Explores the coverage of music in the journals edited by Dickens and how they reflect Dickens' own attitude to music and its social role.

Throughout his writing career Charles Dickens was a hugely prolific journalist. This volume of his later work is selected from pieces that he wrote after he founded the journal Household Words in 1850 up until his death in 1870. Here subjects as varied as his nocturnal walks around London slums, prisons, theatres and Inns of Court, journeys to the continent and his childhood in Kent and London are captured in remarkable pieces such as 'Night Walks', 'On Strike', 'New Year's Day' and 'Lying Awake'. Aiming to catch the imagination of a public besieged by hack journalism, these writings are an extraordinary blend of public and private, news and recollection, reality and fantastic description.

Newly commissioned essays by leading scholars offer a comprehensive and authoritative overview of the diversity, range and impact of the newspaper and periodical press in nineteenth-century Britain. Essays range from studies of periodical formats in the nineteenth century - reviews, magazines and newspapers - to accounts of individual journalists, many of them eminent writers of the day. The uneasy relationship between the new 'profession' of journalism and the evolving profession of authorship is investigated, as is the impact of technological innovations, such as the telegraph, the typewriter and new processes of illustration. Contributors go on to consider the transnational and global dimensions of the British press and its impact in the rest of the world. As digitisation of historical media opens up new avenues of research, the collection reveals the centrality of the press to our understanding of the nineteenth century.

The Edinburgh Companion to Charles Dickens and the Arts explores Dickens's rich and complex relationships with a myriad of art forms and the far-reaching resonance of his works across the arts overall. This volume reassesses Dickens's prescient philosophy of art, both through a historical and a present-day lens and in the context of debates about the cultural value of the arts. Across thirty-three original essays, it outlines the ways in which Dickens broke down oppositions between high and low art, money and the aesthetic, the extraordinary and the ordinary, and art for its own sake and the social good. In doing so, it considers how Dickens prefigured the arts of the future, including rap music, television, fanfiction and global cinema.

A biography of a Victorian-era woman who grew up as the daughter of novelist Charles Dickens—and found a creative career of her own. Katey Dickens was born into a house of turbulent celebrity and grew up surrounded by fascinating, famous, and infamous people. From a very young age, she knew her vocation was to be an artist. Lucinda Hawksley charts the life of a celebrated portrait painter who redefines our preconceptions about Victorian women. Living to be almost ninety, Katey survived an unconventional marriage, love affairs, heartbreak, depression, and the challenges of being a female artist in a male-dominated era. Compelling and illuminating, this biography of Katey Dickens tells the story of a spirited woman who found fame at the center of the first celebrity phenomenon; it also uncovers the reality of what it was like to be a child of Charles and Catherine Dickens.

A large-scale reference work covering the journalism industry in 19th-Century Britain.

This anniversary edition of the Oxford Companion to Charles Dickens celebrates 200 years since the birth of one of Britain's most popular authors. Covering his life, his works, his reputation, and his cultural context in over 500 A-Z articles, this is the most reliable and accessible reference work on Dickens available