Diaries of Jane Summer is a 15-chapter book of Jane’s letters to her mother sharing her knowledge of nature, seasons, culture, customs, traditions, and the differences in new traditions, new customs, and the changes in seasons and nature that she noted over a period of time.

This volume explores the multiple connections between the two most canonical authors in English, Jane Austen and William Shakespeare. The collection reflects on the historical, literary, critical and filmic links between the authors and their fates. Considering the implications of the popular cult of Austen and Shakespeare, the essays are interdisciplinary and comparative: ranging from Austen’s and Shakespeare’s biographies to their presence in the modern vampire saga Twilight, passing by Shakespearean echoes in Austen’s novels and the authors’ afterlives on the improv stage, in wartime cinema, modern biopics and crime fiction. The volume concludes with an account of the Exhibition “Will & Jane” at the Folger Shakespeare Library, which literally brought the two authors together in the autumn of 2016. Collectively, the essays mark and celebrate what we have called the long-standing “love affair” between William Shakespeare and Jane Austen—over 200 years and counting.

It’s summertime, and the living is easy, the ice cream is cold, and the temperature is so hot your brains will melt right out of your head. Mooch and Earl are eager to make the most of it, lounging in the backyard pool, building sandcastles on the beach, and exchanging knock-knock jokes with a dolphin. From whales and tsunamis to lemonade and Bermuda shorts, this Mutts collection is packed full of summer fun!

Yellowstone is America's premier national park. Today is often a byword for conservation, natural beauty, and a way for everyone to enjoy the great outdoors. But it was not always this way. Wonderlandscape presents a new perspective on Yellowstone, the emotions various natural wonders and attractions evoke, and how this explains the park's relationship to America as a whole.Whether it is artists or naturalists, entrepreneurs or pop-culture icons, each character in the story of Yellowstone ends up reflecting and redefining the park for the values of its era. For example, when Ernest Thompson Seton wanted to observe bears in 1897, his adventures highlighted the way the park transformed from a set of geological oddities to a wildlife sanctuary, reflecting a nation was concerned about disappearing populations of bison and other species. Subsequent eras added Rooseveltian masculinity, ecosystem science, and artistic inspiration as core Yellowstone hallmarks.As the National Park system enters its second century, Wonderlandscape allows us to reflect on the values and heritage that Yellowstone alone has come to represent—how it will shape the America's relationship with her land for generations to come.

This is the biography of the Gothic novelist, Ann Radcliffe (1764-1823), author of "The Mysteries of Udolpho", the world's first "best seller". The text clarifies Radcliffe's emergence from a Dissenting Unitarian, rather than a conventional Anglican, background. This places Radcliffe within the circle of other women writers nurtured in radical Dissenting backgrounds (such as Wollstonecraft, Hays, Inchbauld and Barbauld). Radcliffe's childhood and family background are documented and the rumours of her madness and reclusiveness investigated leading to an evaluation of the resons for her probable mental breakdown. The text constitutes a "cultural history" of a writing woman, demonstrating her place within radical culture, literary tradition and aesthetic discourse, and examining her role in the rise of the professional woman writer. Her novels are analyzed mainly in the context of her biography and sources.

This book is about the literary and friendship networks that were active in Britain for a 250 year period. Patterns in the nature of literary social circles emerge: they may centre upon a location, like Christ Church, or a person, like Aaron Hill; they may suffer stress when private relationships become public knowledge, as Caroline Lamb’s Glenarvon shows; and they may model themselves on a preceding age, as the relationship between the Sidney circle and Lady Mary Wroth exemplifies. Despite these similarities, no two coteries are the same. The circles this volume examines even differ in their acceptance of their own status as a coterie: someone like Constance Fowler was certainly part of a strict familial coterie; the Scriberlians were a more informal set who were also members of other groups; and although Byron’s years of fame are regularly associated with Holland House, he often denied being of their party. With an Afterword by Helen Hackett

An energetic woman, Inchbald achieved fame as an actress, novelist, playwright and critic. This work includes her eleven surviving diaries, which record Inchbald's social contacts and professional activities, itemize her day-to-day expenditure, and chart the development of affairs such as the Napoleonic Wars and the trial of Queen Caroline.