The 1854 seven-volume edition of journals and correspondence by the author Fanny Burney (1752-1840), spanning the period 1778-1840.

Novelist and playwright Frances (Fanny) Burney, 1752-1840, was also a prolific writer of journals and letters, beginning with the diary she started at fifteen and continuing until the end of her eventful life. From her youth in London high society to a period in the court of Queen Charlotte and her years interned in France with her husband Alexandre d'Arblay during the Napoleonic Wars, she captured the changing times around her, creating brilliantly comic and candid portraits of those she encountered - including the 'mad' King George, Samuel Johnson, Sir Joshua Reynolds, David Garrick and a charismatic Napoleon Bonaparte. She also describes, in her most moving piece, undergoing a mastectomy at fifty-nine without anaesthetic. Whether a carefree young girl or a mature woman, Fanny Burney's forthright, intimate and wickedly perceptive voice brings her world powerfully to life.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

This book explores how the publication of women’s life writing influenced the reputation of its writers and of the genre itself during the long nineteenth century. It provides case studies of Frances Burney, Mary Wollstonecraft, Mary Robinson and Mary Hays, four writers whose names were caught up in debates about the moral and literary respectability of publishing the ‘private’. Focusing on gender, genre and authorship, this study examines key works of life writing by and about these women, and the reception of these texts. It argues for the importance of life writing—a crucial site of affective and imaginative identification—in shaping authorial reputation and afterlife. The book ultimately constructs a fuller picture of the literary field in the long nineteenth century and the role of women writers and their life writing within it.

Examining letter collections published in the second half of the nineteenth century, Catherine Delafield rereads the life-writing of Frances Burney, Charlotte Brontë, Mary Delany, Catherine Winkworth, Jane Austen and George Eliot, situating these women in their epistolary culture and in relation to one another as exemplary women of the period. She traces the role of their editors in the publishing process and considers how a model of representation in letters emerged from the publication of Burney’s Diary and Letters and Elizabeth Gaskell’s Life of Brontë. Delafield contends that new correspondences emerge between editors/biographers and their biographical subjects, and that the original epistolary pact was remade in collaboration with family memorials in private and with reviewers in public. Women’s Letters as Life Writing addresses issues of survival and choice when an archive passes into family hands, tracing the means by which women’s lives came to be written and rewritten in letters in the nineteenth century.

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Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Frances Burney’s journals and letters, composed between 1768 and 1839, contain a unique account of the creative, social, and commercial ambitions and achievements of an eighteenth-century female writer. Focusing on Burney’s literary life, this selection from her journals and correspondence combines Burney’s own accounts of the creation of her popular novels, her aspirations for her dramatic writings, and her reflections upon her letters and journals as literary productions in their own right. In addition to Burney’s letters and journal entries, this Broadview edition includes: selections from Burney’s Brief Reflections relative to the Emigrant French Clergy (1793) and Memoirs of Doctor Burney (1832); letters by family and friends about her literary activities; and contemporary reviews of The Diary and Letters of Madame d’Arblay.