The Expedition to Magdala of 1867-1868 was a memorable event in British Military history of warfare in general, and in the history of Ethiopia. Meticulously planned and executed, the campaign was a triumph for its commander, Sir Robert Napier. It was notable for the use of Elephants imported from India, the building of a port railway and the use of breech-loading rifles, the first time they employed in War.

"Although many of the works on show in the exhibition catalogued in this superb publication appeared at the time in the Illustrated London News, for most readers this will be their first opportunity to see them in colour. Indeed, several of the sketches have never before been published in their original form ? notably William Simpson?s drawing of Prince Alemayehou, which was executed only a few days after the death of his father, the Emperor Tewedros, and of whom very few images have been handed down to us. Readers are also treated to a number of fascinating tidbits, such as the methods practiced by publishers? studio staff to enhance landscape sketches with the addition of human figures, and many will be intrigued to learn of the ?cut and paste? origins of the graphic cover used to illustrate John Pridham?s musical composition commemorating the battle.Professors Pankhurst and Northrup are to be congratulated not only for a succinct and readable presentation of the historical background, but for their insight into the relationship between Ethiopia and the outside world prevailing in the mid-19th century. Whereas previous writers have tended to portray events leading up to the ?Abyssinian difficulty? through European eyes; the reader can now begin to see them in the Ethiopian context. It is a sad irony that it is only in the 21st century that we begin to see that Tewedros?s cultural values had more in common with the pre-Renaissance world of Prester John than with post-industrial revolution Britain. Clearly the British government?s outrage at the imprisonment of its consul, and Napier?s subsequent refusal to accept anything less than total surrender ? even after the release of the prisoners ? would not have been anticipated or even understood by an essentially medi?val monarch. Both Ethiopianists and lovers of military art will be grateful to Frederic Sharf for a unique and important publication. Following hard on the heels of Diary of a Journey to Abyssinia, this carefully prepared exhibition of paintings and drawings of Britain?s Abyssinia expedition fills some significant gaps in our knowledge of 19th century Ethiopia."Ian Campbell, Scholar on Ethiopian Art History

'Extraordinary and thrilling ... This story should be known to every man, woman and child' - Lemn Sissay In 1868, British troops charged into the mountain empire of Ethiopia, stormed the citadel of its monarch Tewodros II and grabbed piles of his treasures and sacred manuscripts. They also took his son – six-year-old Prince Alamayu – and brought the boy back with them to the cold shores of England. For the first time, Andrew Heavens tells the whole story of Alamayu, from his early days in his father's fortress on the roof of Africa to his new home across the seas, where he charmed Queen Victoria, chatted with Lord Tennyson and travelled with his towering red-headed guardian Captain Speedy. The orphan prince was celebrated but stereotyped and never allowed to go home. The book also follows the loot – Ethiopia's 'Elgin Marbles' – and tracks it down to its current hiding places in bank vaults, museum store cupboards and a boarded-up cavity in Westminster Abbey. A story of adventure, trauma and tragedy, The Prince and the Plunder is also a tale for our times, as we re-examine Britain's past, pull down statues of imperial grandees and look for other figures to commemorate and celebrate in their place.

The first book to explore how African American writing and art engaged with visions of Ethiopia during the late nineteenth and early twentieth centuries As the only African nation, with the exception of Liberia, to remain independent during the colonization of the continent, Ethiopia has long held significance for and captivated the imaginations of African Americans. In Black Land, Nadia Nurhussein delves into nineteenth- and twentieth-century African American artistic and journalistic depictions of Ethiopia, illuminating the increasing tensions and ironies behind cultural celebrations of an African country asserting itself as an imperial power. Nurhussein navigates texts by Walt Whitman, Paul Laurence Dunbar, Pauline Hopkins, Harry Dean, Langston Hughes, Claude McKay, George Schuyler, and others, alongside images and performances that show the intersection of African America with Ethiopia during historic political shifts. From a description of a notorious 1920 Star Order of Ethiopia flag-burning demonstration in Chicago to a discussion of the Ethiopian emperor Haile Selassie as Time magazine’s Man of the Year for 1935, Nurhussein illuminates the growing complications that modern Ethiopia posed for American writers and activists. American media coverage of the African nation exposed a clear contrast between the Pan-African ideal and the modern reality of Ethiopia as an antidemocratic imperialist state: Did Ethiopia represent the black nation of the future, or one of an inert and static past? Revising current understandings of black transnationalism, Black Land presents a well-rounded exploration of an era when Ethiopia’s presence in African American culture was at its height.

