In 1973, a creature known as The Shaker appeared to four psychologists in Sourville, North Carolina, and began a game entitled “The Pandemonium,” in which paranormal terrors would build up and leak out into the world for 33 years. The psychologists must successfully cure 33 of the town's most demanding patients before New Year’s 2007, in which a keepsake from every cured patient must be offered as tithe in a process known as the Neon Funeral, which will mark an end to the game. If the psychologists fail, the entire town will be flung into an endless psychosis known as the Neon Void. It is 2006, and Dr. Faust, the last surviving psychologist of his era, is now tasked with fending off the massive unraveling of the townspeople’s psyche while coming to terms with his failure to help his last two clients, as well as his own failing health. With a monstrous version of an irredeemable client from his past on the loose, a weary local detective may be his last serendipitous link to redemption.

Funeral Diva is the Winner of the Lambda Award for Lesbian Poetry! A poetic memoir about coming-of-age in the AIDS era, and its effects on life and art. "Sneed is an acclaimed reader of her own poetry, and the book has the feeling of live performance. . . . Its strength is in its abundance, its desire for language to stir body as well as mind."—Parul Sehgal, The New York Times Book Review "She is a writer for the future, in that she defies genre."—Hilton Als "This notable achievement, traveling from youth to adulthood, is a harrowing account of how Sneed transforms violence and pain into an artist's life."—Claudia Rankine, author of Citizen: An American Lyric "There's an eerie sense of timeliness to this book, which features prose and poetry by the writer and teacher Pamela Sneed and is largely — though not entirely — about mourning Black gay men killed too soon by a deadly virus."—Tomi Obaro, Buzzfeed "OH MY GOODNESS, it was amazing. I was in tears by the end. What starts off as beautiful memoir evolves into incredibly moving poetry, painful and sweet and lovely."—Marie Cloutier, Greenlight Bookstore, Brooklyn, NY "Balancing and mixing, with rhyme and reason, love and anger, good and bad, memory and the created present, all to tell the story of a life, a memoir unrestrained, devoid of artificial forms. Honest. Free."—Anjanette Delgado, New York Journal of Books In this collection of personal essays and poetry, acclaimed poet and performer Pamela Sneed details her coming of age in New York City during the late 1980s. Funeral Diva captures the impact of AIDS on Black Queer life, and highlights the enduring bonds between the living, the dying, and the dead. Sneed’s poems not only converse with lovers past and present, but also with her literary forebears—like James Baldwin, Toni Morrison, Audre Lorde—whose aesthetic and thematic investments she renews for a contemporary American landscape. Offering critical focus on matters from police brutality to LGBTQ+ rights, Funeral Diva confronts today's most pressing issues with acerbic wit and audacity. The collection closes with Sneed's reflections on the two pandemics of her time, AIDS and COVID-19, and the disproportionate impact of each on African American communities. "Riveting, personal, open-hearted, risky and wise."—Sarah Schulman, author of Conflict Is Not Abuse " . . . a tour de force about the collision between a coalescing 1980s 'Black lesbian and gay literary and poetic movement' in New York and the onslaught of AIDS."—Donna Seaman, Booklist "Pamela Sneed's Funeral Diva is deft, defiant, and devastating."—Tommy Pico, author of Feed "Funeral Diva is urgent and necessary reading to live by. This is writing at its finest. Keep this book close to your heart and soul."—Karen Finley, author of Shock Treatment "Reminiscent of Audre Lorde’s Zami, Pamela Sneed’s memoir is, in itself, a healing balm, affirming in its truths and honesty. I cannot remember ever reading a book that illustrates the impact of the AIDS epidemic on our community more poignantly than Funeral Diva."—Nicole Dennis-Benn, author of Patsy "Pamela Sneed takes enormous risks in this book. She tells the truth with fierce concentration and an abiding sense of purpose.”—Dorothy Allison, author of Bastard Out of Carolina

