This book examines return mobilities to and from ancestral homelands of the second generation and beyond. It presents cutting-edge empirical research framed within the mobilities, transnational and return migration/diaspora paradigms on a trans/local and global scale. The book is unique in presenting not only a variety of return movements, including short-term visits and longer-term return migrations, but also circulatory movements within transnational social fields while engaging with notions of ‘home’, belonging, identity and generation. The individual contributions range widely over different ethnic, national, regional and global settings, including Europe, North America, the Caribbean, the Gulf and Africa. The result is a remapping of the conceptualisation of ‘diaspora’ and of the role of successive generations in the diasporic experience, as well as a nuancing of the concepts of return migration and transnationalism by their extension to the second and subsequent generations of ‘immigrants’. This book was originally published as a special issue of Mobilities.

Diasporic Intimacies: Queer Filipinos and Canadian Imaginaries is the first edited volume of its kind, featuring the works of leading scholars, artists, and activists who reflect on the contributions of queer Filipinos to Canadian culture and society. Addressing a wide range of issues beyond the academy, the authors present a rich and under-studied archive of personal reflections, in-depth interviews, creative works, and scholarly essays. Their trandsdisciplinary approach highlights the need for queer, transgressive, and utopian practices that render visible histories of migration, empire building, settler colonialism, and globalization. Timely, urgent, and fascinating, Diasporic Intimacies offers an accessible entry point for readers who seek to pursue critically engaged community work, arts education, curatorial practice, and socially inflected research on sexuality, gender, and race in this ever-changing world.

Read an interview with Robyn Rodriguez. Filipino American Transnational Activism: Diasporic Politics among the Second Generation offers an account of how Filipinos born or raised in the United States often defy the multiple assimilationist agendas that attempt to shape their understandings of themselves. Despite conditions that might lead them to reject any kind of relationship to the Philippines in favor of a deep rootedness in the United States, many forge linkages to the “homeland” and are actively engaged in activism and social movements transnationally. Though it may well be true that most Filipino Americans have an ambivalent relationship to the Philippines, many of the chapters of this book show that other possibilities for belonging and imaginaries of “home” are being crafted and pursued.

Focusing on the return of the diasporic second generation to Greece, primarily in the first decade of the twenty-first century, Counter-Diaspora examines migration experiences of Greek-Americans and Greek-Germans growing up in the Greek diasporic setting, motivations for the counter-diasporic return, and evolving notions of the homeland.

Offers poems of family, history, love, and vision.

Mindful of the tunnel vision sometimes created by the privileging of ‘hybridity talk’ and matters of culture in discussions of texts by minority writers, Delphine Munos in After Melancholia reads the work of the Bengali-American celebrity author Jhumpa Lahiri against the grain, by shifting the ground of analysis from the cultural to the literary. With the help of psychoanalytic theories ranging from Sigmund Freud through André Green and Nicolas Abraham to Jean Laplanche, this study re-evaluates the complexity of Lahiri’s craft and offers major insights into the author’s representation of second-generation diasporic subjectivity – an angle hitherto neglected by critics working from the narrower theoretical boundaries of transnationalism, diaspora studies, postcolonial theory, and Asian-American studies alike. Via interdisciplinary incursions into the domains of literary and psychoanalytic criticism, as well as into those of trauma and diaspora studies, Munos takes up “Hema and Kaushik,” the triptych of short stories included in Unaccustomed Earth (2008), as exemplary texts in which Lahiri redefines notions of belonging and arrival regarding the Bengali-American second generation, not in terms of cultural assimilation – which would hardly make sense for characters born in the USA in the first place – but in terms of a resymbolization of the gaps in the parents’ migrant narratives. Munos’ in-depth reading of Lahiri’s trilogy is concerned with exploring how “Hema and Kaushik” signifies on the absent presences haunting transgenerational relationships within the US diasporic family of Bengali descent. Bringing to the forefront such ‘negative’ categories as the gap, the absent, the unsaid, the melancholically absented mother, After Melancholia reveals that the second-generation ‘Mother Diaspora’ is no less haunting than her first-generation counterpart, ‘Mother India’. Calling for a re-assessment of Lahiri’s work in terms of a dialectical relationship between (transgenerational) mourning and melancholia, Munos provides a compelling reading grid by means of which underrepresented aspects of the rest of Lahiri’s work, especially her novel The Namesake (2003), gain new visibility. Delphine Munos is a F.R.S.-FNRS postdoctoral researcher in the Department of English and American Literatures at the University of Liège (Belgium). She has published in the field of American and postcolonial literature, diaspora studies, and South Asian studies.

