This book is a close study of the ?paddharmaparvan which situates it within its context in the great Sanskrit epic the Mah?bh?rata and within Indian political and social thought, and explores the relationship of its didacticism to the broader literary context of the Mah?bh?rata.

The Āpaddharmaparvan, 'the book on conduct in times of distress', is an important section of the great Sanskrit epic the Mahābhārata which, despite its significance for Mahābhārata studies and for the history of Indian social and political thought, has received little attention in scholarly literature. This book places the Āpaddharmaparvan within its literary and ideological contexts. In so doing it explores the development of a conception of brahmanic kingship morally justifiable within the terms of a debate largely set by various alternative social movements of the period. This book further explores the implications for our understanding of the Mahābhārata that follow from the Āpaddharmaparvan's presentation as a poetically cohesive unit within itself and within the wider parameters of the Mahābhārata.

Many Mahābhāratas is an introduction to the spectacular and long-lived diversity of Mahābhārata literature in South Asia. This diversity begins with the Sanskrit Mahābhārata, an early epic poem that narrates the events of a catastrophic fratricidal war. Along the way, it draws in nearly everything else in Hindu mythology, philosophy, and story literature. The magnitude of its scope and the relentless complexity of its worldview primed the Mahābhārata for uncountable tellings in South Asia and beyond. For two thousand years, the instinctive approach to the Mahābhārata has been not to consume it but to create it anew. The many Mahābhāratas of this book come from the first century to the twenty-first. They are composed in nine different languages—Apabhramsha, Bengali, English, Hindi, Kannada, Malayalam, Sanskrit, Tamil, and Telugu. Early chapters illuminate themes of retelling within the Sanskrit Mahābhārata itself, demonstrating that the story's propensity for regeneration emerges from within. The majority of the book, however, reaches far beyond the Sanskrit epic. Readers dive into classical dramas, premodern vernacular poems, regional performance traditions, commentaries, graphic novels, political essays, novels, and contemporary theater productions—all of them Mahābhāratas. Because of its historical and linguistic breadth, its commitment to primary sources, and its exploration of multiplicity and diversity as essential features of the Mahābhārata's long life in South Asia, Many Mahābhāratas constitutes a major contribution to the study of South Asian literature and offers a landmark view of the field of Mahābhārata studies.

In Indian mythological texts like the Mahābhārata and Rāmāyaṇa, there are recurrent tales about gleaners. The practice of "gleaning" in India had more to do with the house-less forest life than with residential village or urban life or with gathering residual post-harvest grains from cultivated fields. Gleaning can be seen a metaphor for the Mahābhārata poets’ art: an art that could have included their manner of gleaning what they made the leftovers (what they found useful) from many preexistent texts into Vyāsa’s “entire thought”—including oral texts and possibly written ones, such as philosophical debates and stories. This book explores the notion of non-violence in the epic Mahābhārata. In examining gleaning as an ecological and spiritual philosophy nurtured as much by hospitality codes as by eating practices, the author analyses the merits and limitations of the 9th century Kashmiri aesthetician Anandavardhana that the dominant aesthetic sentiment or rasa of the Mahābhārata is shanta (peace). Mahatma Gandhi's non-violent reading of the Mahabharata via the Bhagavad Gita are also studied. This book by one of the leaders in Mahābhārata studies is of interest to scholars of South Asian Literary Studies, Religious Studies as well as Peace Studies, South Asian Anthropology and History.

Bringing together Hiltebeitel's major essays on the the Mah?bh?rata, the R?m?ya?a, and the south Indian cults of Draupad? and K?tt???avar along with new articles written especially for this collection, this two volume work offers a comprehensive re-reading of the Indian epic tradition by the foremost scholar in Indian epic studies today.

This book explores the relationship between ethics, aesthetics, and religion in classical Indian literature and literary theory by focusing on one of the most celebrated and enigmatic texts to emerge from the Sanskrit epic tradition, the Mahabharata. This text, which is widely acknowledged to be one of the most important sources for the study of South Asian religious, social, and political thought, is a foundational text of the Hindu tradition(s) and considered to be a major transmitter of dharma (moral, social, and religious duty), perhaps the single most important concept in the history of Indian religions. However, in spite of two centuries of Euro-American scholarship on the epic, basic questions concerning precisely how the epic is communicating its ideas about dharma and precisely what it is saying about it are still being explored. Disorienting Dharma brings to bear a variety of interpretive lenses (Sanskrit literary theory, reader-response theory, and narrative ethics) to examine these issues. One of the first book-length studies to explore the subject from the lens of Indian aesthetics, it argues that such a perspective yields startling new insights into the nature of the depiction of dharma in the epic through bringing to light one of the principle narrative tensions of the epic: the vexed relationship between dharma and suffering. In addition, it seeks to make the Mahabharata interesting and accessible to a wider audience by demonstrating how reading the Mahabharata, perhaps the most harrowing story in world literature, is a fascinating, disorienting, and ultimately transformative experience.

Indian Political Thought: Themes and Thinkers covers all major Indian political thinkers from the ancient, through medieval to the modern times. Thus, this book provides an overview of the evolution of the Indian political thought through different historical periods, giving an insight into the sociological and political conditions of the times that shaped the Indian political thinking. It does not only talk about the lives and times of the thinkers, but also explores the important themes that formed the basis of their political ideologies. The chapters discuss the contributions of the thinkers and at the same time examine some important themes including the theory of state, civil rights, ideal polity, governance, nationalism, democracy, social issues like gender and caste, swaraj, satyagraha, liberalism, constitutionalism, Marxism, socialism and Gandhism. With a comprehensive coverage of both the thinkers and the themes of the Indian political thought, this book caters to needs of the undergraduate as well as the post graduate courses of all Indian universities. It is valuable also for UGC-NET and civil service examinations.

An edited collection on the history of law and legal texts in the Hindu traditions.

Argument and Design features fifteen essays by leading scholars of the Sanskrit epics, the Mahābhārata and the Rāmāyaṇa, discussing the Mahābhārata’s upākhyānas, subtales that branch off from the central storyline and provide vantage points for reflecting on it. Contributors include: Vishwa Adluri, Joydeep Bagchee, Greg Bailey, Adam Bowles, Simon Brodbeck, Nicolas Dejenne, Sally J. Sutherland Goldman, Robert P. Goldman, Alf Hiltebeitel, Thennilapuram Mahadevan, Adheesh Sathaye, Bruce M. Sullivan, and Fernando Wulff Alonso.