of the Franks), the Queen of Sheba, or even Elizabeth Goose of Boston, Massachusetts. Others think she’s related to mysterious goose-footed statues in old French churches called “Queen Pedauque.” This book delves deeply into the surviving evidence for Mother Goose’s origins – from her nursery rhymes and fairy tales as well as from relevant historical, mythological, and anthropological data. Until now, no one has ever confidently identified this intriguing yet elusive literary figure. So who was the real Mother Goose? The answer might surprise you.

Mother Goose Refigured presents annotated translations of Charles Perrault’s 1697 fairy tales that attend to the irony and ambiguity in the original French and provide a fresh take on heroines and heroes that have become household names in North America. Charles Perrault published Histoires ou Contes du temps passé ("Stories or Tales of the Past") in France in 1697 during what scholars call the first "vogue" of tales produced by learned French writers. The genre that we now know so well was new and an uncommon kind of literature in the epic world of Louis XIV's court. This inaugural collection of French fairy tales features characters like Sleeping Beauty, Cinderella, and Puss in Boots that over the course of the eighteenth century became icons of social history in France and abroad. Translating the original Histoires ou Contes means grappling not only with the strangeness of seventeenth-century French but also with the ubiquity and familiarity of plots and heroines in their famous English personae. From its very first translation in 1729, Histoires ou Contes has depended heavily on its English translations for the genesis of character names and enduring recognition. This dependability makes new, innovative translation challenging. For example, can Perrault's invented name "Cendrillon" be retranslated into anything other than "Cinderella"? And what would happen to our understanding of the tale if it were? Is it possible to sidestep the Anglophone tradition and view the seventeenth-century French anew? Why not leave Cinderella alone, as she is deeply ingrained in cultural lore and beloved the way she is? Such questions inspired the translations of these tales in Mother Goose Refigured, which aim to generate new critical interest in heroines and heroes that seem frozen in time. The book offers introductory essays on the history of interpretation and translation, before retranslating each of the Histoires ou Conteswith the aim to prove that if Perrault's is a classical frame of reference, these tales nonetheless exhibit strikingly modern strategies. Designed for scholars, their classrooms, and other adult readers of fairy tales, Mother Goose Refigured promises to inspire new academic interpretations of the Mother Goose tales, particularly among readers who do not have access to the original French and have relied for their critical inquiries on traditional renderings of the tales.

Humpty Dumpty, Little Boy Blue, and other Mother Goose favorites are all here for children to enjoy in a beautifully illustrated, sturdy book of rhymes.

A collection of 108 illustrated Mother Goose rhymes.

Little Bo-Peep has lost her sheep, And can't tell where to find them; Leave them alone, and they'll come home, And bring their tails behind them.

Traces the life and career of the British actor, discusses his major roles, and depicts his complex and often difficult personality