Questions persist about post-migrant generations and their sense of belonging in one homeland or another. As descendants of migrants, ‘second’ and further generations often struggle to establish an unproblematic belonging in/to a resident homeland, as the place where they live and work but are often categorized as ‘outsiders’. Simultaneously, because of improving access to travel, they can also maintain a physical presence in an ancestral homeland. However, their encounters there may also problematize their sense of belonging. During their summertime visits to Morocco, the European-Moroccan participants in this ethnography repeatedly find themselves negotiating a sense of belonging in the ‘homeland’. This book analyzes how these negotiations take place in order to investigate how the categories of ‘diasporic’ and ‘Moroccan’ become shaped by the interactional encounters observed. In the setting of Morocco, where trajectories to and from Europe have colored several centuries of history, this book provides a framework to explore how migration and return become incorporated into contemporary ‘Moroccanness’.

A multidisciplinary, authoritative outline of the current intellectual landscape of the field. Over the past three decades, the term ‘diaspora’ has been featured in many research studies and in wider theoretical debates in areas such as communications, the humanities, social sciences, politics, and international relations. The Handbook of Diasporas, Media, and Culture explores new dimensions of human mobility and connectivity—presenting state-of-the-art research and key debates on the intersection of media, cultural, and diasporic studies This innovative and timely book helps readers to understand diasporic cultures and their impact on the globalized world. The Handbook presents contributions from internationally-recognized scholars and researchers to strengthen understanding of diasporas and diasporic cultures, diasporic media and cultural resources, and the various forms of diasporic organization, expression, production, distribution, and consumption. Divided into seven sections, this wide-ranging volume covers topics such as methodological challenges and innovations in diasporic research, the construction of diasporic identity, the politics of diasporic integration, the intersection of gender and generation with the diasporic condition, new technologies in media, and many others. A much-needed resource for anyone with interest diasporic studies, this book: Presents new and original theory, research, and essays Employs unique methodological and conceptual debates Offers contributions from a multidisciplinary team of scholars and researchers Explores new and emerging trends in the study of diasporas and media Applies a wide-ranging, international perspective to the subject Due to its international perspective, interdisciplinary approach, and wide range of authors from around the world, The Handbook of Diasporas, Media, and Culture is ideal for undergraduate and graduate students, teachers, lecturers, and researchers in areas that focus on the relationship of media and society, ethnic identity, race, class and gender, globalization and immigration, and other relevant fields.

In recent decades, increasing numbers of diasporic peoples have returned to their ethnic homelands, whether because of economic pressures, a desire to rediscover ancestral roots, or the homeland government's preferential immigration and nationality policies. Although the returnees may initially be welcomed back, their homecomings often prove to be ambivalent or negative experiences. Despite their ethnic affinity to the host populace, they are frequently excluded as cultural foreigners and relegated to low-status jobs shunned by the host society's populace. Diasporic Homecomings, the first book to provide a comparative overview of the major ethnic return groups in Europe and East Asia, reveals how the sociocultural characteristics and national origins of the migrants influence their levels of marginalization in their ethnic homelands, forcing many of them to redefine the meanings of home and homeland.

This book examines the growing body of cultural works from Cuban exiles and Cuban Americans addressing the topic of return migration.