A revolutionary compilation of speeches which produced a political groundwork for many of the radical movements in the following decades The now legendary Dialectics of Liberation congress, held in London in 1967, was a unique expression of the politics of dissent. Existential psychiatrists, Marxist intellectuals, anarchists, and political leaders met to discuss key social issues. Edited by David Cooper, The Dialectics of Liberation compiles interventions from congress contributors Stokely Carmichael, Herbert Marcuse, R. D. Laing, Paul Sweezy, and others, to explore the roots of social violence. Against a backdrop of rising student frustration, racism, class inequality, and environmental degradation—a setting familiar to readers today—the conference aimed to create genuine revolutionary momentum by fusing ideology and action on the levels of the individual and of mass society. The Dialectics of Liberation captures the rise of a forceful style of political activity that came to characterize the following years.

A revolutionary compilation of speeches which produced a political groundwork for many of the radical movements in the following decades The now legendary Dialectics of Liberation congress, held in London in 1967, was a unique expression of the politics of dissent. Existential psychiatrists, Marxist intellectuals, anarchists, and political leaders met to discuss key social issues. Edited by David Cooper, The Dialectics of Liberation compiles interventions from congress contributors Stokely Carmichael, Herbert Marcuse, R. D. Laing, Paul Sweezy, and others, to explore the roots of social violence. Against a backdrop of rising student frustration, racism, class inequality, and environmental degradation—a setting familiar to readers today—the conference aimed to create genuine revolutionary momentum by fusing ideology and action on the levels of the individual and of mass society. The Dialectics of Liberation captures the rise of a forceful style of political activity that came to characterize the following years.

"The Dialectics of Black Liberation: The African Liberation Support Committee is a study that analyses the important ideological debates (Marxism and Nationalism), anti-imperialist social movements, and support for African liberation. Over four key years grass roots organizing was the basis for a vibrant national movement"--

To the question of &lquo;what is art?&rquo;, it is often simply responded that art is whatever is produced by the artist. For John Molyneux, this clearly circular answer is deeply unsatisfying. In a tour de force spanning renaissance Italy and the Dutch Republic to contemporary leading figures, The Dialectics of Art instead approaches its subject matter as a distinct field of creative human labour that emerges alongside and in opposition to the alienation and commodification brought about by capitalism. The pieces and individuals Molyneux examines — from Michelangelo’s Slaves to Rembrandts Jewish Bride to the vast drip paintings of Jackson Pollock – are presented as embodying the social contradictions of their times, giving art an inherently political relevance. In its relationship of creative and dialectical tension to prevailing social relationships and norms, such art points beyond the existing order of things, hinting at a potential future society not based on alienated labour in which creative production becomes the property and practice of all.

This collection of 35 years of Dunayevskaya's writings, based on active participation, interviews, and meetings develops the dialectics of revolution which emerges from masses in motion, including not only women and men, but the forces of labour, youth, the black dimension and women's liberation.

Anticolonial theorists and revolutionaries have long turned to dialectical thought as a central weapon in their fight against oppressive structures and conditions. This relationship was never easy, however, as anticolonial thinkers have resisted the historical determinism, teleology, Eurocentrism, and singular emphasis that some Marxisms place on class identity at the expense of race, nation, and popular identity. In recent decades, the conflict between dialectics and postcolonial theory has only deepened. In Decolonizing Dialectics Geo Maher breaks this impasse by bringing the work of Georges Sorel, Frantz Fanon, and Enrique Dussel together with contemporary Venezuelan politics to formulate a dialectics suited to the struggle against the legacies of colonialism and slavery. This is a decolonized dialectics premised on constant struggle in which progress must be fought for and where the struggles of the wretched of the earth themselves provide the only guarantee of historical motion.

Raya Dunayevskaya is one of the twentieth century’s great but underappreciated Marxist and feminist thinkers. Her unique philosophy and practice of Marxist-Humanism—as well as her grasp of Hegelian dialectics and the deep humanism that informs Marx’s thought—has much to teach us today. From her account of state capitalism (part of her socio-economic critique of Stalinism, fascism, and the welfare state), to her writings on Rosa Luxemburg, Black and women’s liberation, and labor, we are offered indispensable resources for navigating the perils of sexism, racism, capitalism, and authoritarianism. This collection of essays, from a diverse group of writers, brings to life Dunayevskaya’s important contributions. Revisiting her rich legacy, the contributors to this volume engage with her resolute Marxist-Humanist focus and her penetrating dialectics of liberation that is connected to Black, labor, and women’s liberation and to struggles over alienation and exploitation the world over. Dunayevskaya’s Marxist-Humanism is recovered for the twenty-first century and turned, as it was with Dunayevskaya herself, to face the multiple alienations and de-humanizations of social life.

With the flowering of postcolonialism, we return to Frantz Fanon, a leading theorist of the struggle against colonialism. In this thorough reinterpretation of Fanon's texts, Ato Sekyi-Otu ensures that we return to him fully aware of the unsuspected formal complexity and substantive richness of his work. A Caribbean psychiatrist trained in France after World War II and an eloquent observer of the effects of French colonialism on its subjects from Algeria to Indochina, Fanon was a controversial figure--advocating national liberation and resistance to colonial power in his bestsellers, Black Skin, White Masks and The Wretched of the Earth. But the controversies attending his life--and death, which some ascribed to the CIA--are small in comparison to those surrounding his work. Where admirers and detractors alike have seen his ideas as an incoherent mixture of Existentialism, Marxism, and psychoanalysis, Sekyi-Otu restores order to Fanon's oeuvre by reading it as one dramatic dialectical narrative. Fanon's Dialectic of Experience invites us to see Fanon as a dramatist enacting a movement of experience--the drama of social agents in the colonial context and its aftermath--in a manner idiosyncratically patterned on the narrative structure of Hegel's Phenomenology of Spirit. By recognizing the centrality of experience to Fanon's work, Sekyi-Otu allows us to comprehend this much misunderstood figure within the tradition of political philosophy from Aristotle to Arendt. Reviews of this book: "The goal of this often brilliant and always engaging book is to 'read Fanon's texts as though they formed one dramatic dialectical narrative'; the principal subject of this dramatic narrative, according to Sekyi-Otu, is 'political experience'. It is his deployment of a dialectical analysis of Fanon's 'dramatic personae' that permits Sekyi-Otu's fresh and insightful readings to take place." DD--Anthony C. Alessandrini, Minnesota Review "Ato Sekyi-Otu departs from the postmodernist paradigm and ushers in an alternative hermeneutic that primarily considers Fanon's texts as forming 'one dramatic dialectical narrative,' that is a narrative whose complexity is correlative of the intricate configurations of African social experience during the post-independent era...[His] book is an invaluable contribution that offers broader scope for a new appreciation of Fanon's political thinking." DD--Marc Mve Bekale, Revue AFRAM Review [UK] "[I]mportant...The author succeeds in...revealing the complexity and nuanced character of Fanon's thought." DD--Choice "Those who would dismiss or exult Fanon as the high priest of revolutionary violence will be chastened by this patient and completely convincing exposition of his work. Sekyi-Otu produces a reflexive, 'Gramscian' Fanon who, working as a 'detective of the politics of truth,' has produced insights that need to be taken over into the core of democratic political thought." DD--Paul Gilroy, University of London