From the skyrocketing AIDS rate in Haiti to the oppressive pollution in industrial China, from the violent street culture of Nigeria to the crippling poverty in Nicaragua, from child trafficking in Thailand to child marriages in India, this jam-packed six-volume set explores all these issues and more in an unprecedented look at the world's children at the dawn of the 21st century. In recent years, while many countries have enjoyed a higher standard of living and improved working conditions, others have been torn apart by war and incapacitated by famine, and are struggling to improve life for their children and their future. Recent concern over the world's children has resulted in a global attempt to define what constitutes an acceptable childhood. New attention has been paid, not only to healthcare and secondary education, but also to the right to play and increased access to technology. The UN's codification of children's rights has done much to expand our understanding of what is needed for healthy growth and development of children and youth. Organized by region, The Greenwood Encyclopedia of Children's Issues Worldwide is the first globally focused set of this magnitude, offering extensive, up-to-date coverage of these critical issues. Original chapters accessibly synthesize current data on key topics, including education, play and recreation, child labor, family, health, laws and legal status, religious life, abuse and neglect, and growing up in the 21st century.

A varied and charming collection of 17 papers that bring something new about the people from many countries and backgrounds who traveled to, from and within Egypt and the Near East, either singly or as a group, and explored, observed and recorded, or stayed for a short period of time to improve their health or simply to enjoy the experience. While some travelers kept a diary or journal that has survived until today, others did not. Their travels have to be extracted from the wide range of manuscript sources that are thankfully retained in libraries and archives, or which still remain with their descendants. Sometimes, the name of a traveler is only contained in a few words within a single piece of correspondence or journal entry, yet from such small beginnings and through detective work to link the chance meetings between travelers with a location, or news of a shared event, it is often possible to chart part of a traveler’s journey and bring to life a person who has long been forgotten. These minor characters and their travails often bring a new perspective to well-known places and events.

The Royal Scots Dragoon Guards and their antecedents have been involved in every major British campaign since the 17th century. On 18 June 1815, the Royal Scots Greys charged Napoleon's infantry columns, capturing the eagle of the French 45th Infantry. Napoleon is said to have commented of the regiment, 'Ah, ces terribles chevaux gris (those terrible grey horses)'. Today that eagle is the regimental badge of the Royal Scots Dragoon Guards, Scotland's senior regiment and her only regular cavalry. Here Stephen Wood tells the story of glorious cavalry charges and terrifying tank battles, from the Western Front to the liberation of Basra. Stunning paintings bring the narrative to life while contemporary photography depicts both the horror and the compassion of modern warfare as witnessed by the officers and troopers of this unique regiment.

It’s 1868 and Sir Harry Flashman, V.C., arch-cad, amorist, cold-headed soldier, and reluctant hero, is back! Fleeing a chain of vengeful pursuers that includes Mexican bandits, the French Foreign Legion, and the relatives of an infatuated Austrian beauty, Flashy is desperate for somewhere to take cover. So desperate, in fact, that he embarks on a perilous secret intelligence-gathering mission to help free a group of Britons being held captive by a tyrannical Abyssinian king. Along the way, of course, are nightmare castles, brigands, massacres, rebellions, orgies, and the loveliest and most lethal women in Africa, all of which will test the limits of the great bounder’s talents for knavery, amorous intrigue, and survival. Flashman on the March—the twelfth book in George MacDonald Fraser’s ever-beloved, always scandalous Flashman Papers series--is Flashman and Fraser at their best.

Rachel Bryant Davies and Erin Johnson-Williams lead a cast of renowned scholars to initiate an interdisciplinary conversation about the mechanisms of power that have shaped the nineteenth-century archive, to ask: What is a nineteenth-century archive, broadly defined? This landmark collection of essays will broach critical and topical questions about how the complex discourses of power involved in constructions of the nineteenth-century archive have impacted, and continue to impact, constructions of knowledge across disciplinary boundaries, and beyond academic confines. The essays, written from a range of disciplinary perspectives, grapple with urgent problems of how to deal with potentially sensitive nineteenth-century archival items, both within academic scholarship and in present-day public-facing institutions, which often reflect erotic, colonial and imperial, racist, sexist, violent, or elitist ideologies. Each contribution grapples with these questions from a range of perspectives: Musicology, Classics, English, History, Visual Culture, and Museums and Archives. The result is far-reaching historical excavation of archival experiences.