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

In the 1980s, Howard Chaykin broke new ground in American comic books with a series of formally innovative, iconoclastic works that turned the traditional action-adventure tales of mainstream comics into a platform for personal expression, political engagement, and aesthetic experimentation. His original creations American Flagg!, Time2, and the notorious Black Kiss, along with his reshaping of familiar titles like The Shadow and Blackhawk, generated acclaim and often controversy as they challenged expectations of the visual design and subject matter permissible in popular comics. Today, Chaykin remains a vital and prolific artist, but despite the original and influential nature of his work, he receives scant critical attention. In Neon Visions, Brannon Costello offers the first book-length critical evaluation of Chaykin’s work and confronts the blind spots in comics scholarship that consign this seminal artist to the margins. He argues that Chaykin’s contributions are often overlooked because his comics eschew any pretensions to serious literature. Instead, Chaykin’s work revels in the cliffhanger thrills of heroic-adventure genres and courts outrage with transgressive depictions of violence and sexuality. Examining Chaykin’s career from his early successes to compelling contemporary series such as City of Tomorrow, Dominic Fortune, and the controversial Black Kiss 2, Costello explores how this inventive body of work, through its evolving treatment of the theme of authenticity, incisively investigates popular culture’s capacity to foster or constrain individual identity and political agency. Challenging prevailing assumptions about the types of comics deemed worthy of scholarly attention, Costello reveals that the work of an artist as distinctive as Howard Chaykin demands a nuanced reading—one that confronts his unique approach to the comics medium, his blending of autobiographical themes and genre trademarks, and his engagement with comic books as artifacts of consumer culture.

Black Girl Shattered, the third book by spoken word artist Sheri Purpose Hall, effortlessly weaves her spirituality, black consciousness, and femininity into a tapestry of fully poetic words that are part memoir, part Black Studies thesis, part feminist manifesto, and part sacred text. By exploring the root causes of misfortunes that have been engineered to break the spirit of every woman—and revealing a path that leads to the beauty of mending—she ministers to all women (and men) while also speaking directly to issues that are both unique and specific to the black woman. This collection of poetry, prose, epistles, and essays is built on the kind of raw honesty designed to reveal, refresh, and uplift.

In The Southern Appalachian Region: A Survey, published by the University Press of Kentucky in 1962, Rupert Vance suggested a decennial review of the region's progress. No systematic study comparable to that made at the beginning of the decade is available to answer the question of how far Appalachia has come since then, but David S. Walls and John B. Stephenson have assembled a broad range of firsthand reports which together convey the story of Appalachia in the sixties. These observations of journalists, field workers, local residents, and social scientists have been gathered from a variety of sources ranging from national magazines to county weeklies. Focusing mainly on the coalfields of West Virginia, eastern Kentucky, southwestern Virginia, and north-central Tennessee, the editors first present selections that reflect the "rediscovery" of the region as a problem area in the early sixties and describe the federal programs designed to rehabilitate it and their results. Other sections focus on the politics of the coal industry, the extent and impact of the continued migration from the region, and the persistence of human suffering and environmental devastation. A final section moves into the 1970s with proposals for the future. Although they conclude that there is little ground for claiming success in solving the region's problems, the editors find signs of hope in the scattered movements toward grass-roots organization described by some of the contributors, and in the new tendency to define solutions in terms of reconstruction rather than amelioration.

Devil's Kitchen is a fast-paced, heart racing thriller from Candice Fox, "a bright new star in crime fiction." (James Patterson) This tight-knit, four-person unit has worked together to save countless lives and stop out of control fires before they cause major destruction. They've also stolen millions from banks, jewelry stores, and art galleries. Under the cover of saving the city, they've used their knowledge and specialist equipment to become the most successful heist crew on the East Coast. Andy Nearland is the newest member of the unit, and she's helping them prepare for their largest heist yet -- New York's largest private storage facility, an expensive treasure trove for the rich and famous. She's also an undercover operative, and keeping her true motives hidden proves more and more dangerous as the day of the heist approaches. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.